[EXPRESSO] 1917 (2019) | Trench-A-Live

1917 2019 poster.jpg

The director of American Beauty and Revolutionary Road (also behind the last two Bond films, which i simply didn’t see) is back to the war epic 25 years after it’s own Jarhead, so yeah, it’s quite understandable all the buzz and expectations surrounding it, but i gotta be honest, i wasn’t exactly hyped, since the self-explanatory title tells you right away it’s set in WWI, but still, a more interesting proposal than going back to WWII (or Vietnam) again.

Set at the zenith of WWI, the film centers on two british soldiers stationed in northern France, Schofield and Blake, tasked to deliver an order from HQ, which tells of an upcoming surprise attack planned by the retreating German army. With thousands of lives on the line, the two must race through the hostile Western Front to call off the attack, and for Blake is personal, as his brother is in the squadron they’re trying to save.

Like you’ve probably heard by now, the movie is shot in a faux one-take, as to create a seamless single and constant feed over the lonesome journey through the Western Front, to emphasizes the urgency and stakes for everyone involved, capture the atmosphere of the desolated wastelands of the trenches as the character themselves wade through the dismal sceneries and confront the realities of the conflict, despite their task being oblique and minor in the grand scheme of things.

And yes, it works beautifully, making for an intense and captivating experience that doesn’t just rely on a “trick”, as the events and characters are intriguing themselves, making for good drama that is enhanced by the amazing camerawork and directorion, as is the terrific cinematography, the movie is worth seeing on the big screen just for that. Not for Cumberbatch, as he’s barely in the movie.

java-icona

[EXPRESSO] Underwater (2020) |Ocean Walk In The Dark

Underwater 2020 poster.jpg

“It’s like Aliens, but”… you probably have heard these words more times than you wish, and i remember a similar situation some years ago, when the sci-fi horror thriller Life (starring Jack Gyllenhaal) came out, a good movie, but also one that fully deserved that comparison for actually having a similar plot focused on a crew trying to survive a killer alien lifeform in space.

Viceversa, i understand why many made this comparison again for William Eubank’s new movie, Underwater, because despite the completely opposite setting, it fits the typical sci-fi horror- thriller formula like a glove, and you can effectively swap out “deep space” for “ocean’s abyssus abyssum” without having to change pretty much anything.

The plot sees a deep-sea mining facility being unexpectedly torn apart by an unknown force, with the few survivors in the structure uniting in order to find a way to another outpost, in the hope of finding escape pods before the main drill’s nuclear core erupts, but as they venture into the depths, they also find horrible and vicious creatures lying in wait and quite ready to pick them off, if faulty equipment and the dangerous living conditions didn’t already…

The director of The Signal (the one from 2014 with Lawrence Fishburne, not the other one) here didn’t feel like reinventing anything or playing around with the genre, but then again it becomes pretty clear the intention was just to make a fun sci-fi horror thriller (not that advertising was deceptive, quite the contrary), one i’m glad it’s set underwater instead of space after all.

And on this regard, the movie delivers, with good cinematography, decent atmosphere, good creature design, decent characters, and a satysfing finale. Story is sadly derivative as it gets, but despite this, i’d quite entertaining, and worth a watch.

decaffeinato-icona

The Island Of Giant Insects MOVIE (2020) [REVIEW] Shlock Stock Drop

The Island Of Giant Insects MOVIE 2020

In case you haven’t seen my review of the OVA, yeah, i found out after writing the review that the OVA was just an edited down version of the movie, also called The Island Of Giant Insects, so in retrospect it’s no wonder that was such a choppy mess, one that was made just for marketing purposes, and now is a completely pointless product.

For sake of completition, i feel compelled to witness myself – in full this time – the horrors in The Island Of Giant Insects. Continua a leggere “The Island Of Giant Insects MOVIE (2020) [REVIEW] Shlock Stock Drop”

[EXPRESSO] The Lodge (2019) | Ich Sect

The Lodge 2019 poster.jpg

After the tragic suicide of their mother, a couple of sibling is spending the weekend before Christmas in a mountain lodge with their new stepmother, whom they actively dislike (and kinda blame for their mother’s death, for reasons that are kinda spoiler). As thing between them seem to finally improve, strange events start affecting them, and the stepmother’s past as the only survivor of a cult mass suicide begins to surface…

Good atmosphere, good performances, but there’s also a reason if it felt similar to Goodnight Mommy, of course it does, it’s from the same directors, Veronica Franz and Severin Fiala, which in itself should be a glowing recommendation, but this simply isn’t as good, as – besides the slow pace – it feels more indecisive if to go the paranormal-possession or the paranoia-hallucination route, so it kinda takes time before unveiling the twist, which makes sense and brings some intense scenes, but it’s not particularly satisfying and can kinda be see coming.

Doesn’t help it’s edited in a way that i kinda expected the film to end a couple of times before the actual finale (not sure if good or kind of a cop-out), and the whole stepmother’s backstory about the religious cult doesn’t really make for original or particularly effective visuals (kinda cliched, actually), but it handles them better than regular movies about possessions and religious rituals. And still, it has its creepy and intense moments, the acting is quite good, it’s a more than decent horror thriller that it’s worth seeing, even if a better script would have been welcome.

And the – sadly – unfavorable comparison to Goodnight Mommy isn’t unfair, i fear it’s kinda unavoidable (for the previously mentioned reasons). Not exactly disappointing, but it’s a bit frustrating as you can see how it could have been better. 😦

decaffeinato-icona

[EXPRESSO] 21 Bridges/City Of Crime (2019) | Good Cop, Bad Cop

21 Bridges - City Of Crime 2019 poster.jpg

Here in my country this one (retitled “City Of Crime” because originality) was advertised highly on having Black Panther’s star Chadwick Boseman and being “from the creators of Avengers Endgame”, the marketing cleverly not specifing it’s just produced by Joe and Anthony Russo, and after watching it i realized why, the signals were fairly clear to begin with, and it’s not exactly a “con job”.

It’s just a ploy to get you to watch another cop thriller with a manhunt through the streets of Manhattan, or in these case, the titular 21 bridges (which isn’t actually correct, but whatever), closed in order to avoid the killers (guilty of killing many cops in a failed heist) escaping, but it has to be done all in one night, etc. etc. It’s not a bad setup, but it’s a fairly typical nonetheless, like the main character, the exemplary cop with an unbreakable sense of duty and justice, who finds his beliefs challenged as things get more complicated and he suspect of an internal conspiracy… not that you need that to explain corrupt cops, but whatever.

And it’s decent, even if you’ve already seen this kinda of plot and characterization many many times, with a great cast that’s a bit too good for these characters, not completely stereotypical ones, but – again – very typical. Direction by Brain Kirk (TV director on Boardwalk Empire, Penny Dreadful, GoT, etc. here at his movie debut) is decent-good, it’s fairly fast paced, doesn’t pull punchers, and there’s no tonal problems or unbalance in themes like the movie rooting a bit too much for the cops despite showing how blatanlty corrupt they can be, nothing like that.

If anything, the italian marketing will “dupe” people into seeing a perfectly decent – if fairly disposable – cop thriller drama.

decaffeinato-icona

Krampus 2: The Devil Returns (2016) [REVIEW] Krampus Go Home

Krampus 2 The Christmas Devil.png

3 years after Krampus: The Christmas Devil (which at least – as far as i know – has the distinction of being the forefather of Krampusploitation), Jason Hull comes back with a sequel. I think it’s worth noting that this is an actual sequel to the 2013 Krampus movie and by the same director, since we have movies like The Executioner Part 2 (there’s no The Executioner Part 1), Il Bosco 1 (yeah, i know there’s a sequel) or entire sequel series in name only through deceptive re-titling, like for Zombi/Dawn of The Dead or La Casa, the italian name for the original Evil Dead. Continua a leggere “Krampus 2: The Devil Returns (2016) [REVIEW] Krampus Go Home”

Krampus: Unleashed (2016) [REVIEW] | ..Of The Oooolll’ West

Krampus Unleashed 2016.png

Before we tackle Krampus 2: The Devil Returns, let’s quickly go over another effort from Robert Conway after Krampus: The Reckoning, with the first – and as far as i know, only – Krampus to start off with “the year was 1898 and the West was still wild”.

That’s a new one. Continua a leggere “Krampus: Unleashed (2016) [REVIEW] | ..Of The Oooolll’ West”

Krampus: The Reckoning (2015) [REVIEW] | Children Of The Krampus

Krampus The Reckoning 2015.png

What happens when you wanna cash-in by exploiting the latest fad in the christmas horror subgenre, but you don’t have enough time in order to write it from scratch and push it out of the door in order to maximize exposure? Continua a leggere “Krampus: The Reckoning (2015) [REVIEW] | Children Of The Krampus”

[EXPRESSO] Star Wars: The Rise Of Skywalker (2019) | Let’s get this over with

Yeah, why not, let’s review this one and hopefully after some weeks “the discourse” on social media will have died, until a new trilogy is planned and we’ll all do this dance again.

So, i don’t particularly like or dislike Star Wars (like most peoples, i do like the simple idea of fairy tales in space with beam swords, weird looking aliens, magic, sci-fi and shit), but i’ll watch them, why not, and while i wasn’t feeling it with The Force Awakens, i got a new found appreciation for it, because at least it was a good repackaging/best of.

Now, this was gonna be a mess anyway, since J.J. Abrams for some reason wasn’t director and writer on all the trilogy, which brought us the quite good The Last Jedi, but also this, a movie that not only is far different from the one before, but basically tries to undo and retcon most of what was said there, like it has to “fix” many plot points in order to basically re-do Return of The Jedi.

Hell, they even bring Palpatine back, which is both good and bad, because it’s a tacit admission that they can’t do any better than reharsh the same old shit, without adding anything to it, in fact a notable regression, stuffed full of fanservice in a nakedly cynical bid to appease a fanbase that will never be appeased regardless, and with a script that’s embarassing, with plot points pulled out of the arse all over the place.

I mean, it’s still less boring than senate hearings of a galaxy far far away, yeah, but it’s a complete mess of a story, at least it’s the kind of bad that ‘s watchable and goes by relatively fast. MH.

Well, time to finally watch Parasite for me!

Krampus: The Christmas Devil (2013) [REVIEW] | Krampus Rip My Flesh

Krampus The Christmas Devil 2013.png

While most people are aware of Michael Dougherty’s Krampus movie from 2015, it wasn’t the first horror movie about the mythological figure of the Krampus, which became a horror sub-sub-genre from the early 2010’s onwards, and i guess you could say Jason Hull’s 2013 movie kickstarted this “krampusxploitation” movement, the Krampus itself had been subject of some tv series episodes, but not a feature lenght film. Continua a leggere “Krampus: The Christmas Devil (2013) [REVIEW] | Krampus Rip My Flesh”