[EXPRESSO] The Bride! (2026) | Mary Shelley’s Frankenmess

This was a film i did look forward to see, obviously, being a peculiar take on Bride Of Frankenstein, with the trailers showing off The Creature (the Frankenstein monster) and The Bride in a Bonny & Clyde, Syd & Nancy style dynamic as they travel a 30’s America of gangsters and trenched detectives.

The premise sees the ghost/spirit of Mary Shelley, the author of Frankenstein herself, meta narrate about her “sequel” about the “Bride” of Frankenstein, in this case the corpse of a prostitute working undercover to gather info about a particularly violent mob boss, which is dug up after the Creature travels to America and seeks the help of Dr. Ephronious to make him a companion in order to soothe his unique loneliness.

The experiment is successful and so the Bride is borne, but it becomes difficult for the two monsters to go unnoticed, not only due to the police and the mob befuddled by a presumed dead woman showing up on the newspapers’ headlines, but also because Mary Shelley herself occasionally possesses the Bride’s body…..

the idea of a feminist take on Bride Of Frankenstein makes perfect sense, i do believe so, even if discordant by design, as it’s not only a horror-crime duet of deranged protagonists complementing each other’s delirium, but it’s also a gothic romance that often dips into comedy and even musical sequence that seems to tribute-spoof Frankenstein Junior.

It’s ambitious and – again- by design tries to combine together pieces that don’t really naturally fit, which is indeed “very Frankenstein”, but the execution honestly feels like a really hot mess of intentions, even more stitched together and messier than intended, downright clunky.

I do respect its ambition, even if the final result is indeed quite flawed, but also proper interesting and never quite boring.

[EXPRESSO] Thor: Love And Thunder (2022) | “Bi” from “Bifrost”

After being pleasantly surprised by Thor Ragnarok (which i quite liked), i was cautiously optimistic about this one, since we have Taika Waltiti back in the director chair, and two Thors, why not?

The plot sees Thor cruising the galaxy on a quest for his own inner peace, after basically handing to others his expected status and obligations of a god. But his hippish voyage for love and identity is cut short by an intergalactic killer known as “Gorr The God Butcher”, forcing the son of Odin to request the aid of Valkyrie and even his ex, Jane Foster, who now can wield the mighty Mjolnir as “Mighty Thor”, on an adventure to find out Gorr’s motives and stop him before he can bring his godslaying crusade to the next level.

More than previous installment, this one leans into the comedic aspect that ran through the Thor series to make it more distinct from Ragnarok, especially by “leaning” heavily into romantic comedy territory, and aside from a similar-esque scene, the movie feel like a continuation of the previous one but not a redo, and it manages to fully give Thor a proper character arc.

Problem is that tonal unconsistency rears its ugly head here, as the “eros and thanatos” combo never fully finds a proper balance, so while the film works, it does feel kinda disjointed and in turn it’s hard to fully engage with what’s going on, even if funny, entertaining or emotional. Some tired comedy beats and some (arguably inevitable) franchise fatigue only exacerbate things further.

A shame, because the villain it’s pretty decent, Waltiti flair is still in full force here, but i also can’t deny that Thor: Love And Thunder feels messy, at times unfocused and ultimately it’s decent fun but kinda disappointing and oddly forgettable.