[EXPRESSO] Kadaver (2020) | Dinner Theatre

The first norwegian horror film produced by Netflix, and available since October 22.

Directed and written by Jaran Herdal, Kadaver tells of a family living in a cold, barren, post-apocalyptic city, with a full-out nuclear war that might erupt at any moment. One day, a strange man shows up to sell tickets for an event held by Mathias, a local rich man, with promise of food and entertaiment at his mansion.

After dinner is served, Mathias tells the audience that the show is unique, as it takes place all through the mansion, and instructs them to wear masks while they follow the maskeless actors putting up various scenes. In time the spectators are whisked away in secret for true purpose of the party. Which i won’t give away, even if you can take an easy educated guess.

Sadly, it’s an uneven experience.

It has some stylish and morbid imagery, the idea of a trap “dinner theatre” is cool and quite original, but the narrative moves too damn fast even at the beginning, so you’re not really given any valuable time to feel invested in the fate of the family, or to second guess the nature of the odd performance. Doesn’t help that the plot relies on characters doing dumb mistakes most of the time.

On the upside, it’s fairly short and entertaining all the way, the ambiancè is great and there are some good moments, but also middle of the road character (decent acting, at least), and an ending that’s quite… clichè for such an intriguing promise.

It’s a shame, because it released at the perfect time for the themes to resonate with the audience, but it held back by its not small flaws. It’s still a decent horror movie, definitely worth checking out, even just for the original plot.

Zoombies 2 (2019) [REVIEW] | Aardvark Undead Attack

Apparently the first one did alright from a financial standpoint, so 3 years later, we got a sequel, also directed by Glenn Miller.

And by sequel The Asylum means adding a number to the title, because despite the first one doing sequel bait at the very last second, this doesn’t follow up on the adventures of Kifo, undead silverback gorilla with a broken heart and rotting flesh, no. Guess trying to give the zombie gorilla a Frankenstein’s monster style “vengeance arc” was too much effort, so they didn’t do that.

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Zoombies (2016) [REVIEW] | A Friend That’s Good With The Dead

Even with a title like this, you wouldn’t expect the movie to basically shit itself in the first scene, which happens to be a fictitious commercial for an endangered species zoo called “Eden Wildlife Zoo”, an advertisment that looks it was made in Windows Movie Maker… in the early 2000’s, by people that barely knew what a computer was.

I can’t stress how childish and amauterish this is, even for The Asylum, who in this case must have allocated 100 bucks for editing and production, combined, given how much animal footage seems just ripped from free libraries or used what one of the employee recorded when it took a family trip to the zoo. It looks like they’re playing a joke, but they’re not, and in the first 2 minutes they already shit down their own pants. But fear not, the CG monkeys you seen in the first 5 minutes are somehow worse, i – almost – can’t believe it. I’ve seen snippets from Primal Park, so i can’t really call it “the worst”, but still, it’s really shitty regardless, almost impressively so.

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Bunnyman 2 AKA The Bunnyman Resurrection (2014) [REVIEW] | He Never Died

First off, let’s clarify, because this is yet another series with confusing alternative titles.

The first movie’s original title was just “Bunnyman”, and was kept in the film itself even in the UK DVD release, sold under the title “The Bunnyman Massacre”.

This one is a “direct” sequel, with its original title being “The Bunnyman Massacre” (with a more appropriate working title of “The Bunnyman 2”), and with an UK DVD release as “The Bunnyman Resurrection”. Because we are somewhat affectionate, almost nostalgic of this awful old trend of titles for movie sequels, laughable but oddly comforting in its own crap way.

Even if they don’t fit the movie itself, Bunnyman didn’t die at the end of the first one.

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[EXPRESSO] Jack In The Box (2019) | Spring Daemon

I’ll be honest, i walked into this one expecting a turd of sorts.

I mean, it’s not like this promises more than it does, it’s called Jack In The Box and it’s about an evil Jack In The Box. As in, the clown in the box is evil, because it can’t be a pierrot or an evil possessed figure from Commedia Dell’Arte, something that isn’t your usual choice of evil clown. Then again, this specific angle isn’t overdone… i think.

The plot deals with a new museum curator, Casey, arriving in the little english town of Hawthorne, and while wading through the “lost and found” inventory, he notices an odd box with some mystical engraving, appearing to be a creepy jack-in-the-box toy from the victorian era. But as more mysterious murders keep occurings, the more Casey learns of old tales related to the “jack-in-the-box” being coinceived to contain and unleash demons, and of a previous murder related to the box…

Directed and written by Lawrence Fowler, who previously directed some shorts and something called Curse Of The Witch’s Doll, which looks as generic as this one. And there is a sequel to this one already in pre-production, set to release in 2021.

And….i’m not against a sequel, there is something here (even if the “jack-in-the-box” demon lore is a bit silly, just a tad), and for a relatively low budget independent british horror film, this is definitely more than presentable for theathers, the monster design, make-up and effects are quite convincing, and the museum setting is a nice touch. Acting is decent, to boot.

Shame the direction and script are not as strong, kinda generic, pedestrian at times, with some twists seen coming a mile away, flashbacks to things that happened 10 minutes before, and an ending that aggressively sets up a sequel.

Deep Blue Sea 3 (2020) [REVIEW] | Corporate Sharks

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Having reviewed Deep Blue Sea 2 in July, i was surprised to see another one pop up into existence a month ago. Thankfully, an UK DVD release also rapidly appeared a week ago, i imported it, so here we are.

While i was kinda disappointed with the second one, it was more due to that movie having to follow after the original Deep Blue Sea, still one of the best shark movies. By now it’s clear this is just another series of shark movies based around the idea of genetically enhanced sharks, with no continuity between them, and a budget far lower than the original, while still pretty high for most shark movie peddlers that play it low as possible as to cynically bottle the “so bad its good” lightning, by now pretty much non-existent as there is no difference between parody and shit. Continua a leggere “Deep Blue Sea 3 (2020) [REVIEW] | Corporate Sharks”

Megalodon/Sharkzilla (2002) [REVIEW] | Karcharíasdontas

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Time for more confusing re-titling of shark movies, as there’s a tv movie from 2012 actually called Sharkzilla, but the old 2002 Megalodon (yeah, originality isn’t this subgenre forte, as there’s yet another movie called “Megalodon” that was released in 2018) was released on DVD in the UK as Sharkzilla, de facto just putting a lick of paint over a + 10 years old movie to fool people into thinking it’s a crappy new release.

Lovely confusion-based marketing, par for the course for this strain of shark shit, so much than in Germany was sold as “Jurassic Shark 3” (there no Jurassic Shark 2, and i thank the heavens for it)! Then again, i paid it less than 5 bucks, total, so… Continua a leggere “Megalodon/Sharkzilla (2002) [REVIEW] | Karcharíasdontas”

[EXPRESSO] Tenet (2020) | Time After Time

Ah, yes, Christopher Nolan tale of Batman against one of his most obscure villain, Palyndrome. Or maybe it’s a live-action Tin Tin adaptation in disguise.

FIY: i watched this in theathers with social distancing enabled, but then again, i remember i’m Italy-based, which happens to be kinda lucky for me in this particular istance. Don’t go to theathers if there any chance to get the plague, not worthy it.

So, Nolan is back into the game, bringing his lavish and twisting narratives into the spy movie genre, with Tenet, where a CIA agent gets recruited for a secret mission, launched into action only knowing the word “Tenet” and that at stake is avoiding World War III. Oh yes, also, there is time travel involved, so good luck.

Like most movies that center their story about time travel, Tenet has his own specific rules (outside of the obvious ones like paradoxes), which are unique, but are also a bit confusing. The script and direction by Nolan help juggle all the time travel hubba without leaving plot holes or anything like that, but at times, even with some choices made specifically to avoid them being confusing – or more confusing -… some scenes feel too busy, way too busy. Even so, it’s always quite the spectacle, even when you aren’t exactly sure what exactly is happening, a highly entertaining spectacle, the plot is worth watching unravel all the way through its 2 hours runtime, and you have a great cast (as expected) with John David Washington, Robert Pattinson, Kenneth Branagah, Elizabeth Debicki, Hamish Patel.

Oh, yes, Michael Caine is in the movie for 5 minutes, being very british.

Good movie, even if at times confusing (not incomprensihible, but confusing), and with a tone that feel a bit too “composed”, even for Nolan.

expresso-icona

Dangerous Waters: Shark Attack/Spring Break Shark Attack (2005) [REVIEW] Teen Sharks, GO?

Dangerous Waters Shark Attack AKA Spring Break Shark Attack 2005.png — **Yeah, not a clear edit. Good lord, at least have matching fonts.**

This is actually Spring Break Shark Attack, but sold on home video as Dangerous Water Shark Attack, like in the UK DVD version, which also sports a cover trying to imply a more grim tone to the titular shark attack, totally trojan horsing to the shark movie aficionados a movie with such a generic name, making them think this is The Reef.

Really, even Jersey Shore Shark Attack had more to it, even if it was due to mixing together (and unofficially) two different – yet perfectly compatibile – flavours of trash, this is exactly what it says on the tin, and one that must have required very little brainstorming. Shark movie. Spring break. Teens played by “not quite teen” actors. Bikinis. Send tweet. Send script. Print. Beautiful. Continua a leggere “Dangerous Waters: Shark Attack/Spring Break Shark Attack (2005) [REVIEW] Teen Sharks, GO?”

Mega Shark in Malibu/Malibu Shark Attack (2009) [REVIEW] | Goblin Jaws

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Like it’s so often the case, i got this one on DVD for cheap, and the UK DVD release tries to fool you into thinking that’s related to (or part of) the Mega Shark series by The Asylum, even putting “the legend returns…” in the box art.

It’s actually not, it’s just a random shark movie called Malibu Shark Attack, that also just happens to have been released in 2009 like the first Mega Shark movie, Mega Shark VS Giant Octopus, but by this logic, Black Dynamite and Dragon Ball Evolution also belong in the Dinocroc shared universe. This is actually part of the Maneater series, though calling it series it’s a stretch, they are cheap horror films produced by RHI Entertaiment for SYFY (usually debutting there and then going to video), yes, but they don’t even stick to the theme of “natural horror” anymore. Not that it really matters.

Doesn’t help that this release still keeps the alternative DVD title of “Mega Shark Of The Malibu” in the movie itself, but it wouldn’t be a genre film without at least 2 or 3 alternate titles, i guess. It’s one of the unwritten laws of b movies and such. Continua a leggere “Mega Shark in Malibu/Malibu Shark Attack (2009) [REVIEW] | Goblin Jaws”