Great White (2021) [REVIEW] | Seaplane Rescue Rumble

Want some fresh shark movie? Well, it doesn’t get any fresher than this, as this is the more recent movie we’ll spotlight during this year’s Shark Month, and was released just last month, both via theatrical releases in some countries, and video on demand.

Personally, i discovered it among the new releases on DVD while browsing Amazon UK, was pretty cheap, so i ordered it asap. It helped being promoted as “from the executive producers of 47 Meters Down series”. Even if it’s a half-truth, as both Jack Christian and Christopher Figg DON’T appear listed as “executive producers” in 47 Meters Down or 47 Meters Down Uncaged, at least on IMDB.

I understand “from one of the producers of Dog Soldiers” wasn’t gonna fly, but why don’t actually sell it as “from the producers of Black Water: Abyss”, where they did work as executive producers. It does come from Altitude, one of the main companies also behind the 47 Meters Down series, so..

This is an australian production, with – fittingly so – australian actors (partly filmed off of Brisbane’s coast, to boot), and it’s directed by Martin Wilson, pretty much as his debut full lenght feature, as – according to IMDB – he directed two shorts and a TV movie called “Roll”.

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Shark Season (2020) [REVIEW] | Tis Is

We do gotta pick every stitch, it is always season of scripts running down the ditch,

sharks are out to make it rich, must be the season of sons of a bitch

I’m sorry Donovan, but these fuckin movies often leave me little choice but just invent shit like this, especially when scriptwriters don’t even bother to make the premise stand out for movies like these, so at a glance they mesh all together and often can be really sketchly summed, as they barely have anything to say or show. Especially when they keep getting released under alternate titles that are either mystifing, deceptive, or already used by older, better known shark movies. Because fuck you.

There’s no other explanation than “fuck you” when you release this recent shark movie as “Shark Attack” for its UK DVD release. And as “Deep Blue Nightmare” for US TV broadcasts. (sighs)

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47 Meters Down: Uncaged (2019) [REVIEW] | Mayan Ruins Of The Deep

While not exactly loved, 47 Meters Down did get a decent reception and turned out a profit, which means the studio hired back Johannes Roberts to write and direct another one of these “sequel but not really”, often called by the more elegant definition of “stand-alone sequels”.

You know the drill: no continuity, same basic premise, completely different cast, you don’t really need to have seen the previous movie, etc.

Well, actually the premise it’s a bit different this time around, even if – of course – it involves sharks, like you expect and want. Like the subtitle implies, this time around isn’t about a cage dive gone awry, but a group of girls that go scuba diving in a sunken Mayan city, only to be hunted by a group of sharks that happen to be swimming in it.

I mean, why the fuck not? Especially if you can get away with titling your movie after “cage diving” despite it barely have relevance to the story, this 47 Meters Down non-sequel can do whatever he likes, even sound like if someone accidentally made a possible Everblue horror adaptation.

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The Reef (2010) [REVIEW] | Seas For Fears

No, no the kids movie, you silly.

Know what? Let’s talk about a good shark movie, for a change, let’s talk about The Reef, from director-writer Andrew Traucki, here at his second directorial role for a feature lenght film, after debutting with Black Water, another survival horror film, but about a saltwater crocodile (later followed by Black Water Abyss).

This one is often brought up when discussing the best shark movies, and by pure coincidence it’s another Australian production, like Bait 3D, which happens to be one of my favorites and one of the better received shark flick all around. And boy do we need good ones to offset the avalanche of shit shark movies pumped out on yearly basis, we really do need some good one once in a while.

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47 Meters Down (2017) [REVIEW] | The Real Cage Dive

Once more we are more on the serious side of the shark movie, with the rare UK production, among the overwhelming number of american and australian ones, 47 Meters Down (or 47 Metres Down, as my UK DVD release says, thought it was just a typo on the cover art and the back of the box, but nope, it’s just unsure how exactly “europey” it wants to sound), which would also “inspire” the third Open Water film, released just months after this one.

But we’ll talk about what differentiates the two movies when talking of Open Water 3, for what concerns 47 Meters Down, you just have to know it’s about two sisters that decide – after the more introverted one breaks up with her boyfriend – to spend a vacation together in Messico.

While there, they decide to try something extreme and go on a cage scuba dive, but due to the wire malfunctioning, they end up being trapped in a shark cage underwater (at the depth the title specifically refers to), and they desperate struggle to escape while great white sharks siege them.

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Aquarium Of The Dead (2021) [REVIEW] | Aqua Zoombies

Today i’m gonna ask you a question, answer sincerely.

Who exactly asked for a Zoombies 3?

I’m not even being sarcastic, i’m genuinely curious because i’m pretty sure most people that at least saw the first Zoombies didn’t knew it had a “sequel” to begin with. This is not a series that has anything as a following, as far as i understand.

But yes, this is actually the third movie in the Zoombies trilogy, despite the title.

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Empire Of The Sharks (2017) [REVIEW] | Fury Boat

As you might remember, i frankly hated Planet Of The Sharks, so i post-poned the review of Empire Of Sharks, which i also incorrectly described as a sequel.

Because it isn’t: completely different cast, completely different characters, no continuity, you know the drill by now.

It still kind of a follow up to Planet Of The Sharks, as in this is The Asylum trying again to make work the ill-conceived- and under budgeted – mash up of Mad Max, Waterworld and a shark movie.

I don’t why exactly they felt the need to try again, since i’m not even sure it raked in much profit for the Asylum, but i guess Mark Atkins wanted another go at the concept, so this time he directed but also wrote the script himself, which is not necessarily encouraging piece of info.

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Open Water 3: Cage Dive (2017) [REVIEW] | Wisdom N’ The

11 years after Adrift, Lionsgate felt the time was right to resume the “series”, and might as well drop any pretense, so they just released it as Open Water 3 right away, which surely prompted viewers to ask “was there a second one?”. Again, not that it matters because these are completely standalone stories, so you could waltz in theathers in 2017 without any real need to see the “previous ones”.

Not that many moviegoers are bound by that anyway.

If the subtitle sound somewhat familiar, it’s because this third installment in the Open Water series clearly took wind of what Dimension Films was cooking up with 47 Meters Down, it’s not that there’s a copyright on the concept of “cage dive scuba session goes wrong, with sharks”, but this one was released the same year, just 2 months after 47 Meters Down, so comparisons are bound to be made..

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Open Water 2: Adrift (2006) [REVIEW] | Sequel Sharks

What happens when you get to do a sequel that’s really not a sequel, but another iteration on the same basic premise? You get slapped for asking obvious and stupid rethorical questions, as you know damn well the industry will conjure series out of unrelated movies anyway, so doesn’t matter that not even the production company is the same as Open Water, we’ll release it with a different name first and then slap “Open Water 2” when it hits home video, passing the original title as a subtitle. Not to be confused with the 1993 movie by Christian Duguay, also called “Adrift”.

This one is directed by Hans Horn, also behind german produced TV movie like Death Water (Tod aus der Tiefe) and with a new movie in pre-production, Going Down, which sound like it’s gonna be an unofficial Open Water or a rip-off. But we’ll see about that.

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Mad Max PS4 [REVIEW] | Down Undah

Yeah, remember the debacle and the case of divisive reception on this title?

I do, but it feels like it happened so long ago, despite this being a 2015 release. Such is nature of online discourse on social media, after all, doesn’t matter what the subject is.

I will keep that in mind, but since 6 years are a lot for videogames, i’d say it’s the time to revisit the Avalanche Software’s interpretation of George Miller’s australian apocalyptic world of holy motors and highly stilized weirdos, while i think of the burning coast sands during this city bound and holiday-less summer season.

Let’s see exactly how chrome this game is!

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