[EXPRESSO] The Dog Stars (2026) | The Post-Apoca-Bore

Ridley Scott is not thinking about retirement anytime soon, which is commendable, in a way, but between Spielberg arguablu shitting his Jesus aliens pijamas in public and a film like The Dog Stars, i do wonder if might be for the better to simply call it quits.

Mind you, this is a better film than Disclosure Day, you can quote me on that, it is.

And it’s not even “bad” per sé, there is nothing particularly wrong with anything in The Dog Stars, there’s just not much of anything new, original, unique or otherwise that hadn’t already been done to death with the post-apocalypse survival drama.

In 2035 America, a flu pandemic led to civilization collapse, forcing the few survivors to scavenge for food, items, humanity reverting back to being more tribalistic, feral and murderous.

Hig has “dead wife” syndrome and yet tries to help out the few peaceful pockets of humanity he knows, while fending off intruders on the lot he shares with his old friend-survival partner Bangley, and hoping to find a better place somewhere out there…

Again, nothing wrong, but also nothing that engaging either, and i’m not talking about the action and how is all located in the second half of the film, as it doesn’t change the fact it’s all very uninspired and frankly kinda dull, as the plot offers no surprises or compelling narrative, and is as stock and basic as the characters.

All amounting to 2 hours-ish of mediocre, sleepily paced, derivative film that doesn’t hurt to watch or becomes outright boring, but it’s just middling, constantly reeking of “been there, done that”, the good cast (and the very good photography) can only do so much, and regardless, it just feel fueled by the obligation of doing something more than an actual vision.

[EXPRESSO] 28 Years Later: The Bone Temple (2026) | Charity Zombies

Second part of the 28 Years Later trilogy, The Bone Temple follows up the honestly incredible ending of 28 Years Later, which revealed the “Jimmy” name written on corpses and houses as the namesake for – basically – a posse of cultish killers, like if the droogs from Clockwork Orange were based on reviled UK media personality Jimmy Saville.

This sequel follows up on them, but it’s also quite focused about the character of Dr. Kelso, which makes sense since he was the best part of previous film, as he tries to experiment on a specific “alpha zombie” he dubs Samson, while Spike is forced to enter the “Jimmies”…

it’s an interesting sequel, in the sense it does capitalize on the more interesting and unique parts of the previous films, Kelso’s “bone temple” and the “Jimmy gang”, as director Nia DaCosta (Candyman 2021, The Marvels) leans further with the juggling of different tones, with a scene that borders on being a Rob Zombie-esque delirium, and almost feels “out of place” , even if conceptually on the same vibe of “smoking a morphine joint with my zombie broski”.

This comes at the cost of somewhat downplaying the zombies, in a way, and a film that somehow feels a bit safer than the previous one, even though it arguably has a better pacing and could be argued it’s better than 28 Years Later.

It also feels like what it indeed is, the second part of 28 Years Later “part 1”, as the two films do indeed complete each other, making me wonder if the third and final entry (with a returning character appearing here at the end) will indeed feel as such.

Regardless, 28 Years Later: The Bone Temple it’s still quite good, even with some questionable choices, i absolutely recommend it.