One Piece (Netflix’s) (2023) [REVIEW] | You’re My Treasure Box

It’s time.

I’ve been meaning to talk about this thing since we saw the first trailer (ok, let’s be honest, the announcement of this being greenlit), but i mostly held off because i didn’t want to speculate much but just actually watch the show and then judge it accordingly to what it actually is and NOT what it might or might not turn out to be, as much pontificating on widely distributed promotional material is the bread and butter of this job here, especially when you have to appease the “content God”.

And since we’re being more upfront than usual, yes, i was preparing me own buckets of tar and feathers, even as the trailers close to release did make one wonder if maybe this time we don’t have a huge manga-to-live action stinker, i mean, it comes from the same production studio that gave us the rightfully despised Cowboy Bebop live action shitwreck, let us not forget that.

The trust was not there, at least not for me, despite Oda being vocally supportive and letting it more than know this was not just a random gig he lazily supervised in terms of actual involvement, but that he indeed wanted this to happen for a long time and was excited about this thing, he really wanted for it to work.

I mean, after Franky’s timeskip design…and him helping rehabilitating colleagues (let alone his sensei Nobuhiro “Maybe A CP Ringmaster” Watsuki) of his that in a better world would not have returned with a new serialization on Jump.

Leaving THAT hornets’ nest aside, he was never gonna advocate against it, or something stupid like that, but i did question why he was so hyped about something everyone almost immediatly catalogued as a write-off thing that they’d bring up years later as a “that was weird” kind of story.

So at the very end of August the One Piece live action Netflix series was made available on the plaftorm, composed of eight 45 to 60 minutes long episodes composing the first season, which covers from the very beginning at Shells Town (with Foosha Village visited via flashbacks of young Luffy with Shanks and his crew) up to the conclusion of the Arlong Park arc.

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One Piece TV SP 12: Episode of East Blue – Luffy and His Four Friends’ Great Adventure (2017) [REVIEW]

Director: Takashi Otsuka

Writer: Tomohiro Nakayama

Runtime: 106 minutes

Remember how i touched upon that plan Toei had about putting out One Piece TV specials in summer and winter, with abridged retellings and original stories?

Well, since we got two original stories back to back with the two previous TV specials, guessing it was yet again time for abridged remakes of older One Piece material was a safe bet to make.

Indeed it was, heck, and “safe” it’s also the perfect way to describe the choice made here.

Or stale and creatively lazy, as one would preferably talk of it, because we already had an East Blue story arcs abridged recap to be found in various bits of other “remake recap specials”, we didn’t really need to make another one of these so we could insert some previously not redone parts of the story. And even that comes off as a compromise on top of a compromise, since it’s only covers the origin or main arc of Luffy and his first four crewmember, Zoro, Sanji, Usop and Nami.

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One Piece TV SP 5: Episode of Nami – Tears of a Navigator and the Bonds of Friends (2012) [REVIEW]

Director: Katsumi Tokoro

Writer: Hirohiko Kamisaka

Runtime: 106 Minutes

Like with the One Piece movies, eventually Toei went for the “lazy” route and decided to occasionaly not even bother writing some new material for these TV specials.

This is not to rag on the Toei animators, writers and such, but i’m sorry, these “recap movies/specials” are lazy from a creative standpoint, they are, and it’s not like they serve much purpose as seeing the same scenes and parts of the story you already saw done with a slightly better animation and production values, all repackaged in an abridged fashion running over 90 minutes.

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