[EXPRESSO] Whalefall (2026) | Of Monstro And Men

Figures the best movie i see all week is the one that might sound like an Asylum turducken proposal, since it was marketed heavily on the premise of a guy scuba diving that not only sees a giant squid, but accidentally gets swalloved by a sperm whale that was hunting and already gobbled said squid, and is forced to try survive the inexpected Pinocchio style innerwhale exploration.

Sure you can word it to sound stupid and outrageous, but even without the squid it’s already a terrifying and novel premise for an underwater survival thriller, you really can’t get much more claustrophobic than the insides of a living creature, and the many moments of body horror it brings.

Yeah, there’s not too much to premise itself, that is gist, with the protagonist having just 1 hour of oxygen left to escape, but already the context makes it clear the themes underlining the spectacle of the survival itself, since the scuba diver, Jay, decides to go under in spite of everything else because he hopes to find the body of his estranged father, whom afflicted by cancer, decided to drown himself.

He wants to get closure due to the troubled relantionship he had with him even before the cancer, but in these moments of desperation, Jay recalls the many lessons his very stern father taught him (often teaching him the importance of the ocean and its creature), confronting his repressed feelings and coming to also understand – a bit more – why he was like that.

Not wholly original but its very effective, as the emotional core of the film sustains the intense, gripping and often disgusting survival, the few main characters are pretty well defined (and very well acted by Abrams and Brolin) and i feel is as long as needed.

[EXPRESSO] Resident Evil (2026) | Rising Rookie

Is Capcom just gonna reboot RE for films every 5 years from now on?

Regardless, i feel we got very lucky this time, for the better, even if i did quite like Welcome To Raccoon City.

As it, they gambled by letting Zach Cregger (Weapons, Barbarian) direct and basically let him do whatever he wanted, but boy it paid off.

Instead of rehashing the storyline and characters of RE 1 and-or 2, this reboot has an original story and follows Bryan, a medical courier that is tasked to deliver a high risk item to the mountain town of Raccoon City, immediatly, but gets way more than he bargained for…

While there are some recognizable monsters from the series, this reboot takes many liberties with this as well, and it does for better, making something new instead of reharshing the old stuff, aside still doing some visual callbacks, it mostly makes its own identity, yet manages to evoke the games tone more faithfully than ever, as Creggers balances extremely well both tense scenes and comedic bits, stemming from genre savyness as well as the absurdity of it all for a protagonist that’s just…. a normal guy, giving a more realistic feel to a story that still over the top as a horror b-movie or videogame would be.

It’s a very funny movie that does indirectly celebrates its roots, but can also deliver some scary shit, some of the best jumpscares i’ve ever seen in a LONG time, alongside some really spectacular gore, some proper scary shit, very cool creature designs and a very likeable main character.

It’s a very good movie and so far the best one the series has ever got, “ironically” because it doesn’t shackle itself to treating the B-movie material of the games as some sort of Bible.