Today i’m gonna ask you a question, answer sincerely.
Who exactly asked for a Zoombies 3?
I’m not even being sarcastic, i’m genuinely curious because i’m pretty sure most people that at least saw the first Zoombies didn’t knew it had a “sequel” to begin with. This is not a series that has anything as a following, as far as i understand.
But yes, this is actually the third movie in the Zoombies trilogy, despite the title.
Continua a leggere “Aquarium Of The Dead (2021) [REVIEW] | Aqua Zoombies”
As you might remember, i frankly hated Planet Of The Sharks, so i post-poned the review of Empire Of Sharks, which i also incorrectly described as a sequel.
Because it isn’t: completely different cast, completely different characters, no continuity, you know the drill by now.
It still kind of a follow up to Planet Of The Sharks, as in this is The Asylum trying again to make work the ill-conceived- and under budgeted – mash up of Mad Max, Waterworld and a shark movie.
I don’t why exactly they felt the need to try again, since i’m not even sure it raked in much profit for the Asylum, but i guess Mark Atkins wanted another go at the concept, so this time he directed but also wrote the script himself, which is not necessarily encouraging piece of info.
Continua a leggere “Empire Of The Sharks (2017) [REVIEW] | Fury Boat”
11 years after Adrift, Lionsgate felt the time was right to resume the “series”, and might as well drop any pretense, so they just released it as Open Water 3 right away, which surely prompted viewers to ask “was there a second one?”. Again, not that it matters because these are completely standalone stories, so you could waltz in theathers in 2017 without any real need to see the “previous ones”.
Not that many moviegoers are bound by that anyway.
If the subtitle sound somewhat familiar, it’s because this third installment in the Open Water series clearly took wind of what Dimension Films was cooking up with 47 Meters Down, it’s not that there’s a copyright on the concept of “cage dive scuba session goes wrong, with sharks”, but this one was released the same year, just 2 months after 47 Meters Down, so comparisons are bound to be made..
Continua a leggere “Open Water 3: Cage Dive (2017) [REVIEW] | Wisdom N’ The”
What happens when you get to do a sequel that’s really not a sequel, but another iteration on the same basic premise? You get slapped for asking obvious and stupid rethorical questions, as you know damn well the industry will conjure series out of unrelated movies anyway, so doesn’t matter that not even the production company is the same as Open Water, we’ll release it with a different name first and then slap “Open Water 2” when it hits home video, passing the original title as a subtitle. Not to be confused with the 1993 movie by Christian Duguay, also called “Adrift”.
This one is directed by Hans Horn, also behind german produced TV movie like Death Water (Tod aus der Tiefe) and with a new movie in pre-production, Going Down, which sound like it’s gonna be an unofficial Open Water or a rip-off. But we’ll see about that.
Continua a leggere “Open Water 2: Adrift (2006) [REVIEW] | Sequel Sharks”
Yeah, remember the debacle and the case of divisive reception on this title?
I do, but it feels like it happened so long ago, despite this being a 2015 release. Such is nature of online discourse on social media, after all, doesn’t matter what the subject is.
I will keep that in mind, but since 6 years are a lot for videogames, i’d say it’s the time to revisit the Avalanche Software’s interpretation of George Miller’s australian apocalyptic world of holy motors and highly stilized weirdos, while i think of the burning coast sands during this city bound and holiday-less summer season.
Let’s see exactly how chrome this game is!
Continua a leggere “Mad Max PS4 [REVIEW] | Down Undah”
I wasn’t sure if i wanted a sequel to A Quiet Place, as i was perfectly satisfied… heck, more than that, with both the finale and the movie itself, one of the best ones i saw that year, had everything you could want from a horror thriller, from fairly original premise to great acting, excellent creature effects, tense atmosphere, great characters, etc.
But i guess the combination of it being surprising (as it came from a director that previously didn’t explore or dabble in horror), acclaimed by everyone, AND being a surprise big financial hit made John Krasinki, Platinum Dunes and 20th Centhury Fox think of making a follow up, and it’s finally in theathers, another of the many movies delayed for months-years due this goddamn pandemic.
Following the events of the first movie, the Abbott family is forced to venture outside of the house they took refuge in and in doing so confront the human survivors of this post-apocalyptic world, still thriving with the blind deadly creatures attracted by sound.
Gotta admit, my fears of this sequel being somewhat of a cash-in were quickly shattered, as it manages to move forwards the story about this family surviving in the post-apocalypse, to give more context to the events that led up to the creatures appearing, and to develop the survival aspects even more thanks to them having to face not just the monsters, while giving way for character arcs.
All still done with minimal use of dialogue and sound, with a great atmosphere, some really scary – genuinely scary – moments, good action sequences, excellent acting, likeable characters, amazing creature effects yet again, all packed extremely tight in less than 100 minutes, no minute is wasted for the sake of it, at all.
Noteworthy sequel, and great movie all around.
Let me take you back the days of italian zombie movies, with one of the slightly more obscure films, even if we’re still in the familiar territory of italian directors credited with laughable american pseudonyms and a plethora of alternate titles, it wouldn’t be an italian zombie from that era if it somehow got the alternate title of Zombie 3 (yes, with an extra “e”), others trying to link it to the “Zombi non-series” or the cannibal subgenre, one that happens to have been mostly dominated by italian genre directors.
Zombi Holocaust does have 2 recognized alternative titles, Queen Of The Cannibals and Dr. Butcher: M.D., and to be honest they’re not too that outrageous or mystifying, because this one decide to go ahead and combine a cannibal and zombie movie together, throwing in a mad scientist that created his own zombie army, as an expedition to the Eastern Indies finds out more than they bargained for, as this group of doctors and journalist went there to investigate, after episodes of cannibalism by immigrants of that particular island started happening in various city hospitals.
Continua a leggere “Zombi Holocaust (1980) [REVIEW] | With Extra Falernum”
Yeah, we just got this one in theathers now, once again delayed due to the pandemic.
Preface: i know a bit about Monster Hunter, but not that much, as the franchise it’s one of those i should be really into, but somehow it never clicked with me.
But still, you should know what to expect: it’s another big-budget live action adaptation of a Capcom IP directed by Paul W.S. Anderson, as the Resident Evil movie series did bring a lot of buckaroos, so let’s do it again, and of course cast Milla Jovovich as the lead, i would be surprised if the director didn’t cast his wife for these roles.
And let’s get this out of the way: yes, it could have took place in the fantasy world alone and still deliver on the monsters and action, but nope, so in order to make it more “palatable” to all audiences, let’s have a US military unit get isekai’d into the Monster Hunter world, finding the guns useless on these giant monsters, and having to adapt to dual blades, maces and more “primitive” weapons that actually can damage these things. All while roaming a mostly desert land, searching for a way home.
And sequels.. that WILL probably be made.
To be honest, while the plot is a shining example of Hollywood cowardice and spineless scripts, the movie itself it’s not that bad. It’s dumb as a brick, written as such, but the CG for the monsters looks good, there’s a bit of horror, it adapts fairly ok a lot of elements from the games, preserving the basic gist of the thing, and it’s entertaining.
Not good, not smart, but entertaining enough, like MOST of the director’s Resident Evil movies. Also, it has Ron Perlman with a hilarious “afro Meatloaf” hairdo. XD
Changed my mind, i will write small recaps/highlights of the various conferences, starting with this one.
Which is reall Geoff Khiley hosting “The Games Awards” by another name… yay?
Even more due to the event being sponsored by Prime Gaming…YAY.
Yeah, i didn’t miss this part of the E3 so much.
Continua a leggere “#E32021 Summer Game Fest [Highlights]”
The first Ken’s Rage sold relatively well, and it’s Koei, so we got a sequel 3 years later.
Which would be fine, until you realize what it actually implies in this case, and i don’t mean it simply being released to coincide with the series 30th anniversary.
That is something else entirely that ultimately condemns Ken’s Rage 2, but the main issue is that you just can’t do what Dynasty Warriors does with Romance Of The Three Kingdoms, as the source material for that leaves it open to the real historical characters being reinvented or changed, on what of the many events (historical or pure fiction like the many uses of magic) focus more the narrative, while keeping focus on the essential battles and significant achievements of the warring factions, and their part in the path to the unification of China after the fall of the Han dynasty.
You can’t just re-imagine Kenshiro, his friends and foes, as they have all distinct personalities, distinct character designs, signature moves and Fist Of The North Star’s popularity never really waned in 30 and plus years, so people still are quite well aware of it. On the other hand, you could hardly justify making a sequel when the first game stopped at the end of the Raoh’s story arc.
Continua a leggere “Fist Of The North Star: Ken’s Rage 2 X360 [REVIEW] | You Should Have Left The Bronx”
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