Dino Dicember #20: Theodore Rex (1995)

The 1990’s had such a thing for the “extinction impaired” that they managed to spawn not one, not two but three (at least) dinosaur cyberpunk movies, and yes, i’m counting Super Mario Bros The Movie as one of them, because it fits. But we’ll reference that one some more later, when we tackle Anonymous Rex, today we’re talking about a movie that people knew about at the time… but wish they didn’t.

Clearly it didn’t help Whoopi Goldberg’s career, but neither this nor Monkeybone stopped her. Baby Geniuses 2 did more on that regard, as far as playing a character (instead of herself) in a movie.

Of course, this means Theodore Rex, the sci-fi dinosaur buddy cop comedy that was meant for theathers, but ultimately went straight to the home video market, at least in the US and Italy. Also, it did earn Whoopi Goldberg a Golden Raspberry Award, but the Razzies… yeah, whatever.

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Dino Dicember #19: Super Mario Bros The Movie (1993)

I could have waited until that animated Super Mario movie Nintendo commissioned Illumination (urgh) released… but sure as shit it isn’t coming out this year (not like it was gonna, it was slated for a 2022 release before the COVID-19 pandemic anyway), and i’m doing Dino Dicember… well, in Dicember, so it’s a pretty good “excuse” for me to watch and review the infamous Super Mario Bros live-action movie. And i do enjoy the challenge, it’s not like it’s this obscure adaptation nobody on the internet talked about, but let’s give the movie a fair shake with almost 2 decades of hindsight.

And yes, it totally counts, since it’s about a dinosaur dimension that originated from the meteor that hit Earth 65 millions years ago, which actually created two parallel dimensions of Earth, one inhabited by reptile people descending from dinosaurs, and ours of “human people” descending from primates. As the resources have dried up on the “dino end”, the leader of the dino-people, Koopa, sends minions in our dimension to search for a fragment of the meteor that split the dimensions to begin with, so he can unite the two and rule them under his scaly thumb.

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Dino Dicember #16: The Valley Of Gwangi (1969)

While this one slipped into obscurity (and the fact Warner Brothers made few copies means this is one hard to find even as an UK import, and it’s oddly pricey, same as for 50’s stinker From Hell It Came), there’s an interesting production history to tell with The Valley Of Gwangi, so gather round the fire, grill some ‘saurus and listen close.

The film was originally conceived by special effect legend Willis O’ Brien (yes “the King Kong guy”), and was basically a mash-up of Arthur Conan Doyle’s The Lost World, with the added “Kong flavor” of having the creature captured, brought into civilization only to escape, and was known as “ Valley Of The Mists”, where cowboys discovered and captured an Allosaurus – dubbed “Gwangi” – in the Grand Canyon, brought it to a Wild West show, and having it fight with lions (so much for the Wild West theme), until it breaks free, runs amok and is driven off a cliff by a truck.

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Dino December #15: The Ghost Of Slumber Mountain (1918)

Let’s do something a bit different, and fitting, not only because this is one of the older movies i’ve ever spotlighted, it’s a silent film and it’s in the public domain (at least for the US), but it’s also a partially lost film as well.

As in we know the original runtime was 40 minutes, but for years the only surviving version clocked at 12 minutes, until a print of the film running 19 minutes was found. As for why half of the movie’s is still missing, Christopher Workman (citing a scene in the restored footage where Joe tries to convince Jack to take off his clothers and pose as a faun) suggested it was due to the homosexual subtext. Probably naming the hermit’s ghost “Mad Dick” didn’t help.

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Dino Dicember #7: Carnosaur (1993)

Another famous one, the first Carnosaur movie, another example of good ol’ Corman’s craftmanship , as he throw this one together very fast, even by its own standards, just to have it out in theathers before Spielberg’s Jurassic Park. A tradition of knock-offs (and “mockbusters” before the term itself was coined) that can’t even wait for the movie they’re knocking off to be released, with scripts written on a bar napkin and then pushed into production, as they damn well knew they wouldn’t survive direct competition in theaher, a legacy carried on by The Asylum in the last decade.

With somehow worst results, but let’s stay on topic.

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Dino December #5: The Lost Dinosaurs / The Dinosaur Project (2012)

With such a title and a plot synopsis, The Lost Dinosaurs comes across as a Congo knock-off, with dinosaurs instead of simians. So i was – if anything – surprised to learn this is filmed in mockumentary/found footage style, which i think it’s a first for these dinosaurs themed flicks. I wasn’t expecting a jurassic take on Blair Witch Project, of all things. I don’t like this style, i really don’t, but i have to respect the effort into coming up with an absurd idea like this, even if the movie turns out to a complete shitshow.

The plot sees Luke, an adventure enthusiast, secretly embark with his father and uncle on an expedition to find the legendary cryptid Mokele Mbembe (basically the african cousin of good ol’ Nessie) in Congo, and in secluded jungle they actually find animals looking like dinosaurs, thought to have gone extinct 65 millions years ago…

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Dino Dicember is a-ringing

Sick of killer santas, of evil elves, krampuses and christmas devils? Me too.

This has been a tough year, so fuck it, we’re going the extra mile, with 31 days of dinosaur themed reviews, a triassic treat for each and every day of Dicember..

…well, Dino Dicember! Starting tomorrow, obviously.

[EXPRESSO] Brahms – The Boy II (2020) | Doll Droppings

I saw The Boy in theathers back then, quite liked it, i knew they made a sequel, by the same director, William Brent Bell, and writer, Stacey Menear, but i kinda forgot about it, until i noticed it’s available as an Amazon Prime Video exclusive, I was.. perplexed by just reading the gist.

The plot follows a young boy, Jude, and his parents, moving into a mansion in the woods to heal, as he and the mother were traumatized by a home invasion incident, and Jude finds a life-sized doll he dubs “Brahms” and becomes creepily attached to.

You could make a sequel to The Boy work, but this movie is a complete cop-out, as it systematically makes sure this is taking place in the same location, set after the events of the first movie… but also wants to be your typical “possessed/evil killer doll” movie, the complete anthesis of The Boy, and make sure you can’t deny or doubt of the doll actually being alive, giving it a backstory that – conveniently – didn’t factor in one iota in the first one.

Even worse, it’s also utter crap in itself, with some of stupidest (and bloodless) “kills” you will ever see in a movie that takes itself so serious, and disappointing, frustrating and stupid “anti-twists”. There’s no intrigue, no mistery, no atmosphere, nothing to it, the good production values and decent acting plain wasted on such dreck. Of course the ending is also a complete cop-out. Of course.

Among stand-alone horror sequels that are way better than the first one, The Boy II is the rare shitty sequel that not only it’s completely unnecessary, misses the point of the previous one, but it’s so garbage it almost retroactively taints the original one, destroying any goodwill gained with it.

[EXPRESSO] Lupin III – The First (2019) | LUPIIIIIIIN THE THIRDDDDDD

was supposed to see this one in theathers (if you didn’t know, Lupin III was and still incredibly popular here in Italy, so much a couple of licensed PS2 videogames technically have a PAL release because they were only released in Italy, outside of Japan) back in march, but the lockdown happened, and eventually this one was snapped by Amazon as a Prime Video Exclusive. Smart move, in hindsight, since i was also waiting to see the second MHA movie, which got a new release window…. but cinemas have closed, as we’re in a quasi-lockdown situation.

I’m faffing around because i really don’t have to introduce Lupin III, now, do i?

The plot is fairly typical, concerning a book by the archeologist Bresson, containing a mysterious treasure and encased in a cryptic mechanical contraption, and standing as the only one the original Arsenè Lupin wasn’t able to get. But not only Lupin The Third himself wants to do out his grandfather, a girl named Laetitia and a surviving nazi group are also after the treasure.

It’s what many would call “classic Lupin III”, it’s quite appropriate (even more since it’s dedicated to Lupin III’s author, Monkey Punch, who passed away in April 2019), and it’s still quite a blast, thanks in no small parts to the downright amazing 3D CG animation by TMS Entertaiment and Marza Animation. The animation itself is worth the “ticket” by itself, just a masterful implementation of this style, which is often derided as stiff or a cheap compromise that never satisfies or manages to translate “anime” into CG.

THIS is how you do it.

To draw a comparison with another new film based on an old series also released that year, this is definitely better than City Hunter: Private Eyes, in pretty much everything.

[EXPRESSO] Kadaver (2020) | Dinner Theatre

The first norwegian horror film produced by Netflix, and available since October 22.

Directed and written by Jaran Herdal, Kadaver tells of a family living in a cold, barren, post-apocalyptic city, with a full-out nuclear war that might erupt at any moment. One day, a strange man shows up to sell tickets for an event held by Mathias, a local rich man, with promise of food and entertaiment at his mansion.

After dinner is served, Mathias tells the audience that the show is unique, as it takes place all through the mansion, and instructs them to wear masks while they follow the maskeless actors putting up various scenes. In time the spectators are whisked away in secret for true purpose of the party. Which i won’t give away, even if you can take an easy educated guess.

Sadly, it’s an uneven experience.

It has some stylish and morbid imagery, the idea of a trap “dinner theatre” is cool and quite original, but the narrative moves too damn fast even at the beginning, so you’re not really given any valuable time to feel invested in the fate of the family, or to second guess the nature of the odd performance. Doesn’t help that the plot relies on characters doing dumb mistakes most of the time.

On the upside, it’s fairly short and entertaining all the way, the ambiancè is great and there are some good moments, but also middle of the road character (decent acting, at least), and an ending that’s quite… clichè for such an intriguing promise.

It’s a shame, because it released at the perfect time for the themes to resonate with the audience, but it held back by its not small flaws. It’s still a decent horror movie, definitely worth checking out, even just for the original plot.