[EXPRESSO] The Marvels (2023) | Three Of A Perfect Pair

Once again i have to preface i do not follow the Disney + Marvel series, i simply do not, i do get a laugh at reading how the fuck Marvel has issues with the Blade reboot (it is absurd), but i do watch the theathrical releases, with this later one being pretty much a Captain Marvel sequel, with the twist of having Danvers form an unlikely trio with Kamala Khan AKA Ms Marvel, and her believed to be lost niece, Monica Rambeau, whom also received energy powers after an accident.

As to why, it’s because a new villain, a Kree survivor and rebel, has acquired a powerful artifact, which has the side effect of making the three heroines do a switcharoo every time they use their powers, and they’ll have to find a way to work together in order – as “The Marvels” – to avoid the universe is further teared apart by wormholes and space-time completely breaks down…

I wasn’t a fan of the first film, or Captain Marvel herself, but this feels like a step-up, as there’s more going on, Kamala Khan being….. herself is very cute, the premise is more fun, there’s definitely more energy to the characters and plot, and thankfully Nia DaCosta’s (Little Woods, Candyman 2021) direction embraces the fact this is a very simple and silly tale, and boy do i appreciate when these movies can actually play it simple.

Shame the villain, while making sense for this type of story, it’s kind of a forgettable tragic kind of foe, and the resolution seems kinda underwhelming, but i did enjoy it a lot more than the first one, also because it’s under 2 hours for a change, though once again the “cat-like creature” is arguably the best damn thing in this franchise.

Decent fun.

[EXPRESSO] Candyman (2021) | The Writing On The Wall

Almost went into this one completely “blind”, as while i was aware of the Candyman series, i never experienced it. I thought it was gonna be a reboot since it was discussed as such, but i caught wind of it now being a direct sequel to the original 1992 Candyman.

So i watched that one (didn’t have time for the sequels) for the sake of a better review just before going to see this new film, as i wanna know what i’m talking about, you know.

Still, the premise feels like this could be a reboot, as it’s about a visual artist, Anthony, that learns of the urban legend of Candyman (a 19th centhury slave brutally tortured and then murdered with bees) from the brother of his fiancee Brianna, an art gallery director, and together with her decides to do an exhibit on the subject. But things go awry as people that attend the exhibit start dying. Not ideal.

Make no mistake, though, this is NOT a reboot or a “spiritual sequel”, this is indeed a direct sequel to the first Candyman, and many plot points from that also come back into this one, so one wonders why also just call it “Candyman”, but i guess it’s for marketing’s sake, and the Halloween series already did this stunt before, so…

While it can be seen on its own and they explain most of the important stuff, you’d do yourself a bit of a disservice going to watch this without having seen the 1992 Candyman, as this sequel does play around with the mythos of the Candyman and elaborates on the themes in a modern and ambitious way that honestly feels quite a fitting, natural progression for the concept.

And i’d say the result it’s quite good and pays off indeed.