[EXPRESSO] Josee, the Tiger and the Fish (2020) | and the Andersen

Eventually anime is coming back to cinemas here as well, starting with 2020’s anime adaptation of the short story Josee, the Tiger and the Fish by Seiko Tanabe, already adapted in live action form both by japanese and corean production, here with animation curated by studio BONES.

It’s a romantic drama about Tsuneo, a university student working a part time job that one day stumbles upon an old lady carrying a big wheelchair for a girl with cerebral palsy, calling herself Josee, after the heroine of a Francois Sagan’s novel. He starts frequenting “Josee” as her attendee for hire, and as time goes by he learns more about her, etc. I don’t think i have to explain how romance 101 work, so i won’t.

So, it’s a fairly common setup for an anime romance film with actual ambitions to drama, with the girl suffering from a disability or disease of sorts, i can’t really claim this movie does anything new never seen before in any way, it’s definitely what you think it’s gonna be, so don’t expect to be “surprised”, even though people don’t see romance movies for Shaymalan style twists.

But it’s honestly fairly good, definitely good enough to have it nominated at Annecy last year, fairly well executed, good animation, decent to good characters and – yes – good romance, actually surprisingly quite funny as well. What stops it from being great is that it basically does the usual framing of “disability” as some sort of “personal extra hurdle” situation to the romance, touching upon the themes that come with it but not exactly in a nuanced way, most likely because they mean well but don’t know or want to know much, resulting in a less impactful execution.

Still, it’s worth seeing, just don’t expect A Silent Voice.

[EXPRESSO] Free Guy (2021) | Life Service

So while we wait for the multiple movie projects spawned from that time online users deliberately made Gamestop’s share value drop (IF they happen at all), another thing that felt already dated the moment it was announced it’s finally out, Free Guy.

While it’s surprisingly not that out of touch as i expected (the fake in-game graphics looking like those crappy mobile ads for free-to-play games is a nice touch), i won’t deny it does sound like something that shouldn’t work as anything more than a sketch on Mega64.

So, what’s the plot? Ryan Reynolds lives his routine of bank teller nicely, until he decides to break it (inspired by a new woman player that he falls in love at first sight), gets They Live-style glasses, and learns that he’s just a random, generic NPC in a open world game called “Free City”. Or he was, at least. Guy then decides to become a hero for the city and its fellow virtual inhabitants, and becomes essential to the other protagonists, a couple of indie game developers trying to prove that a big videogame company CEO ripped off their work for his Free City game.

For a movie that takes many elements from other movies, ending like a weird amalgamation of Wreck It Ralph, The Truman Show, and The Lego Movie, it’s nice that is not as cynical conceived and executed as it may sounds, there’s actually some heart to it.. when the movie manages to focus and stop itself from doing weird “references-corporate pop culture flexes”, pandering to stereotypes, or trying to reach for super-safe narrative and emotional appeal.

It’s a decent movie, bit of a mixed bag, one that includes a slightly miscast Ryan Reynolds doing a Jim Carrey style character and a really overacting Taika Waititi.

Not bad.

Shark Season (2020) [REVIEW] | Tis Is

We do gotta pick every stitch, it is always season of scripts running down the ditch,

sharks are out to make it rich, must be the season of sons of a bitch

I’m sorry Donovan, but these fuckin movies often leave me little choice but just invent shit like this, especially when scriptwriters don’t even bother to make the premise stand out for movies like these, so at a glance they mesh all together and often can be really sketchly summed, as they barely have anything to say or show. Especially when they keep getting released under alternate titles that are either mystifing, deceptive, or already used by older, better known shark movies. Because fuck you.

There’s no other explanation than “fuck you” when you release this recent shark movie as “Shark Attack” for its UK DVD release. And as “Deep Blue Nightmare” for US TV broadcasts. (sighs)

Continua a leggere

[EXPRESSO] Voyagers (2021) | In observation, I analyze

It’s the future, and a group of young men and women, raised to be intelligent and obedient, are sent into space on a mission to colonize a distant planet. But they discover some of the expedition’ secrets, and then rebel to the mission in order to explore their less intelligent, more primitive and irrational side of themselves, resulting in a chaotic struggle with their own fears and lusts.

I want to clarify right away that Voyagers (written and directed by Neil Burger) isn’t a bad movie, it isn’t, but it’s also one of those movies that might come across as incredibly frustrating, the kind of frustrating born not of lazyness or lack of energy and vision, but of ambition too vast for the script own’s good, and – more to the point – its quality.

The premise is intriguing and ripe with potential, the themes are there, there’s clearly a vision, but the execution is incredibly predictable, underwhelming, and some of the more original details of the plot that make it stand out end up unadvertly working against it’s own overall message, coming off as dumb mistakes on part of the program, or contrived excuses to create more conflict.

Like, why the teens are asked to maintain the ship for a mission they themselves simply won’t live enough to carry out ? Why not cryogenically put them to sleep, instead? And yes, they’re teens, so they can be fuck up or be swayed regardless of their IQ or education, sometimes they come off as both incredibly intelligent AND dumb as a bag of bricks (or incredibly naive), somehow, and it never feels natural, just arbitrary bullshit.

There is definitely something to like here, like the good cast and performances, but the overall result it’s an overly ambitious mixed bag. Pity.