[EXPRESSO] The Cuphead Show (Season Two) (2022) | Cup Me Twice

Since i didn’t proper disliked the first season (see the previous review, if you would like), yeah, whatever, i watched all the Shaman King’s Netflix adaptation, i can watch this, while i wait for the complete physical release of the game to come into existence.

Continuing up from the first season’s cliffhanger, we have Cuphead and Mugman thrown into jail after they were basically set-off by the charming con-maister Chalice to enter the cookie factory on the hush, and then.. they escape/get out of it in the first episode. So much for that.

Yeah, a strong, over-arching narrative wasn’t the forte of the first season, but despite hinting at the focus being on the character of Miss Chalice, introduced right at the end of the previous season, hanging around with the boys… even that gets resolved quickly, so any kind of plot is thrown out of the window for episodic adventures.

Mundane, episodic, adventures.

Yep, if this sounds familiar, it’s because i ultimately i have the same feelings (and criticisms) about this second season as i did for the first one: short episodes that look good but lack any real substance or interesting stories, while not being outright bad or offensive, and once again it’s clear the target audience isn’t adult fans of the videogame, animation buffs, but just… kids.

I did bother with this second season to see if it was better in any significant way, but honestly it would have been worse if the Devil (and with him a semblance of story, fun and wit) didn’t eventually come back for a couple of episodes, but thankfully he does.

But again, it don’t matter anyway, since Netflix ordered 36 episodes overall, there’s a cliffhanger, so it’s pretty much a given we’ll see a third season/slice/part.

Yay? Maybe? Whatever, later!

Splatoon 3 Direct and the squid temperature check

There have been some Directs about specific Nintendo games, most recently for the upcoming 9th generation Pokemon games, Scarlet/Violet, but i didn’t have much to say or add aside from it looking fairly good, clearly improving open world elements seen in Legends Arceus, like combining all traversal/mount Pokemon into the main legendary, which also look hilarious with the wheels in their body, etc.

But since Splatoon is basically the only multiplayer online series i care about and have actually devoted a lot of time towards since its Wii U debut (and i plan to continue, enough to buy the damn limited edition Pro Controller), i feel this specific Direct is the perfect occasion to sum up my overall feelings towards Splatoon 3 before it releases this early September.

Even more since i don’t plan a full lenght review, due to the nature of the game we’ll have to see how support and updates go, so more likely i’m gonna do a “XX hours into” piece and later a review for Splatoon 3’s 1th anniversary.

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[EXPRESSO] C’Mon C’Mon (2021) | Kids Know

I’m not familiar with Mike Mill as a film director, but it’s shot in black and white, it stars Joaquin Phoenix? Indeed, quite the easy prey we can be.

Though, “prey” it’s honestly unfair. It’s a movie with ambition and that wants to investigate upon important themes like parenthood, family dysfunctions and all those entangle, from the constant struggle it require to the its “failings” and how it affects the children in return.

The premise for this is set as Johnny, a radio journalist famous for his interviews and documentaries, goes on a tour of the United States asking kids from varying cities and background about themselves, their fears and hopes, their outlook on the future, etc etc.

One day he gets asked from his sister to take care of his nephew Jessie for a few days, as she has to help her husband to deal with his recent bout of mental illness, so Johnny takes Jessie with him on his work days, and the two form a very special bond.

There’s the familiar dynamic of “not that mature adults with way too mature kids”, and the themes aren’t exactly unimportant, but honestly the films feels way too ponderous on the fact that “kids are people too”, and the way this dynamic works in here feels kinda contradictory in terms of responsability and parenthood, as the adult has never enough pulse to practice some of its own teachings, as Jessie never shuts up or its reprimended, but he’s overindulged even over the smallest, tiniest misunderstanding regardless.Even if it’s arguably less educative. Ops.

I don’t think this is a bad movie, but it’s a bit too cerebral, too fictitious at heart for its own sake, and bit boring at times, but its held together – despite these issues – by Joaquin Phoenix’s performance.