[EXPRESSO] The Invite (2026) | Indoor Games

A curious case, not in itself, even though American remakes of foreign film are (thankfully) becoming extinct, but because we already got a remake of Sentimental, a 2020 Spanish film, as the 2022 Italian Vicini Di Casa….which i basically ignored at the time due to the cast, no joke, and because sentimental comedy dramas in Italy are a crapshoot quality wise.

Yeah, The Invite is indeed that, but since i never saw the original nor the Italian remake, i guess it doesn’t matter for the purposes of this review, which wasn’t planned at all, i went to see this on a whim.

A couple whose relationship is (to put it kindly) on the ropes invite (much to the husband desire not to) their neughbours for dinner, a couple of really extroverted, mysterious and fascinating people, but after a rough start, the night takes an unexpected turn..

This is where you might think i’m not describing the plot any further to avoid the super Shyamalan twist of Seth Rogen revealing he has been Donkey Kong wearing a human skin suit all along, nor because it turns into Funny Games.

I’m still not describing the plot any further because otherwise i still would spoil it, and because it’s indeed pretty much a play, set in an apartment with very fow rooms and very few characters, hinging entirely on the performances, on the characters, as they discuss their issues, antagonize each other, undermine and discover more about themselves, opening up and letting the audience learn more than the initial facade implies, in a intelligent, witty but never too cerebral fashion that it loses that feeling of verysimilitude.

It’s a rare comedy-drama made for actual adults, with amazing performances and characters so compelling you won’t notice how its actually almost 2 hours long.

Recommended.

Maneater (2022) [REVIEW] | #sharkapalooza

Some “fresh” meat from…. 3 years ago. Yum.

Another one i randomly bought new for cheap on DVD via Amazon, sight unseen, because my hunger for shark movies it’s apparently endless.

Written and directed by Justin Lee, Maneater’s plot is pretty much the usual affair when talking modern shark movies: a group of friends go on vacation, board a boat that brings them to a remote deserted island where to get their party on, shark happens and it’s one that developed a knack (leave Mark Cerny alone) for human flesh.

This time we don’t have teens, but people in the 30s that have been married or just concluded a long education path, which is something different, i guess, especially since the movie doesn’t have the asshole that fucks everything that moves, or cheating bullshit to pad out the human drama parts, with a subplot involving an old fisherman that harbours vengeance as great white sharks took not only his wife but also recently his daughter.

Continua a leggere “Maneater (2022) [REVIEW] | #sharkapalooza”