[EXPRESSO] Supergirl (2026) | Poco Lobo

Following the 2025 Superman reboot by James Gunn, we now have the spin-off/sequel-thing of Supergirl, about Kara-El, the cousin of Superman himself, as she is forced out of her drunkard-vomiting in the back of the space-caravan lifestyle when she defends a young girl in search of a mercenary or anyone able to kill the evil space brigand that killed her entire family, and said intergalactic thug almost “John Wicks” her dog, forcing Kara/Supergirl to track the bastard down so she can get the anti-venom she needs to save her dog Krypto, and aid the local girl along the way.

This brings the young girl and Kara to also stumble upon the legendary intergalactic bounty hunter Lobo (played by Jason Momoa)….

It’s a coming of age story of Kara actually becoming Supergirl, a relatively small side adventure for her which also gives us a bit more background on the fall of Krypton (in this continuity anyway), with relatively small scale, and its fine, i don’t think this was ever meant to be much more, though the script fails to capitalize on its themes of sisterhood, and it’s too bound to Superman, not just in the sense that Kara is made to be not that different character wise, but also how the film is directed by Craig Gillespie trying to imitate Gunn’s style.

And while it is a big cameo in the end, it’s undeniable that having Lobo helps a lot in making the film rise above general mediocrity, and you kinda wish he was given more space (shame they canned his movie), or that the movie actually made the emotional turmoil deliver the proper punch they are going for, which doesn’t quite do, but it’s still above average and there’s some fun action to it, making for a decent superhero film.

Tromeo & Juliet (1996) [REVIEW] | Troma Shaped Box

While i was adamant about never reviewing a Troma film again due to them defending Harry Knownles some time ago, after seeing the new Toxic Avenger reboot/remake i realized there’s no point as the company died years ago, the soul of it, anyway, and it’s sad that i somehow longed for when they were trash but punk for real, instead of pretending as they are today.

Plus, at this point, they have so little relevance left regardless, so whatever, as they have a right to keep trying to remake their old shlock classics (or do new installments on their old series like Class Of Nuke ‘Em High), so have i to review Tromeo & Juliet for a lark if i want (and so have you on this decision of mine, obviously), and because it’s that time of the year .

I was gonna say basically the same thing for the SGT Kabukiman review i planned last year, but that i had to delay, so i’ll refer back to this one for clarification in the future, instead of redoing the spiel everytime.

And i guess at one point i’ll have to do a full essay on Kaufman and Troma as a whole, because in a way it deserves more discussion that i’m giving it here, but let’s not get carried away, it’s time to revisit a Troma classic, their shlock loose retelling of Romeo and Juliet, with an obvious but also obviously catchy punny name, Tromeo & Juliet (still makes more sense than Gnomeo & Juliet).

Time to shit on Shakespeare, because why not?

Continua a leggere

[EXPRESSO] Superman (2025) | Acape Anew

The long awaited Superman reboot by James Gunn (Tromeo And Juliet, Slither, Guardians Of The Galaxy) is here, after the whole reboot thing done with The Flash movie, so WB can cleanse their hands of previous promises and concept it didn’t want to committ to anymore (when it didn’t flush entire finished movies down the drain).

And indeed it’s a James Gunn superhero film, i mean that in a flattering way because it was the right choice to just point at him and say “fix our shit”, he knows how to do them good and this ain’t no exception. Plus i feel fans of the “Man of steel” have been clamoring for something different from Snyder edginess, and this definitely does change things for the sillier, which it’s a good thing because it acknowledges superhero films can be proper silly without having to be ashamed of some specific silly parts of the source material, which it embraces (Superman’s dog, Krypto, is actually a major side character, and yes he has the lil ‘cape on) but without being lazy about it.

It’s a reboot that also understands it doesn’t have to restabilish the whole mythos by redoing the same things as previous Superman films, people know the character, and the script demonstrates Gunn does too, so it cuts some vestigial superhero film traditions of old for the better, by demonstrating instead of telling or expositioning to death, the plot (itself plucking a lot of characters and plot beats from well known iconic iterations and classic storylines) centering on the public perception of Superman after he’s already established as a hero, despite also ignoring pressing geopolitical matters in order to do the right thing, and Lex Luthor’s efforts to undermine his actions and antagonize the whole world against him.

Good, fun stuff!

[EXPRESSO] Shazam: Fury Of The Gods (2023) | Atlantomachia

Superhero time again, this time of the DC Comics variety, with the sequel to 2019’s Shazam, which introduced new audiences to the magic-powered hero and its origin story, before we got a DC Extended Universe entry related with last year’s spin-off film about Shazam’s nemesis, Black Adam, but honestly i’d rather not discuss of that movie again, what’s the point since their MCU attempt was such a mess that they hired James Gunn as well to reboot the entire thing?

So, talking about Fury Of The Gods, we have our boy Billy Batson and his foster siblings having to face a new menace, the Daughters of Atlas (played by Lucy Liu and Helen Mirren), who have come to reclaim a world ending artifact.

As you can guess, thanks to the new foes we get the explore the lore a bit more, learning of the origin of their powers, the world of Greek gods long gone, which also means it’s a great “excuse” to have a pandemonium style of monsters from said mythology run amok, from cyclops to harpies and manticores, and like the first you can tell this is from a horror director, because a lot of people get straight up killed (or worse) even in the prologue.

I was very pleasantly surprised by the first Shazam movie, and this one it’s just as good, being also a n everincrensigly rare specimen of superhero movie that isn’t plagued by tonal issues, has genuinely funny comedy bits (and the style of writing fits more with the protagonists being young teens), and balances well all of the aforementioned with the more emotional moments, which do feel earnest and not just there because the template says so.

Third act could have been a lil’ shorter, but still, lots of silly but genuine fun.