Dangerous Waters: Shark Attack/Spring Break Shark Attack (2005) [REVIEW] Teen Sharks, GO?

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Yeah, not a clear edit. Good lord, at least have matching fonts. 

This is actually Spring Break Shark Attack, but sold on home video as Dangerous Water Shark Attack, like in the UK DVD version, which also sports a cover trying to imply a more grim tone to the titular shark attack, totally trojan horsing to the shark movie aficionados a movie with such a generic name, making them think this is The Reef.

Really, even Jersey Shore Shark Attack had more to it, even if it was due to mixing together (and unofficially) two different – yet perfectly compatibile – flavours of trash, this is exactly what it says on the tin, and one that must have required very little brainstorming. Shark movie. Spring break. Teens played by “not quite teen” actors. Bikinis. Send tweet. Send script. Print. Beautiful. Continua a leggere “Dangerous Waters: Shark Attack/Spring Break Shark Attack (2005) [REVIEW] Teen Sharks, GO?”

Mega Shark in Malibu/Malibu Shark Attack (2009) [REVIEW] | Goblin Jaws

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Like it’s so often the case, i got this one on DVD for cheap, and the UK DVD release tries to fool you into thinking that’s related to (or part of) the Mega Shark series by The Asylum, even putting “the legend returns…” in the box art.

It’s actually not, it’s just a random shark movie called Malibu Shark Attack, that also just happens to have been released in 2009 like the first Mega Shark movie, Mega Shark VS Giant Octopus, but by this logic, Black Dynamite and Dragon Ball Evolution also belong in the Dinocroc shared universe. This is actually part of the Maneater series, though calling it series it’s a stretch, they are cheap horror films produced by RHI Entertaiment for SYFY (usually debutting there and then going to video), yes, but they don’t even stick to the theme of “natural horror” anymore. Not that it really matters.

Doesn’t help that this release still keeps the alternative DVD title of “Mega Shark Of The Malibu” in the movie itself, but it wouldn’t be a genre film without at least 2 or 3 alternate titles, i guess. It’s one of the unwritten laws of b movies and such. Continua a leggere “Mega Shark in Malibu/Malibu Shark Attack (2009) [REVIEW] | Goblin Jaws”

Japan Sinks 2020 (2020) [REVIEW] | ooh the eastern sea’s so blue

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I knew this series was coming, but the surprising lack of hype, coverage and buzz on social media sites made me think either people forgot about this, or didn’t bother since most of the feedback from the dedicated sites was, with most of the comments expressing disappointement, criticizing excessive nationalism for the sake of it or just baffling stating stuff that – somehow – happens, like a grandpa “360° sniping” with a bow and arrows, etc.

This made me a bit sad, as i loved Keep Your Hands Off Eizouken (which i highly recommend, just go watch if you haven’t), and i don’t dislike Masaaki Yuasa’s work in general, quite the opposite, for example i love Kick-Heart, good stuff, Ping Pong The Animation is incredible, and his screenplay for the extra-surreal Cat Soup (another one i highly recommend) is quite good.

After pondering on it, i wrote a small blog post about the same apprehensions, and decided to watch the series since it’s a Netflix exclusive, and i do have Netflix, despite barely using most of the time. Continua a leggere “Japan Sinks 2020 (2020) [REVIEW] | ooh the eastern sea’s so blue”

Japan Sinks 2020 review coming later in August

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I wanted to have a review of Masaaki Yuasa new series up by tomorrow, but there’s a lot more to say about than i expected, i thinked it over for a couple of days, and i decided that instead of rushing out a crap job (even more than usual, since i’m also working on something else for August), i’m gonna finish the series and let it stew in my brain for some days, in order to make a better review.

Also, watch Kick-Hearth, it’s the greatest love story involving masochistic luchadores , wrestling sadist nuns and orphanages that need to be saved.

Deep Blue Sea 2 (2018) [REVIEW] | Sealab 2018

Deep Blue Sea 2 2018

How you do follow up on a movie that actually had a proper ending, without any open subplots left by the end or random sequel bait? The right answer is “you don’t”, but i guess Warner Bros needed to milk some of his forgotten properties, so here we are.

There’s no other reason to make a Deep Blue Sea sequel 19 years apart from the first one, and i don’t know how it worked, since it’s released directly to home video without anyone either caring or knowing this even existed. I had to buy an UK dvd copy, since i guess not even Netflix or Amazon Video cared to have it streaming in my region.

And when i say “sequel”, i mean… that, usually, but this is a perfect, by-the-book academic example of “sequel in name only”, if we ever needed another one to prove any kind of point anymore. Continua a leggere “Deep Blue Sea 2 (2018) [REVIEW] | Sealab 2018”

Deep Blue Sea (1999) [REVIEW] | Shark Brainiacs

Deep Blue Sea 1999

So, yeah, for a change let’s watch a shark movie made in a pre-Sharkenado era, but also after everyone and her grandma was making Jaws rip-offs (like the italian Great White and Cruel Jaws), a shark flick that actually looks like a movie and not a college graduate attempt at a movie during a boring summer holidays, or an attempt to sell your shit movie as ironic “so bad it’s good” material.

Given the kind of shark movie i end up watching and reviewing here, i’m surprised by many things in Deep Blu Sea, as production values, company logo you don’t have to google, a cast with recognizable actors, cinematography that doesn’t remind of Weasels Rip My Flesh, set designs classifiable as such, special effects made with budget and expertise, i’m really feeling spoiled by this one! And a bit sad because of how the bar got embarassingly lower and lower for shark movies in time. Continua a leggere “Deep Blue Sea (1999) [REVIEW] | Shark Brainiacs”

Megalodon (2018) [REVIEW] | Navy VS Russians VS Sharks

Megalodon 2018

Not be confused with 2012 movie called “Megalodon” (re-released as Sharkzilla in some territories), this is the one with Michael Madsen in it, for one of those “10 minutes and then i’m out, but i’m still top billed” casting stunts, because Eric Roberts or Danny Trejo weren’t available this time.

No, this is the one about how a russian submarine (in an attempt to sabotage “those stubborn americans idiots” and their communications) accidentally releases a megalodon shark from the ocean floor (yes, they just grew from trees back in them olden prehistoric days), and is rescued by an american Navy ship, who is then attacked by the shark and has to both find out what them russians were doing in that submarine, and how to fight off the shark. Continua a leggere “Megalodon (2018) [REVIEW] | Navy VS Russians VS Sharks”

Mega Shark VS Kolossus (2014) [REVIEW] Attack On Titan Shark

Mega Shark VS Kolossus 2014
This is from the trailer, btw.

In 2013, the first season of the Attack On Titan anime was launched, and effectively made the already successful manga series by Hajime Isayama (started in 2009 on Bessatsu Shonen Magazine) a worlwide phenomen, the anime/manga series that gets big and becomes a sensation even outside of the already invested cultural circles and subcultures, like Death Note did before, resulting in anime/nerd/geek cons flooded with dozens of cosplayers in the guise of the young soldiers and their desperate struggle at gigantomachia in a fantasy Western Europe, for some years to come until the next big series that people won’t shut up about for a time.

While this means bugger all for The Asylum, as they really don’t belong in the “animesphere”, they clearly noticed the popularity of Attack On Titan (or SnK, if you really care), and find an oblique way to chomp at the popularity crumbs of both the anime series, AND to double-dip on the far more popular love letter to mecha anime and kaiju movies, Pacific Rim, which they already “mockbustered” a year later with Atlantic Rim. To really make this the perfect matrioska of creative compromises, they decided to realize this marketing manouver in the shape of a new Mega Shark movie. Continua a leggere “Mega Shark VS Kolossus (2014) [REVIEW] Attack On Titan Shark”

[EXPRESSO] The Grudge (2020) | The House That Kayako Built

The Grudge 2020 poster

(finally got another chance of seeing this in theathers)

Despite the mostly negative reception in the States and the frankly stupid idea of doing ANOTHER remake of Ju-On/The Grudge…. at least it had to just be better than the 2004 american remake, and that one had the same directors of the original. Then again i haven’t watched any of the sequels yet (american or japanese ones), but i can confirm this one is a “side-sequel” meant to connect with the 2004 american The Grudge.

And this is the main problem, as it wants to not disregard the previous american movies, but also doesn’t want to rework the premise to make sense in a completely different place and culture, or to make you forget that this a western remake of japanese movie. So there a willingly suicidal tendency to this one taking place in America with an american cast (plus John Cho), but still having to originate from Japan, with the curse basically using a character as a vessel to propagate itself in a small town, where a local sheriff investigates strange murders seemingly connected to a single house, all told in a non-linear fashion (as you’d expect) with the characters acting as “chapters-victims”.

It’s kinda tragic, because Nicolas Pesce manages to craft good characters and make you care about them, the drama is decent and the acting good, but when it comes to the horror parts, you’d wish the movie didn’t bother at all, even without throwing into the mix the trite j-horror movies cliches, or stuff that “has” to be here regardless, just because it’s The Grudge. The open ending doesn’t help.

Definitely a step up from the 2004 The Grudge, but please, let this type of “reboot/remakes of japanese movies” stay where it belongs. In the past.

americano-icona

Ghost In The Shell: Stand Alone Complex 2045 – Season 1 (2020) [REVIEW] | Neural Netflix Interface (UPDATED)

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Last year we got two anthological multi-authorial Ghost In The Shell volumes (Ghost In The Shell Comic Tribute and Ghost In The Shell: Global Neural Network, each with many artists and writer tributing the Masamune Shirow’s manga in their own way.

Now we finally got a new anime series, Stand Alone Complex 2045, streaming exclusively on Netflix, with the first season being available from the 23th of April, and the second one planned but with no certain release window, though it will arrive for sure, not just because it’s confirmed, but because the original Stand Alone Complex series had 2 seasons as well, and this is set-up as a continuation of sorts.

In the meantime, let’s look at the first season, directed by Kenji Kamiyama (Shinji Aramaki is set to direct the second season). Continua a leggere “Ghost In The Shell: Stand Alone Complex 2045 – Season 1 (2020) [REVIEW] | Neural Netflix Interface (UPDATED)”