[EXPRESSO] Netflix’s One Piece (Season 2) (2026) | Grand Line Rules

The live action adventures of the Straw Hats continue in this second season (also made up of 8 long episodes), that covers from the Logue/Rogue Town Arc up to the conclusion of the Drum Island story arc, so it means Little Garden and Whispey Peak are in it, while seeding and teasing the main Alabasta arc that is likely gonna be the focus of Season 3.

Despite the variations to the plot with the Marine Festival in Rogue Town (among other things i will not spoil), you can rest assured Smoker’s pants still hunger for ice cream.

What can i say, it’s a fuckin miracle how not only the live action Netflix adaptation of One Piece is good, it’s great, it’s way better than it had any logical sense being, especially given Netflix track record and the rightfully frowned idea of turning animated series into live action.

Looking at you again, Netflix’s Cowboy Bebop.

Besides working as an incredible gateway for people to actually get invested in the manga and One Piece as a whole, offering something new for the many people already more than familiar with the story…. to be honest this is even better than season 1, and i’m not just talking about how the budget for this season clearly was a lot bigger than for the previous one,

the casting keeps getting even better, i’m honestly impressed, and they do commit, no matter how extra silly some already ridiculous designs were, we’re going all in, and it’s beautiful, perfectly in tone with its source material, throwing various little references on the sly for long time fans to get, made “just” because the people making the show actually love One Piece for what it is, without having to feel “shame” for it because someone told them they should.

One Piece (Netflix’s) (2023) [REVIEW] | You’re My Treasure Box

It’s time.

I’ve been meaning to talk about this thing since we saw the first trailer (ok, let’s be honest, the announcement of this being greenlit), but i mostly held off because i didn’t want to speculate much but just actually watch the show and then judge it accordingly to what it actually is and NOT what it might or might not turn out to be, as much pontificating on widely distributed promotional material is the bread and butter of this job here, especially when you have to appease the “content God”.

And since we’re being more upfront than usual, yes, i was preparing me own buckets of tar and feathers, even as the trailers close to release did make one wonder if maybe this time we don’t have a huge manga-to-live action stinker, i mean, it comes from the same production studio that gave us the rightfully despised Cowboy Bebop live action shitwreck, let us not forget that.

The trust was not there, at least not for me, despite Oda being vocally supportive and letting it more than know this was not just a random gig he lazily supervised in terms of actual involvement, but that he indeed wanted this to happen for a long time and was excited about this thing, he really wanted for it to work.

I mean, after Franky’s timeskip design…and him helping rehabilitating colleagues (let alone his sensei Nobuhiro “Maybe A CP Ringmaster” Watsuki) of his that in a better world would not have returned with a new serialization on Jump.

Leaving THAT hornets’ nest aside, he was never gonna advocate against it, or something stupid like that, but i did question why he was so hyped about something everyone almost immediatly catalogued as a write-off thing that they’d bring up years later as a “that was weird” kind of story.

So at the very end of August the One Piece live action Netflix series was made available on the plaftorm, composed of eight 45 to 60 minutes long episodes composing the first season, which covers from the very beginning at Shells Town (with Foosha Village visited via flashbacks of young Luffy with Shanks and his crew) up to the conclusion of the Arlong Park arc.

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