[EXPRESSO] Venom: Let There Be Carnage (2021) | Venom, Accidental LGBT Icon

The 2018’s Venom movie was kinda interesting and a oddity of sorts, as it came out unbound by tethers to the MCU, while being a Marvel IP born out of the Spider Man comics, without Spider Man, deliberately put out in a way to easily dismiss its very existence if it need be.

I will not lie, that movie wasn’t good at all, frankly a big mess that did deserve being called out on not being nowhere good… but it was so stupid and fun i found myself liking it a lot in spite of all its obvious flaws, especially when it’s being this goofy buddy comedy about Tom Hardy and his parasite monster “best friend by force” that just happens to be an alien parasite monster.

Ridiculous but incredibly enjoyable.

It was also quite the box office hit, so the teaser of Carnage at the end of the first one is realized in this sequel, Let There Be Carnage, which has serial killer Cletus Kasady (played by Woody Harrelson) escape from prison after becoming the host of Carnage, a spawn of Venom itself, which complicates thing for Eddie Brock, still adjusting to his new life as a host to the symbiote.

This one is directed by motion capture extraordinarie Andy Serkis (instead of Ruben Fleischer), and like the first Venom, it’s a flawed affair (this one has basically no second act, just set up and then fights) through and through, stupid as hell but sincere and reveling in its own dumb nature. Once again the romcom parts are better than the action scenes, but overall makes for a strangely refreshing throwback to old superhero movies that could be imperfect, messy fun.

Though i won’t be surprised if eventually Marvel doesn’t integrate this series into the MCU somewhat. We’ll see.

[EXPRESSO] Shang-Chi: The Legend Of The Ten Rings (2021) | Wuxia To The West

So, this is Marvel first attempt at doing more asian style action movie, introducing a new protagonist, the titular Shang Chi, forced to face his past as he was raised from infancy to be a perfect assassin by the criminal organization known as the Ten Rings, commanded by The Mandarin (connecting it to the Iron Man movies), and we also have Benedict Wong – as one would expect – is playing… well, the character of the mystic Wong, seen before in Doctor Strange.

YEAH, if it feels quite generic from the premise, and the idea of having Marvel “manufacture” a wuxia fantasy film while also doing a superhero movie and keeping their style of doing it.,…it’s not exactly that alluring, especially with the plot sounding really cliched as hell: the “face the master-father that’s also the boss of a criminal assassin ring so you can be free” thing, etcetera, etcetera

And while it a good step in terms of representation, it also just like the bare minimum by today’ standards.

It’s not a bad movie, but in a way it’s exactly what you would expect from a Marvel movie cramming asian martial arts, wuxia style fights and fantasy-mystical elements usually seen in Chinese (and chinese-related) cinema into their usual superhero mold, and while the action scenes are fun, it’s hard to care much about the story or the characters (aside from the sympathetic villain played very well by Tony Leung, outacting Simu Liu as the main character a lot), they’re mostly ok, but their arcs are brashly executed or not really interesting, given how token pretty much everything is here.

It’s a bit frustrating, as it could have been EASILY so much worse, but also isn’t quite decent, not helped by boring, cliched flashbacks and feeling a bit too long.

[EXPRESSO] Black Widow (2021) | Velvet Assassins, Inc.

Marvel movies are back into theathers, a fact of life made accidentally more intriguing after the pandemic stopped the torrent of Marvel theatherical releases, and saturation gives way to acceptance and wishing to return to the “pre-Covid 19” habits.

At the very least this particular movie had already plenty of delays and issues behind the scenes before, but the Black Widow “origins” movie is here.

Not exactly my favourite of the Avengers, i will say this upfront, but still, easily more intriguing that anything they could come up with Hawkeye (at least judging what the Marvel movies did with him), i’d say. Like the previous movie hinted at, she had a troubled upbringing, was a KGB, and here we see her momentarily leave the Avengers team (in a timespan between Civil War and Infinity War) to meet up with her old “family”, leading her to take on the villain Taskmaster and confront a figure from her past youth as a selected trainee for the “Black Widow” program.

As Natasha Romanoff is simply human, her origin story uses this to give the movie a more “realistical” feel (though don’t worry, there’s the usual Marvel bombast), and aside from some of the inevitable mentions of the other Avengers, the movie does want to stand on its own and distinguish itself by tackling darker (and a bit more “grounded”) themes than usual, as this action thriller about child soldiers raised -at all cost – to be the most efficient assassins and spies, the new characters are good, there are some fun moments (alongside the usual, obligatory Marvel self-jab).

The cast is pretty dang good too (it has Florence Pugh), and while not sensational, it’s quite entertaining and willing to not really rely on other Marvel movies to tell its own story. Fun one.