[EXPRESSO] Wildwood (2026) | The Cracked Brass Bells Will Ring

I was more than ready to see Laika newest film, i wanted to since the trailer was out, i was gonna support them anyway as they’re one of the very few good things to come out of nepo babies using decadent amounts of money for the actual arts, keeping stop motion animation alive still, even if we already know these movies are never making back the budget.

But frankly i was honestly surprised by Wildwood, like, damn, even putting aside how this one has been in development for 15 years and it shows, it’s absolutely stunning to look at.

Set in Portland, the plot sees a 13yo girl, Prue, left to attend his baby brother Mac at home, but she doesn’t listen, brings him alongside in a cart, meets her nerdy classmate Curtis, and has her brother snatched by a pack of crows, so the two chase to the mist shrouded Forbidden Forest where she got told to never ever go, found a mysterious way in, entering a world full of magic, talking animals and factions that were on the verge of war, getting caught up in this against her will.

It’s remarkable not only how this looks even better and is pure delight for eye of the stop motion aficionados (even by Laika’s own high standards), but how the apparently generic “fantasy forest fable” theming is used to develop an interesting world, with the everything from infantry wolves, talking owls, barbarians and the main antagonist, the forest witch, which is an excellent tragic villain, matched by some really likeable and well rounded protagonists and secondary characters alike.

There’s no dead air, all the way through its + 2 hours runtime, it’s also surprisingly funny, witty and willing to be “brutal”, avoiding easy kids films’ cop-outs.

PLEASE, just go see it.

[EXPRESSO] Other Mommy (2026) | Doppel Mutter

Know what, i can’t claim that the trailers for Other Mommy were misleading, this indeed the kind of slapdash, jump scare ridden thing you’d expect, boiling down to someone trying to make an entire horror movie about a screenshot of Other Mother from Coraline someone forwaded them.

Bela is a regular kid… well, aside the fact she is friends with an entity that lives in her house and she has come to call “Other Mommy”, because she looks like her actual mother.

The entity has had enough of just being “second banana”, so it manifests in increasingly dangerous fashion trying to sway the girl to her side…

In a way i was surprised because the movie doesn’t play any cheap trick of the “Unsorry Mommy” being just in the child’s imagination or not, this thing is real, tangible and will explode your brain into confetti, and there’s no half the movie predicated on the parents slowly realizing the entity is actually real.

… But that isn’t nearly enough to make this even mediocre, let’s not accept “things do happen” as an actual standard when there’s little to no plot, the characters are paper thin stereotypes, the jumpscares limp, most of the “weird morphing” fees like rejected Backrooms-esque material.

It’s never proper scary, though it’s hard to even feel any tension because not a single character reacts appropriately to anything that happens, they all just shrugh it all off, regardless.

There’s little to no logic (or depth) to almost anything, and frankly this feel like an untentional “supernatural entity” variation of the Pickle Rick episode.

It’s not boring per sé, nor is it “the worse thing ever”, it’s not, yet at just 93 minutes feels stretched, and it’s also not quite unintentionally hilarious, just a “slightly different than expected” kind of garbage.

[EXPRESSO] Missing Link (2019) | Le Tour Du Sasquatch

Definitely one of the movies i’ve been looking forward to this year (again, came out last year in the US, but not here), always up to see what Laika Studios are doing next, and Kubo was great.

This latest feature is set in 1886, and sees cryptozoologist ante-litteram Sir Lionel Frost respond to a misterious letter that hints at the possibility of finding the fabled “missing link”, and embarks on a quest, as finding it would also give him recognition from his fellow adventurers, including his rival.

So the search for sasquatch begins in the Pacific North West…. and then begins again when Sir Lionel finds out who sent the letter, and why.

The plot offers an interesting variation on the old adventures flicks where British guys went around the world to “discover” and “civilize-colonize” all they could get their cane on, while maintining the old clichès like the bar fights, assassins sent after them by the main villain that epitomizes the old world of arrogant status-quo.

Not that Lionel himself is that much better, but it’s all to feed into the theme of family and what comes with a ugly duckling type story, one featuring a lovably awkward sasquatch and great characters.

You can see where the plot is going, but it’s a fun ride, the character designs and stopmotion animation are top notch as you would expected, the art direction amazing, the slapstick is quite decent, too. At times the dialogue tries to be a little too clever, but it’s mostly quite well and smartly written, just throwing a couple of puerile jokes because it has to (being a kids movie). Oddly some of the funniest moments are quite simple, in contrast to some of the more complex verbal gags that don’t fully land.

It’s pretty good, yes.