As Resident Evil: Welcome To Raccoon City was released in theathers earlier this week (in most countries), let’s take a look at the final Resident Evil CG animated film, Vendetta, which is also technically the last of the “CG trilogy”, as in all three movies have Leon Kennedy as the main character and are set in the same universe of the Resident Evil games, to contrast with the live action film series (as previously said).
The biggest change – but not the most noticeable – is the animation, with this film produced by Marza Animation Planet instead of Digital Frontier, the studio behind all previous Resident Evil CG movies and even the short film Biohazard 4D Executer that we started this little retrospective with.
The name might not say much, but it’s actually a studio that started by providing CGI cutscenes for the Sonic The Hedgehog games, and eventually for both anime TV series and even full lenght features, working alongside japanese animation titans like Toei for the 2012 3D CG Space Captain Harlock movies, even Lupin III The First, and more recently being one of the production companies for the new Sonic The Hedgehog movies, in a kinda poetic turn of events.
Continua a leggere “Resident Evil Vendetta (2017) [REVIEW] | Remote Zombies”
Yeah, since the recent trailer for the new Resident Evil film reboot came out recently, it would be fine to look at something that even the most hardcore contrarian fans would agree upon, aka the deliberately forgotten Umbrella Corps, so bad Capcom didn’t even use the Resident Evil name on it.
I picked it up years later, for 3 bucks on the PSN, since the game received a physical release on consoles only in Japan, as in they sold a box with a manual, the OST on 2 CDS, but no disk, so there’s no point in importing it from Japan, even for collectors of retail releases, not that we’re gonna lose much when it’ll get unvailable to purchase.
Continua a leggere “Resident Evil Umbrella Corps PS4 [REVIEW] | Dead On Arrival”
Once more we are more on the serious side of the shark movie, with the rare UK production, among the overwhelming number of american and australian ones, 47 Meters Down (or 47 Metres Down, as my UK DVD release says, thought it was just a typo on the cover art and the back of the box, but nope, it’s just unsure how exactly “europey” it wants to sound), which would also “inspire” the third Open Water film, released just months after this one.
But we’ll talk about what differentiates the two movies when talking of Open Water 3, for what concerns 47 Meters Down, you just have to know it’s about two sisters that decide – after the more introverted one breaks up with her boyfriend – to spend a vacation together in Messico.
While there, they decide to try something extreme and go on a cage scuba dive, but due to the wire malfunctioning, they end up being trapped in a shark cage underwater (at the depth the title specifically refers to), and they desperate struggle to escape while great white sharks siege them.
Continua a leggere “47 Meters Down (2017) [REVIEW] | The Real Cage Dive”