[EXPRESSO] Onward (2020) | Dad Quest

Onward 2020 poster.jpg

Yeah, due to the COVID-19 lockdown, this was delayed… until theathers reopened yesterday in Italy, pretty much. For U.S. moviegoers, this will old hat, as the movie debutted there in march, but eh, what you gonna do?

After the fun but kinda pointless rethread of Toy Story 4, Pixar here treats us to a story about two brothers in a quest for an artifact to make their deceased father exist – completely, that is – for one more day, all set in a fantasy suburbia world of elfs, cyclops, goblins, station wagons, smarthphones and convenience stores, as technology advanced and made magic basically obselete over the millennia. Yes, still a better modernized fantasy world than Bright, let’s just get that out right away.

And there’s a token minor LGBT character (a cyclops cop), so token it’s made so by a single line, not bad or offensive, the character isn’t completely pointless to the plot, to be fair, it’s just….yeah, nothing to really brag about, given it’s ancillary status, but Pixar needed some social media icons for Pride Month, so…

That aside, it’s good mix of family drama and road movie, with some fun characters design, likeable characters (even if it’s another tale of getting over feelings of inadequacies, this time exploring brothers and fathers relationship), funny spins on fantasy and GDR clichès leading to some pretty good visual jokes, pacing is perfect, the moral becomes obvious but still feels earned (and the lesson at the end actually gels together with the themes), there’s even some action with swords and dragons and stuff.

Definitely a step up from Toy Story 4, and better than one would reasonably expect from Dan Scanlon, who previously directed that Cars supernatural-ish spin-off short…. and Monster University (the only review i still regret writing). Good one.

expresso-icona

One Piece: Jango’s Dance Carnival (2001) [REVIEW] Obey The Dance Commander

One Piece Jangos Dance Carnival 2001.png

Director: Daisuke Nishio
Writer: Hiroshi Hashimoto

The first One Piece featurette, shown alongside the theathrical release of the second One Piece movie, Clockwork Island Adventure, and never re-released outside of Japan (even thought it was included in the japanese DVD release of the movie, if the wikias are correct), for reasons that will become clear, outside of its 5 minutes runtime.

Like the title “implies”, it’s a mainly a musical number featuring Jango, the secondary antagonist in the Syrup Village arc, a pirate hypnotist with passion for dancing and a very minor character overall. The plot sees him seeking refuge in Mirror Ball Island (which is actually kinda canon, as he had a mini-arc told via chapter cover pages in the manga, the Jango Dance Paradise cover arc, like the one narrating what happens after Ener reaches the Moon), but he gets so into the island’sgroove he ends making a fuss and attracting Marines. Continua a leggere “One Piece: Jango’s Dance Carnival (2001) [REVIEW] Obey The Dance Commander”

True State Of Musou (As of 2020)

I teased this with my comment on the Dynasty Warriors 20th Anniversary celebration video, and – as i said in the article – that was just the tipping point, the final push to make me write down an editorial on the musou genre/subgenre, one i had been ruminating about for a couple of years.

And to do that, i will have to start not from the beginning (i will eventually do a full retrospective, in time), but from the last numbered title in the main Warriors series, Dynasty Warriors, yes, Dynasty Warriors 9.

This is a long article, ready your beverage of choice. Continua a leggere “True State Of Musou (As of 2020)”

Cinemas fully reopening next week in Italy (plus words on live action Mulan)

A new chapter in the “saga”.

While some theather chains had already reopened 2 month ago here in Italy, they were mostly showing stuff that released the week when the COVID-19 lockdown was put in place, but mostly throwing a lot of stuff from last year’s catalogue, when not even older material. Not much else you could do, really, as obviously no one was approving new releases to play in closed theathers during a sweeping pandemic.

But pretty much most theathers (even the one i usually go to) will resume proper this 19 of august, and i look forward to see the new Abel Ferrara movie, Siberia (and Onwards, honestly) not a bad way to begin a new – hopefully prolonged – “theather binge”.
I did went to see (and reviewed) The Grudge 2020 in the meantime, it was nice to go back, but it’s even better when you can choose to see movies you didn’t already saw last year…….. or 2 years ago. Continua a leggere “Cinemas fully reopening next week in Italy (plus words on live action Mulan)”

Cruel Jaws (1995) [REVIEW] | Editing Sharks

Cruel Jaws 1995

How could i do a shark movie extravaganza without covering one of the most notorious pieces of “sharkxploitation”, especially if it comes from the motherland?

Italian exploitation cinema had always been very quick at tapping into trends (even inventing one, with the cannibal craze), but even without waiting for a resurgence of the shark movie (Jaws was released 20 years before, remember), many genre directors were quite happy to pump out monster movies like this regardless. And of course Bruno Mattei (credited as “William Snyder” here) wasn’t one to back down from anything. Continua a leggere “Cruel Jaws (1995) [REVIEW] | Editing Sharks”

Deep Blue Sea (1999) [REVIEW] | Shark Brainiacs

Deep Blue Sea 1999

So, yeah, for a change let’s watch a shark movie made in a pre-Sharkenado era, but also after everyone and her grandma was making Jaws rip-offs (like the italian Great White and Cruel Jaws), a shark flick that actually looks like a movie and not a college graduate attempt at a movie during a boring summer holidays, or an attempt to sell your shit movie as ironic “so bad it’s good” material.

Given the kind of shark movie i end up watching and reviewing here, i’m surprised by many things in Deep Blu Sea, as production values, company logo you don’t have to google, a cast with recognizable actors, cinematography that doesn’t remind of Weasels Rip My Flesh, set designs classifiable as such, special effects made with budget and expertise, i’m really feeling spoiled by this one! And a bit sad because of how the bar got embarassingly lower and lower for shark movies in time. Continua a leggere “Deep Blue Sea (1999) [REVIEW] | Shark Brainiacs”

[EXPRESSO] The Grudge (2020) | The House That Kayako Built

The Grudge 2020 poster

(finally got another chance of seeing this in theathers)

Despite the mostly negative reception in the States and the frankly stupid idea of doing ANOTHER remake of Ju-On/The Grudge…. at least it had to just be better than the 2004 american remake, and that one had the same directors of the original. Then again i haven’t watched any of the sequels yet (american or japanese ones), but i can confirm this one is a “side-sequel” meant to connect with the 2004 american The Grudge.

And this is the main problem, as it wants to not disregard the previous american movies, but also doesn’t want to rework the premise to make sense in a completely different place and culture, or to make you forget that this a western remake of japanese movie. So there a willingly suicidal tendency to this one taking place in America with an american cast (plus John Cho), but still having to originate from Japan, with the curse basically using a character as a vessel to propagate itself in a small town, where a local sheriff investigates strange murders seemingly connected to a single house, all told in a non-linear fashion (as you’d expect) with the characters acting as “chapters-victims”.

It’s kinda tragic, because Nicolas Pesce manages to craft good characters and make you care about them, the drama is decent and the acting good, but when it comes to the horror parts, you’d wish the movie didn’t bother at all, even without throwing into the mix the trite j-horror movies cliches, or stuff that “has” to be here regardless, just because it’s The Grudge. The open ending doesn’t help.

Definitely a step up from the 2004 The Grudge, but please, let this type of “reboot/remakes of japanese movies” stay where it belongs. In the past.

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EXPRESSO movie reviews (kinda) coming back

Cinema-Paradiso-011

Yeah, against all odds, i won’t have to wait until dicember to get back into cinemas, as i happen to live near one of the few cinemas of the Uci Cinemas chain that will be re-opening next week (with obvious safety precautions, we’re not out of this yet here in Italy, despite what we would love to believe). Pure luck, as in many other cinema chains are staying closed, and even of this specific chain, just 4 cinemas in Italy are re-opening (but more are expected to follow suite).

The catch is that since the release schedule was never updated since the beginning of March, so it mostly old movies (some ones that debutted in theathers in January, or even older) but still, it’s great just to go back to the cinema experience. And i have some unfinished business exactly because of the closure due to the COVID-19.

So, if not anything else, expect an EXPRESSO review of The Grudge (2020).

Hopefully, more, but not that soon, i fear. 😦

Cinemas Of The Christmas Future

If you live in Italy, there’s a good chance you already know this (so skip ahead), but as of now, cinemas (and theathers) should re-open in december, so yeah, we didn’t see Onwards in theathers last month, as you can guess.

Which is a bummer, to say the least, especially since the last thing i saw in theathers before the shut-down was Cats, yeah, the 2019 movie.

I’m writing this also to say that’s basically the reason i didn’t do any new movie review for the EXPRESSO column. I could, but i have plenty to do for the following months, i resurrected Kaiju-A-Go-Go on Wise Cafe (the italian blog) for this month, and i miss the cinema experience. I really do.

Thankfully i invested in a projector and some stuff, but still.

(image is from Yuru Camp/Laid Back Camp, which i love)

Eventually Coming To This Screen #1

While i’ve already done a retrospective on my italian blog, a new boxset (UK release by Arrow Video) will finally compile all Gamera movies together, so i will eventually review them all again on here.