Tag: Gamera Heisei Trilogy

[EXPRESSO] Gamera: Rebirth (2023) | Stand By My Gamera

Lil G is back after 15 years of official silence… and it’s a Netflix animated series by the co-director of the Godzilla anime film trilogy, with similar 3D CG animation, despite being handled by ENGI (Kemono Michi, Uzaki-chan Wants To Hang Out) and not Polygon Pictures.

We’re not starting on the right foot, but it’s not like Gamera fans can be picky, this is the first official anything since 2006’s Gamera The Brave, though the premise gave me ‘Nam flashbacks of Gamera Super Monster, since it has my boy face off against 5 old foes, including his arch nemesis Gyaos, over the course of 40 minutes long 6 episodes.

The series is set in the summer of 1989′ Japan, with a group of young boys (six-graders) that have their savings stolen by a bully nicknamed “Brody”, the son of an American army commander, confront him, then a giant monster, Gyaos, attacks Tokyo, but the children are saved by another giant monster, dubbed Gamera.

It’s basically a kaiju gauntlet of sorts, with the human side of the story feeling very Stand By Me-ish but also fitting in theme of Gamera being linked to children, proposing a reinvention of the character and franchise that mixes elements from the old Showa era films with the beloved Heisei trilogy, meaning it’s not actually intended for kids at all, as the plot unfolds more in the ways of conspiracies and dark secrets.

And both the plot and characters are surprisingly compelling, making for a good series in spite of studio ENGI trying to emulate Godzilla Singularity Point’s animation as well… but with lesser results of awkard, stiff looking animated 3D CG humans, when the monsters do look good, sport some great redesigns, and their fights – even if often brief – are indeed quite good.

Nezura 1964 (2020) [REVIEW] | #giantmonstermarch

Would it really be a Giant Monster March if i didn’t reserve a spot for a japanese monster movie?

This time though we’re going for a triplette, as this one does not only – indirectly – involve the Friend Of All Children himself, but also it’s a dramatized biopic of a now defunct movie studio regarding the failed production of the Giant Horde Beast Nezura, which was slated for a 1964 release in theathers, but was never finished or completed.

Which led the company, Daiei, to try again in entering the kaiju market, this time with a more shameless but also safer choice of a reptilian creature, a giant turtle with fangs, the ability to travel through space by rotating firejets when retracted into its shell, Gamera, and squarely aim its movies at a far younger audience than what the Godzilla series targeted at the time.

But before he could fly into the deep abyss of space to defend all the younglings of the universe, Daiei was indeed planning something else, something else that wasn’t original at all either, as the producers were inspired by Alfred Hitchcock’s The Birds, with the idea to replace the swarm of avians with one of rats.

Continua a leggere “Nezura 1964 (2020) [REVIEW] | #giantmonstermarch”