[EXPRESSO] Remarkably Bright Creatures (2026) | Psych-opus

Due to wallet woes, why not, let’s see what’s new on Netflix, this film about a woman and an old intelligent octopus she cares for in the local acquarium sounds cute enough, why not?

Based on the best selling book of the name same by Shelby Van Pelt, Remarkably Bright Creatures is the story of Tova, a widoved old woman that leads a lonely existence and does night shifts of taking care-cleaning the aquarium of a small coastal town.

She still struggles to cope with her son, Erik, having passed away decades ago, and the only one that she seems able to communicate with is Marcellus, a big old octopus that lives in the acquarium, its thoughts expressed in an elegant and sarcastic voiceover by Alfred Molina.

That is, until Cameron, a failed musician and a bit of a wanderer, troubled by his the absent father, comes into town…

While fairly obvious where the story points (and goes) to, it’s more about the manner of which these two will manage to connect for the better, with the touch of “whimsy-magic” of the octopus that acts an involuntary psychiatrist recipient and is given a “talking” voice to comment back for the audience’s sake.

That is actually the problem, as the film is either too scared to let the silent moments work, or maybe because it’s a Netflix release, it explains any metaphor or anything that expects audiences having some semblance of basic narrative literacy.

Yet, despite that and some issues like subplots being a bit too superficial, it does work because it’s not trying to “Oscar-max”, it’s actually just a little gentle, melanchonic, genuine feel-good tale of lonely people, normal people that talk as such, one never cynical in intent or execution.

Could have been better, but definitely worth a watch.

[EXPRESSO] Meg 2: The Trench (2023) | Cranking It Up

As one of that quite enjoyed the first The Meg (believe it or not at the time it had some very split reception from genre fans), i was waiting for its sequel arrive in theathers, pretty giddy about it too, though honestly shark movie fans nowadays pretty much HAVE to make do with anything in terms of theathrical releases.

After all, we are in such an ironic drought that even The Asylum has to commission their mockbusters to the Polonia Bros, so yeah, i’m quite glad we get more “megalomachia” as Jason Statham once again dons the eco-warrior kick ass action hero character whose name i honestly forgot, not that you’re gonna call him that (leave to a side-villain to scream his name when confronting him), and this time he ventures with a new submarine alongside his old and new sealab companions, with the idea to go even further below to where the “megs” prosper, but accidents happen as they also stumble upon an illegal underwater mining operations, and explosions let many of the deep sea creatures reach the surface and start causing the mess, including a giant octopus and what are basically abyss deep “varan-raptors”, frigging dinosaurs.

While the first one was fun, this one is arguably better, with more variety of locations, creatures and set pieces, since we don’t spend half (or all) the movie in the usual high tech underwater lab where the megalodons are kept, but we quickly move to the abyss trench and its peculiar fauna, the mining company installation, even some tropical resort island, and we even get monster vs monster action.

Honestly Meg 2: The Trench has pretty much everything you’d want from one of these dumb ass big budget shark/dinosaur films, very entertaining, with enjoyable characters and abundant over the top action.

Big Octopus (2020) [REVIEW] | #giantmonstermarch

Ah yes, the forgotten Splatoon lore of kids now, squids now, and chinese movie makers bootlegging the Squid’s sworn enemies for feature length b-movies.

Or something about Octaman’s mom.

For one i can’t deny mainland China’s output of these monster movies it’s quite abundant, so i really could have chosen from the many of these “killer animals/mutated animals” that can be found online, but i picked this one, going by the international title of Big Octopus, because the name it’s so to the point, it’s good to see some takodachi representation and octopi are now a lot less represented, unless it’s a Lovecraft (or Lovecraft inspired) adaptation of sorts.

Or Splatoon, once again.

Continua a leggere “Big Octopus (2020) [REVIEW] | #giantmonstermarch”