Rise Of Kong: Skull Island PS4 [REVIEW] | Unfinished Ape Works

It says something when, with 2023 almost finished and with the Daedelic Games developed Gollum game set to win pretty much all “Worst Games Of Year” lists, GameMill reminded the populace that they could be the bigger fiend, and live up to their name….not that it would take them much to achieve that since they pumped out a lot of Nickelodeon licensed titles, including 3 kart racers in the span of 4 years.

And of course, Big Rigs, as they did release the legendary western kusoge of “racing” decades earlier under their previous handle, Gamemill Publishing.

(Strap in, this is gonna be a LONG one, fellas)

This one is surprising in many ways, not because it pretty much signified the return of the licensed tie-in showelware tier garbage (they also released a Walking Dead game some months after, and it was about as good as you’d expect), giving us a whiff of how these games still used to exist in droves up until the late 2000s, but because the license itself sound a little too good for this type of publisher, i mean, the Monsterverse movies revived Kong to have him fight Godzilla.

So, how the fuck did GameMill got hold of the license for King Kong?

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[EXPRESSO] Goblin Sword NSWDDL | Good Mobile Sorcery

Mobile games get a bad wrap, and while the industry itself is guilty as hell for it…eventually you get a mobile game that actually wants to be just a game, made for enjoyment instead of retention (followed by the game testing your resolve against your wallet)… which you probably didn’t even knew exist until it gets a PC and/or console port.

Yeah, Goblin Sword is a mobile game that found its way to the Switch’s eShop earlier this year, and despite some asset flips (and similar crap from malingering homunculi) from Steam starting to surface here as well, you can still get proper esposure on it, especially since it’s a 2D retro styled Metroidvania-sidescroller hybrid……lacking the random ass rape in the beginning, now we have to warn people of that due to a certain series with “goblin” in the title.

Then again, there isn’t much of a plot, it’s basically you against an evil wizard that wants the titular “goblin sword”. And… that’s it. Gameplay itself it’s a basic sidescroller with a Metroidvania twist, as in you get power-up needed to reach previously unaccessible areas, but progressing in the levels it’s done in a traditional side-scroller gameplay, go right until you reach the end of the level, with double jump being the fancier ability available, and collect all treasure chests and crystals you can.

Gelato Games (oddly not an indie italian videogame studios, despite the name) did cook up a good sidescroller, with a pleasant but a bit generic art direction, and you can still kinda tell this was made for mobile first, but you’ll soon forget that, thank to good level design, the tight controls, the great difficulty curve, a good amount of content and replayability.

I’m glad this one was ported to Switch, because it deserves more attention.

[EXPRESSO] The Mummy Demastered PSN | Prodigium Posse

Since i got this on the Halloween PSN sale, why not?

And i mean it, sure, it’s based on 2017’s “The Mummy”, that turd of a movie that was supposed to be the “real” launchpad for Universal’s MCU horror equivalent, the Dark Universe.. after trying and failing with Dracula Untold just 3 years earlier.

But it’s also developed by Wayforward, who notoriously built their reputation by actually doing good tie-in licensed videogames (and kickstarting their original series, Shantae), so they could manage to actually do some good with the abysmal source material. And they did.

It’s nothing original, but it’s also a good little Metroidvania title, who puts you in control of a soldier working for Prodigium, the secret company dedicated to defend the world from monsters, tasked by the face of Russel Crowe (who plays Doctor Jekyll in the movie) with defeating the freshly resurrected mummy princess Ahmamet. The plot is basically a side-sequel, as its events run alongside the ones in the movie, so no digitized retro-Tom Cruise to see here. Still, the plot is better narrated here than in the movie, and it’s told almost completely via exposition dumps.

The 16-bit styled retro graphics and the synthwave music are quite good, and while the game doesn’t try to change much of the typical Metroidvania trappings, it’s far from uninspired. Actually, it’s well done, and it also has a touch of “Zombi U”, as when you die you restart at the last save point, taking control of another Prodigium soldier and having to retrieve your equipment and upgrades from the other soldier, now zombified, but still weapon savvy.

It’s also fairly well paced, a bit on the short side, but, enjoyable all the way, and fairly well balanced, not easy but also not impossible. Or too challenging overall.

Xeodrifter NSWITCHDDL [REVIEW] Mecroid

Xeodrifter is a confusing game, to me.

Ok, you’re an indie game developer, you wanna basically made your own game and be unsubtle as possible for the inspiration behind it, and being inspired by Metroid isn’t a bad thing, let’s put it that way.

But i don’t get why do your “Metroid tribute” and fashion it after the original Metroid on NES gameplay wise. I get why you’d wanna make a nostalgia inspired game after the action NES titles, but Metroid isn’t action, it’s exploration, and frankly it’s vastly outdated today, and was already improved upon by the other titles in the series, and then by Symphony of Night.

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[EXPRESSO] Gato Roboto NSWDDL | Domo Domo

Gato Robot NSWDDL cover.jpg

I didn’t know what exactly to make out of Gato Roboto, but since it was on sale and Devolver Digital published it, why not, for 2 bucks?

And it’s not like the game hides or even tries to hide its ispiration, as the main image used for marketing is a cat exiting a black and white version of Samus Aran’s Power Suit. The actual robot suit doesn’t look like that (as one might reasonably guess), but it tells you exactly what this is: is Super Metroid with a cat.

That’s it. I was expecting to see an actual gimmick, but the “gimmick” is that it’s a really good Metroid style title, actually finding the good balance between contained world and Metroidvania style progression that Xeodrifter failed to capture, so you don’t get lost at all since the design pushes you in a certain direction, but you also need to find out how to progress with the obstacles each enviroment introduces, such as heat, lava, water, etc.

And the whole idea of “Metroid but you’re a cat” is actually used well, as you can leave the suit to swim (begrudingly so), jump-scale walls or navigate narrow passages, but you have no offensive capability… because you’re just a normal cat, as normal as a cat using a robotic suit can be. Some good, challenging boss battles too, for a ¾ hour (more if you want to complete it 100 %) experience that’s fun all the way through, and doesn’t overstay its welcome for the sake of pleasing insane logic such as “hour=price”.

And while the aesthetic choice of “black and white graphics with retrò pixel aesthetic” is as “indie game” as it can be, it’s actually pleasing to look at (which isn’t always the case), and the story isn’t half bad, too. Fun one, recommended!

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