[EXPRESSO] Space Jam: A New Legacy/New Legends (2021) | Look On My Works, Ye Great Mighty Poo

Let’s get this over with, even if it’s pointless to review, as it’s just a WB corporate flex.

I revisited the original Space Jam just before seeing this, it was a corporate vehicle emphasizing cross brand promotion, spectacle, and references over story, with the “hook” of real life celebrities acting a cliched “inspiring sports film” formula alongside animated characters.

But in retrospect it had some laughs and some self awareness NOT weaponized to just suck corporate cocks in a proud cynical fashion, all the time.

And yes, this is just a new one, a “stand-alone sequel”, make sense since it has been in development hell for 15 years.

It has the same basic premise, with a basketball game deciding the fate of a real life person and the cartoon characters he mets in a new world. Obviously this one swaps Michael Jordan for James LeBron, but also tries to up the ante and modernize it, setting it in a virtual WB-verse where an evil algorhythm-IA has trapped LeBron and his younger son Dom.

Problem is it also quadruples down on corporate bullshit, to the point it’s way longer than it needs just to have countless references using WB owned IPs. Not jokes, references. It also takes itself more seriously for no reason, and it’s often more embarassing and awkward than funny or fun.

This is an official feature length shitpost filled with memes and references (not so much jokes), and while the animation isn’t bad, it’s a stylistically spineless affair, even the older Space Jam had a consistent style to the mixing of live action and animation.

The original was a product of his time as much as this new one is, but even the 1996 movie it’s still better than this specimen of pure corporate public narcistic wanking.

Horrendous.

Talking bout that new dang Nintendo Direct

So, as it’s customary and cyclical event by now, a new Nintendo Direct dropped at midnight today, and i have something to blabber on about without planning much.

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[EXPRESSO] Prey (2021) | Die Freischutz, Die

Let’s go Netflix diving once again, with this german horror-thriller.

First, really, you couldn’t find another title for your movie?

Then again, i don’t expect people to confuse this with the 2007 killer lion movie, or the other killer lion movie from 2016, also called just “Prey”.

Premise it’s as stock as it gets for horror, as it’s about five friends escaping from someone hunting them down with a rifle in the woods, where they came just to make an excursion and relax.

A cabin of sorts gets involved somewhere down the line, sure, but don’t expect any subversion or satire of genre diktats, and while it’s not technically a “slasher” since the murdered uses a hunting rifle, it’s just that, a technicality, and expect some answers in the end, but not a twist.

The execution it’s not totally stock since it relies on atmosphere and tension, the mystery of why they are being hunted, and while on paper i do like the concept of not relying on obvious answers and trying to make the raw execution of a simple idea work without trick or convenient cliches… the execution here gives way to mostly boredom and not much to go on or look forward, with some substories and some drama just there to add something to the movie.

While there are some moments of decent tension, the acting is decent and it’s not completely boring or worthless (it’s not), it feels way longer than it is for a movie barely under 90 minutes, and it’s definitely not the kind of movie you wanna fire up if you’re already feeling sleepy or doozy, this isn’t made to “wake you up” to begin with, but it being fairly dull doesn’t help.

Mediocre and forgettable, you decide if it’s worth watching even once.

Syndicate PS3 [REVIEW] | Cyberbooting EA Nonsense

While CD Projeckt Red (look out to not be sued by Robert Fripp) it’s still trying to patch up the comatose corpse release of Cyberpunk 2077, let’s go back in time when cyberpunk was…. actually not that far since i actually played this last year while quarantined and cleanin some of my backlog, and the game actually came out in 2012, almost ten years ago.

It just feels odd to discuss a game like this now, with the scenario of a society that basically taps directly into the “Wired” (not actually called that, but you get it), so you can connect to the internets with a chip installed in your brain, with more than half of the world populace having it, and using it to – among other things like downloading porn and Doom 2 WADS, i guess – align with one of the megacorporations that have become more important than nations themselves. The megacorps of course compete for dominance by also upping their terror and spy tactics by using prized killers, like the protagonist, Kilo (yes, with a “i”), as corporate espionage is basically a full on war.

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Expect reviews of some recent Arrow Video releases, and more

Let’s take a break from giant mutated spiders while i get around to see the new Dune movie… and eventually Space Jam A New Legacy, i kinda “have” to see it, shall we?

So, since i have been spending not small amounts of cash in Blu-Rays put out by renowed cult distributor Arrow Video (i don’t just watch crap, you know?) and preording a lot of their releases, like the Sailor Gun And Machine Girl one, expect to see some “hands on- let’s gander at” pieces, or full out reviews out of that in October (and early January, since some will release in very late November, just before Dino Dicember comes around once again).

I would love to put out videogame reviews a lot quicker, but time is scarce as ever, so hope you enjoyed the Wario Ware Get It Together one, was a bit easier to edit than expected, gotta be honest, but there are some more coming later, check back tomorrow for a new reviewe. Maybe the new Dune, maybe Tremors.

Today is technically a “nap day”, i guess.

(and yeah, i have plans to feature the entire Daimajin trilogy)

Arachnicide (2014) [REVIEW] | Going Digital On Yo Ass

This one is a bit special to me as an italian, as it fills a niche of monster movies that basically went extinct over time: the italian b-movie made for the international market.

Yeah, as you could ascertain from the poster (and the cast list) having almost exclusively italian actors on it, this is an italian movie, and if the look of the actors didn’t give it away (i’d argue it does, at the very least it’s obvious that these are not American), the english dub ABSOLUTELY will make that clear as day, and sadly you can’t watch it in italian with english subs, not only on the UK DVD release i imported, but apparently in all english languages releases on streaming as well.

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Eight Legged Freaks AKA Arac Attack (2002) [REVIEW] | Barrel O’ Fun

While it’s one of the more famous B-movie about spiders and most of you it’s most likely quite familiar with it, i wanted to feature a good, fun one about giant spiders, and i feel it’s worth talking about it again, especially for newer generations, as this still holds up in hindsight.

The fundamental value it’s that Eight Legged Freaks it’s a homage to the 50’s monster movies made with affection, deep affection, and unlike some of the modern b-movies that are shit at the core and try to pass off their own cynical uninspired slob as “comedic”, this is an actual horror comedy that fully embraces, understands and playfully uses the many cliches of giant monster movies.

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Ninja Champion (1986) [REVIEW] | Grindhouse Ninjas

As we already saw with previous reviews of Godfrey Ho ninja flicks, anything goes with ninjas, he could splice them and stitch them to any kind of foreign, unfinished and often obscure asian movie he could get his hands on.

Even so, it still comes as a surprise that he would also splice his brand of multicolored, bandana wearing, self-adverting ninja in a rape revenge movie. WHY?

I love how the italian dvd release has a sword with diamons on the cover, it’s extra hilarious considering how it implies that diamonds are important to the plot…. they fuckin aren’t, the sword is way, WAY more relevant.

It’s just that the rapists happen to be diamond smugglers, it doesn’t really matter what they smuggle, AT ALL, they could sell bootleg boglins and nothing would really change, and even the movie barely remembers at the last minute that yes, this should somehow tie together the new storyline and “ninja footage” with the existing footage, this time taken from the 1985 corean rape-revenge movie known as “Poisonous Rose Stripping the Night”, directed by Kim Si-hyun.

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Ice Spiders (2007) [REVIEW] | Ski Spiders

As promised in the review of Spiders 3D, here’s the review of the spider creature feature TV movie Tibor Takacs directed before the 2013’s Nu Image/Millennium Film one that happened to pretty much be a remake of the 2000’s movie Spiders, produced by the same company.

You might argue i maybe should have done this before Spiders 3D, and you would be correct, but i didn’t even find out Ice Spiders existed before doing research for the other one, so here we are.

I should have guessed that a movie like this would exist, because i do believe this type of genre B-movies (especially if made for TV like this one) will eventually fall victim to what i call the “Pokemon Singularity”, with desperate filmakers mixing and matching animals with a random element/type, and if we can have sharks made of ice, sand (so “earth”), fire (atomic), even ghostly “dark” sharks, sure as shit we can have a movie called Ice Spiders. Possibly about literal spiders made of ice.

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Drive In Massacre (1976) [REVIEW] | Get Out Of The Car

September, perfect time for looking at some slasher movies, even lesser known (but not quite obscure) ones, like today’s Drive In Massacre.

It’s basically Targets, as in both movies have a drive-in as the central scenario of the action, and as a motif. IF Targets was directed by Herschell Gordon Lewis instead of Peter Bogdanovich.

Yeah, this one has a cult status and was quite popular at the time, i’m willing to guess in the drive-in circuits, which i always wondered about, but since that type of cinema experience never took foot here in Italy, i will just have to witness its depiction in american movies. Oh well.

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