[EXPRESSO] Studio 666 (2022) | Dave Grohl Made Me Do It

No, this is not a Jojo reference, nor its one of those weird hybrid music video-concert films (see for example Metallica’s Through The Never), this a full on fictionalized affair, and one i’ve been looking forward to since it was announced. Sure, rock and metal superstar bands aren’t new to cinematic experiences about their personas, but the pitch-premise of a comedy horror starring Dave Ghrol and his bandmates as themselves it’s so good it’s hard to ignore.

As the band Foo Fighters it’s struggling to come up with ideas for its tenth studio album, they get recommended a secluded house in Encino, California, where in the 70s a band called Dream Widow went to record an album, ending with the frontman massacring all the band members before killing himself. The band settles in despite the creepy vibes they pick up from the house, but things get progressively out of hand, leading to Dave Grohl being possessed by a demon. Among other things.

It’s a good dang premise, and thankfully the script and direction are up to snuff to make the most of the pitch, having a zany time with horror cliches and the expected “behind the music” stuff, with the band proving to be very good sports in this delightfully ridiculous comedy horror romp, especially Dave Grohl overacting like a champ as he grows progressively more obsessed once he manages to “magically” get over his artistic block.

Yeah, it’s pretty funny, there’s more to the story than expect, and Studio 666 isn’t afraid to be extra cheesy and honestly it’s kinda surprising that the effects are very good, but besides that, i’ve seen horror movies that try to take themselves seriously but ultimately wish they could pull off even half-successfully a random jumpscare this movie uses as a joke.

Recommended!

The Spooktacular Eight #6: Dominator: The Movie (2003)

Are you ready to rock and roll with the most unknown Spawn-rip off you never heard?

Are you ever heard of “brit-manga”? Me neither, but apparently Dominator was the “new wave of brit manga animation”, according to what the front cover of the UK DVD release claims.

Yeah, this is some rare shit indeed, an animated movie that involves familiar names in the horror sphere like Doug Bradley, Ingrid Pitt, and metal bands like Cradle Of Filth providing not only the music but the voice acting, based on a series of british comics by Tony Luke, one that was still ongoing in 2006, but has since then been in hiatus.

Continua a leggere “The Spooktacular Eight #6: Dominator: The Movie (2003)”

[EXPRESSO] Coffee Crisis NSWDDL | Bronco Blend

Coffee Crisis NSWDDL

I’m doing an Expresso review of this one because it doesn’t deserve a full review.

Coffee Crisis is retro brawler/beat em up inspired by 16-bit classics, as so proudly says in the marketing and description, and sports all the mandatory “indie quirks”, from mediodre-decent pixel graphics, a throwaway story so we can weaponize it as “joke” despite being a lazy and unfunny mish mash of overdone references and cringey exchanges regardless, so bad the writers should tar themselves, but clearly no one is vaguely ashamed.

I mean, we have to shoehorne appearences from Youtubers AlphaOmegaSin and MetalJesusRock (and somehow the legendary band Nile), need something to bait Twitch viewers in, clearly the plot about baristas fighting aliens that want to steal our heavy metal isn’t enough random “for the lulz” by itself.
Thankfully you can skip dialogues by pressing B.

Gameplay wise, it’s so faithful to its ispirations it’s downright obtuse, a prime example of not understanding the very genre you’re trying to serenade, not evolving or improving the combat system, and even badly aping them, with finnicky hit detection making most of the extra weapon useless, blows that don’t stop enemies so they power through your attacks, when they don’t snipe you with projectiles from outside the screen. Most of the difficulty is obtained via cheap bullshit, and it’s unbalanced as well, with boss fights that are usually piss easy and just annoying.

Its main selling point, the random modifiers, are such a liability the game improves when you deactivate them. Sadly you can’t turn off or ignore the password system as the sole mean to continue, and the game also quickly outstay its welcome, continuing on and on instead of ending.

At least the music is decent-good… but 30 years later, Bad Dudes it’s a way better game.

Still.

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