Hunter X Hunter: Phantom Rogue (2013) [REVIEW] | Master of Muppets

Anime movies based around popular shonen series aren’t weird per sé, but just the fact they made Hunter X Hunter anime films feels somehow off to me.

Yes i know Hunter X Hunter has been a big Shonen Jump series…. but it’s not quite your typical shonen manga series, not quite ready-made for the “non-canon original story anime film” pipeline.

Just reading the synopsis i got the feeling this was just a way to extend HXH presence as an anime after the 2011 series ended (and was never continued)…but nope, this was released in Japanese theathers in 2013, in the final stretched of Greed Island arc.

Yet, even so, my gut was somehow correct, this is indeed what it sounded like, something ordered upon from a committee more than anything else, to fatten the suits wallets with cinema money, with a “double hit”, since later the same year Madhouse also released in theathers HXH: Last Mission.

Continua a leggere “Hunter X Hunter: Phantom Rogue (2013) [REVIEW] | Master of Muppets”

The Real Deal November Schedeal

So, for the rest of November the schedule is back to more or less 1 full review every 7 days, more ore less weekly, do not expect extra stuff, even EXPRESSO reviews might be late and scattered from the next week forward.

On that subject, do not expect a review for Klara and The Sun by Taika Waititi, i saw some listings but there were like, a handful of screening theathers nationwide, couldn’t catch a single one (wouldn’t be surprised if they just outright removed the film after the first week, or even earlier), then i got wind how its awful box office turnout in the US is most likely gonna see it not released in some countries at all, not in theathers anyway.

Dicember is more or less 90% ready, some late schedule changes have been made out of necessity and unexpected issues, but nothing of substance has really changed for that month since previous posts made this summer or earlier fall.

Maybe i’ll manage to squeeze in some updates to the pages, we’ll see.

[EXPRESSO] The Social Reckoning (2026) | Nothing Ever Changes

It feels like aeons ago when i saw The Social Network, which gets more impressive in retrospective as it tackled issues that would explode just some years later, while this sort of follow-up (also written by Aaron Sorkin) has the issue of being dated on arrival, being set between 2019 and 2021, tackling the changes made by Facebook that shaped it as an echo chamber designed to promote hate speech and harassment, leading to January 6th insurrection at the Capitol and a former Facebook employee helping move a federal case by a series of exposè via the Wall Street Journal.

So you already know that Facebook simply tanked the issue and nothing really changed (for the better), that there was no actual “reckoning”, and it’s convenient how the timeframe is very safe to make the point about the necessity to speak out, to fight for justice regardless, plus it’s utterly spineless that despite the January 6th insurrection being a pivotal event that the movie comes back to a lot, Donald Trump isn’t named once.

That aside, the other main issue is that the drama is just drab, not unwatchable, but it’s hard to care about the Facebook data analyst girl that acts as whistleblower and helps this “tech illiterate” political journalist unveil Zuckenberg’s plans, or anyone else, the very good cast really can’t work miracles with these flat characters, and both factions frankly do very little considered what is at stake.

even when the company learns of the leaks and the girl fears retaliation, it amounts to a lot of empyt posturing, so there’s so sense of menace or urgency to any of the drama.

You can tell Fincher didn’t direct this one, i’ll say that much.

Maybe Guadagnino’s Artificial (if it ever comes out in theathers) will be better?

Platformation Time Again update plans

I have more updates about the blog to share in the future, but let’s start with something i can confirm right now.

Platformation Time Again not only will keep going as usual (if I could i would make it even more recurring of a rubric), but alongside the EXTEND addendums, a will be dedicating a sub-rubric to collections, compilations, and so on, especially due these are becoming more and more widespread as the industry is really scraping about everything in their back catalogue, and platformers (alongside beat em ups) are a big part of this surge of “new money for old rope”.

Specific rules are being written as of now, but it’s 100 % a thing that will happen regardless.

A couple new EXPRESSO reviews will arrive very soon, in the meantime, and you can read my review of the recently released Heart Of The Beast of you so desire.

See ya.

The Autumn-Winter Schedule Declamation As Foretold

Since the last time i announced it, not much has changed, but i’ll reiterate just in case.

Due to my changing IRL situation, i have decided to shift the update schedule to a more “schedule-less” approach, improvising more and adhering more to a “when i can/its done” release philopophy, since i’m focusing more a full lenght kaiju book (among other things)…. but this will not really matter until January 2027, since most of the scheduled work has already been done and ready, like a LOT, so Spooktacular Eight and 12 Days Of Dino Dicember will happen as usual, for example, and EXPRESSO will remaine a staple rubric, as always.

So the proper, fleshed out general new “unschedule” will be posted post Epiphany (since the 12 Days Of Dino Dicember by nature continue up until January 5th), so for now we’ll carry on as usual, more or less.

Eepy August Summer Break

As usual, the blog will go on hiatus and resume as usual on the first of September…. well, as i already announced some weeks ago, there will be some relatively big changes coming next year, even though they won’t affect the schedule for the rest of 2026, since a lot has already been done and planned.

I will make a proper post on the 1st of September about that, so in the meantime behave, relax and have fun.

And there are some EXPRESSO reviews that will come out soon anyway, so look forward to those.

August Augurs, the Fall-Winter schedule and changes in 2027

As a reminder, the blog will go on the usual break on the 16th, and it will resume full activity on September 1st.

As for the remaining august days, all the planned full lenght reviews, though in terms of One Piece content, only the review of Season 2 of the live action Netflix adaptation of One Piece will release as planned, sadly the one for Gigant Battle won’t be ready in time, and i’ve decided not to rush it.

EXPRESSO reviews for Hokum and Spider Man: Brand New Day will arrive soon enough on the blog.

The main big change i wanna announce is, after deliberation (and also because i’m between jobs now) i’ve decided to dedicate myself more about writing down a book about giant monster cinema (and maybe move into video content stuff) in the coming future, so next year the schedule will be more or less done on a “when and if i can” basis, i’ll still make some sort of plan but basically i will allow myself to wing it or scrap things.

This won’t affect much or at all the schedule for September and up to Dicember-early January, as most of the work has already been done or is already on its way to be completed, or already “set in stone” either way.

I’ll still work on the blog and keep updating it, and this doesn’t mean i will sunset older rubric, mainstays like Giant Monster March, The Spooktacular Eight, Musou/Melee May will remain and so on, EXPRESSO either.

Also, i’m gonna address it here before i forget: while i doubt we’ll even see it here in theathers before October (if at all), i won’t be covering Eli Roth’s Ice Cream Man remake in any form, as he’s been using GenAI shit in it, and not for minute details either, plus i learned in the fallout that he’s even more of a piece of shit i’ve though/remembered, and it’s not like we’re gonna miss much anyway, given his track record of “quality” (Thanksgiving was quite fun, admittedly) and the movie reviewing poorly even ignoring Eli Roth himself and the GenAI sequences…. we ain’t gonna miss out on anything of value, let’s be real, i’m surprised he still pretends to be relevant.