One Piece OVAs and featurettes Retrospective coming soon

 

HelpfulExemplaryGoosefish-small.gifLast year i did a full retrospective of the One Piece movies leading up to the release of One Piece Stampede in theathers… all in italian, and while i plan to eventually do a reworking/redo of the retrospective in english (including Stampede, of course), and to cover all the TV specials, for this summer i’ll just cover the featurettes and OVAs.

NOT the live-action stage shows. Yes, even before the announced One Piece live-action Netflix series will actually show what’s its gonna look like, One Piece had more live-action adaptations, mostly as theather plays, hell, they even did One Piece Kabuki…

That’s about it, see you soon!

Dynasty Warriors 20th Anniversary video and the state of musou

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Today Koei released a compilation video to commemorate the series’ 20th anniversary, and while kinda nice, it’s also unadvertly very Koei, as they managed to cut content and recycle too much even in this occasion. XD

The trailer gives a brief compilation of cinematics and gameplay videos from all mainline Dynasty Warriors titles (and some brief logos appearances from the many spin-offs), and even the Empires and Xtreme Legends spin-off/expansions attached to those. All.. except the very first title in the series.

The real reason is because the first Dynasty Warriors wasn’t a musou, but a 1 on 1 fighter, and they clearly don’t consider it because Dynasty Warriors properly started in 2000 with what has been localized as “Dynasty Warriors 2”, but in Japan the first one was called simply “Sangoku Musou”, and to make more clear the change in direction, they called the second one “Shin Sangoku Musou”, so Dynasty Warriors 3 is “Shin Sangoku Musou 2” and so on.

Which highlight how they didn’t even bother to make another version of the video, sure, it would have been a bit odd to show a game that really doesn’t play like all the others in the series, but they also show Dynasty Warriors 9/Shin Sangoku Musou 8 (without apologizing), and it would have been correct. It also would have required more work, so of course Koei didn’t bother and uploaded it as is even on their official european Youtube channel.

Dynasty Warriors 20th Anniversary everyone is here

It may sound petty to make such a big deal out of this, but it’s so typical of Koei’s treatment of the series that they somehow managed to make some of it’s flaws and rightfully critiqued trends (like cutting corners by not dubbing the western releases of most musou titles in english) bleed into the celebratory 20th anniversary trip down memory lane. It’s so typical it’s downright depressing and make the otherwise well meaning “thank you” message at end feel completely hollow.

And i worry, because this is indicative of the state of the series as a whole… but i’m gonna dedicate an entire editorial to that later, there’s way too much to say, and i was planning to anyway, but this video gave me the final push.

Sorry for the teasing in the title, but don’t worry, that editorial won’t be locked behind a DLC or Season Pass paywall, or squirrelled away into an Xtreme Legends expansion at full retail price.

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Japan Sinks 2020 (2020) [REVIEW] | ooh the eastern sea’s so blue

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I knew this series was coming, but the surprising lack of hype, coverage and buzz on social media sites made me think either people forgot about this, or didn’t bother since most of the feedback from the dedicated sites was, with most of the comments expressing disappointement, criticizing excessive nationalism for the sake of it or just baffling stating stuff that – somehow – happens, like a grandpa “360° sniping” with a bow and arrows, etc.

This made me a bit sad, as i loved Keep Your Hands Off Eizouken (which i highly recommend, just go watch if you haven’t), and i don’t dislike Masaaki Yuasa’s work in general, quite the opposite, for example i love Kick-Heart, good stuff, Ping Pong The Animation is incredible, and his screenplay for the extra-surreal Cat Soup (another one i highly recommend) is quite good.

After pondering on it, i wrote a small blog post about the same apprehensions, and decided to watch the series since it’s a Netflix exclusive, and i do have Netflix, despite barely using most of the time. Continua a leggere “Japan Sinks 2020 (2020) [REVIEW] | ooh the eastern sea’s so blue”

Japan Sinks 2020 review coming later in August

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I wanted to have a review of Masaaki Yuasa new series up by tomorrow, but there’s a lot more to say about than i expected, i thinked it over for a couple of days, and i decided that instead of rushing out a crap job (even more than usual, since i’m also working on something else for August), i’m gonna finish the series and let it stew in my brain for some days, in order to make a better review.

Also, watch Kick-Hearth, it’s the greatest love story involving masochistic luchadores , wrestling sadist nuns and orphanages that need to be saved.

Senran Kagura: Beach Peach Splash PS4 [REVIEW] | Wetworks

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Copy Purchased
Platform: PS4
Developed by: Tamsoft, Honey Parade Games
Players: 1 offline (2-10 Online)
Also Available On: Steam

Many thing can be said about the Senran Kagura series, but i give Marvelous a lot of credit for going fuckin bananas with the franchise. For such a niche series of beat em up games, you won’t expect at all a rhythm game spin-off, or basically their take on Splatoon, i really like that constantly try to expand it in such oddball fashion. You’ve got bahonkas of steel, Marvelous, no doubt about it.

We’re going knee deep. In the plot. Continua a leggere “Senran Kagura: Beach Peach Splash PS4 [REVIEW] | Wetworks”

One Piece Pirate Warriors 4 – DLC Pack 1 PS4 [REVIEW + RAMBLE]

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I wasn’t planning on reviewing the DLC packs as well, but then again Namco and/or Koei silence on eventual stuff one would expect for a 30 bucks Season Pass…. made me feel apprehensive, and it worth keep banging on these issues, they won’t go away if you get bored of hearing about them, quite the contrary.

So you get both a review of the first DLC Pack for Pirate Warriors and a small digest of Koei’s DLC bullshit (just this once, i’m not gonna do that for the following DLC packs’ reviews), far from comprenhensive, but fear not, i could easily make an essay on this subject. If you’re already familiar (or WAY too familiar) with the subject, please just skip to the review of the DLC pack itself below. Continua a leggere “One Piece Pirate Warriors 4 – DLC Pack 1 PS4 [REVIEW + RAMBLE]”

So, about Japan Sinks 2020…

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I knew Masaaki Yuasa’s new series hit Netflix (even in my region) a couple of weeks ago or something, and apparently it’s a big ol’ turd with excessive nationalism and insane bullshit like granpas being superhuman hitman “360° sniping” with a bow or something?

At least that the impression i got from a lot of people on social media, and if that’s the case, i’m a bit sad, i absolutely loved Yuasa’s previous series, Keep Your Hands Off Eizouken, that one was great, a banger, so i guess i’ll have to see myself.

I wish i had a better excuse to dust off Netflix, but eh.

Expect a review of it later this month.

[EXPRESSO] They Came From The Sky NSWITCHDDL | Beam It Up

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After debutting last year on Steam, FobTi Interactive’s “flying saucer 2D abduction simulator is now also available on Nintendo Switch, where it honestly feels more at home, given it’s designed primarly for quick runs, and oddly it’s NOT a mobile port.

They Came From The Sky (not to be confused with “They Came From The Skies” on PS2) definitely delivers on its title, since it’s a 2D arcade style game, with pixel art to match the premise of playing as an alien saucer, attacking the 50s with a simple goal: to abduct humans (animals as well) and make delicious smoothies with them. So the premise goes anyway, you won’t see any retro, faux 8-bit pixel gore in any detail.

Gameplay is simple, as the ufo scrolls automatically in the sky, and when you use the beam to capture humans and collect power-ups, you also change in which direction the ufo is gonna move, so timing is essential to avoid rockets or bullets from the human opposition (unless you manage to collect enough energy for a warp drive), and at the same time to keep the combo going, because it’s either a high score race in a limited time, o a survival run. Either case, you’ll see and hear Godzilla in the background.

Admittely, there isn’t much in the way of stuff to unlock (with in-game coins ONLY obtained via playing) in any “long term”, outside of 5 extra ufos with different stats, there are 3 background/cities to play in, there’s local multiplayer for max 4 players, but it definitely nails the arcade formula of simple control scheme but far from immediate (and potentially quite addictive) mastery of the combo system.

Perfect for coffee breaks, honestly. And for 3 bucks (full price), this is a no brainer if the premise intrigues your high score brain.

expresso-icona

Hentatsu (2020) [REVIEW] | A Cat And Oni Walk Into A Bar

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This late june, i was on a kick to discover/watch what else director TATSUKI made after the first season of Kemono Friends, and among them Hentatsu felt in that category of “i’ve seen some images time ago of this, but i have zero idea of what it’s about”.

And after watching the whole series, i still don’t fully know how to answer the implied question, it sure wasn’t what i expected from studio Iroiro and TATSUKI – as you can tell immediately they made it – but it isn’t the usual ensemble of weird animal people or “humans” fighting against weird misterious enemy in the backdrop of a vague post-apocalyptic setting. Continua a leggere “Hentatsu (2020) [REVIEW] | A Cat And Oni Walk Into A Bar”