[EXPRESSO] Frankenstein (2025) | At Stein’s Gate

Sadly no theathers in my area or close did limited screenings of Guillermo Del Toro’s Frankenstein, so i had to wait and watch in when it dropped some days ago on Netflix, like most people will,

Which is fine and all, but you know…

That said, i think it’s kinda funny to see how it compares against odd choice of Luc Besson doing a very romance heavy version of Dracula…when he didn’t get distracted, almost accidentally did a Dracula Dead And Loving It kinda spoof of sorts, and remembered he left the subplot with Christopher Waltz as Van Helsing waiting for a call back to be resolved.

Both films do indulge in the nature of their literary sources as gothic sacred beasts, but Del Toro’s version stands on the opposite of the spectrum, and unlike its recent take on Pinocchio, his retelling of Frankenstein it surprisingly simple from a conceptual standpoint, being a fairly faithful retelling of the story as written by Mary Shelley, even with the narration starting out at the end at the North Pole and then Victor Frankenstein telling his story and the Creature’s to the captain of the icebreaker ship that rescued him, then having the Creature tell his side of the tale.

Even at is most “unoriginal”, it is Del Toro doing one of the gothic magnus opuses, so it’s exactly what you’d expected from him, and i mean that in a purely flattening fashion, i really do, he obviously loves and treats Frankenstein with such respect i understand why not try a subversive take on it, despite how many times the story has been done in film, as it’s not pedantic in recreating verbatim the book, and strays enough to avoid it feeling like stale regurgitation, kinda needed given the sizable runtime.

Pretty good.

[EXPRESSO] MaxXxine (2024) | La Sexorcisto, Volume 3

The last chapter of the X trilogy by Ti West, Maxxxine, has finally hit theathers.

FIY, i didn’t see Pearl (the prequel to X before going into Maxxxine, as it sadly never came out in theathers here (just direct to video), i had it on my “to watch list”, but i got sidetracked and stuff.

This is to say that you can go directly to see this after X, as it follows up the survivor girl, Maxine Minx (Mia Goth), now in the 1980s, with her wanting to break away from pornographic films (after a lot of success in the field) and break into the regular cinema biz, managing to finally get a part in a horror movie sequel, The Puritan II, during the height of the “Satanic Panic” scare, as a serial killer named “The Night Stalker” keeps murdering young women in the Hollywood hills…

Ti West once again does an excellent job of balancing out the period piece vibes (sleazy as expected and desired), the direct horror references and tributes, the cultural background of the making movie biz at the time, all without forgetting to deliver likeable characters, excellent gore effects and graphic content (including a Cannibal Ferox pre-cannibalism treatment, let’s just put it that way), a familiar but still enganging slasher storyline, with an excellent cast that also includes Elizabeth Debicki as the “Puritan II” movie director and Kevin Bacon as a sleazy ass private investigator.

It knows exactly how to please fans of the genre, how to play the retro card, and does so without ever feeling patronizing, it just knows exactly what it wants and does it with gusto, with convinction, with genuine love and passion for the subject matter, yet avoiding it being overly referential (or downright masturbatory) for its own sake.

Quite good.

[EXPRESSO] X (2022) | Fornicators!

Kinda “surprise release” of this one in theathers here, didn’t really expect it!

I wasn’t familiar with Ti West’s work before i saw this, FIY, but i’m glad i did.

Set in 1970’s rural america, X tells of a crew that rents a farm house in Houstin, Texas, from an elderly couple, to whom they obviously didn’t told their real purpose: shooting a porno film in order to make it big thanks to the promises of “home video entertaiment” as an upcoming industry.

The problem is the couple happens decrepit and crazy, as they both are driven homicidal by the lethal combination of old age, puritanical christian values (fueled by fearmongering televangelists) that clash with the newfound sexual revolution in the younger generations, and envy.

It’s a tribute to the early 70s gruesome slashers and similar films depicting – at the time – unseen levels of violence, set in the remote depths of Texas, but it’s not just style and homages, as it balances out comedy, fairly violent gore with creepy, unsettling sequences, great acting and good characters, even the villains have a relatable side.

Also, incredibly it juggles the line very well in terms of the exploitation factor, as it’s fairly graphic, the kills are satisfying, there’s plenty of nudity, so it definitely doesn’t pull punches, but also doesn’t feel it’s being too excessive or tacky, showing some class and being able to touch upon some meaningful topics, of having some moments of earnest tenderness amongst the carnage.

And even a bit of Lake Placid action, between the porno shoots and the creepy elders deciding its time yet again to vent the frustration of old age on the youngins.

It’s also very damn satisfying in terms of kills, to boot, so i’d say X it’s pretty good stuff.

Recommended!