[EXPRESSO] Superman (2025) | Acape Anew

The long awaited Superman reboot by James Gunn (Tromeo And Juliet, Slither, Guardians Of The Galaxy) is here, after the whole reboot thing done with The Flash movie, so WB can cleanse their hands of previous promises and concept it didn’t want to committ to anymore (when it didn’t flush entire finished movies down the drain).

And indeed it’s a James Gunn superhero film, i mean that in a flattering way because it was the right choice to just point at him and say “fix our shit”, he knows how to do them good and this ain’t no exception. Plus i feel fans of the “Man of steel” have been clamoring for something different from Snyder edginess, and this definitely does change things for the sillier, which it’s a good thing because it acknowledges superhero films can be proper silly without having to be ashamed of some specific silly parts of the source material, which it embraces (Superman’s dog, Krypto, is actually a major side character, and yes he has the lil ‘cape on) but without being lazy about it.

It’s a reboot that also understands it doesn’t have to restabilish the whole mythos by redoing the same things as previous Superman films, people know the character, and the script demonstrates Gunn does too, so it cuts some vestigial superhero film traditions of old for the better, by demonstrating instead of telling or expositioning to death, the plot (itself plucking a lot of characters and plot beats from well known iconic iterations and classic storylines) centering on the public perception of Superman after he’s already established as a hero, despite also ignoring pressing geopolitical matters in order to do the right thing, and Lex Luthor’s efforts to undermine his actions and antagonize the whole world against him.

Good, fun stuff!

[EXPRESSO] Guardians Of The Galaxy Vol.3 (2023) | Third Time’s The Charm

The overdue closing chapter of the beloved Guardians Of The Galaxy trilogy if finally here, with its 3^rd volume that does signal an end for this particular line up of characters and their stories.

We know we’ll hear the name “Guardians Of The Galaxy” again, somehow, but let’s make it clear that this feels like the final entry and provides closure, without being too bothered by any overarching or carryover plot points building to anything bigger for what it’s now Phase 5, but in hindsight (given the Johathan Majors controversy and its fallout), maybe that’s for the best.

Volume 3 sees the Guardians chilling in their home base of Knowhere, with Quill still not dealing well with the “Gamora situation”, until a mysterious foe attacks them to capture Rocket, and after failing the gang (including the alternate universe Gamora we got from Avengers Endgame) is forced to confront The High Evolutionary (colluding with the Sovereign race, still hankering for revenge on the Guardians after the events of the second movie), an eugenetics cyborg genius from Rocket’s past, in order to save their friend from imminent death.

As the trailer alluded, this one deals heavily on Rocket’s horrendous origin story by the hand of the villain, The High Evolutionary, which is a truly despicable monster obsessed with creating the “perfectiom” and makes for a very good villain.

It’s no surprise GOTG Vol. 3 had very big expectations to live up to (since it’s also one of the MCU series people loved the most over the years, unsurprisingly so), and i can safely say it does not disappoint, with Gunn still putting out very fun space adventures with cool fight scenes, stylish use of vintage licensed music, good humour, good emotional scenes that pack a punch, great, lovable characters, etc.

Highly recommended.

[EXPRESSO] Thor: Love And Thunder (2022) | “Bi” from “Bifrost”

After being pleasantly surprised by Thor Ragnarok (which i quite liked), i was cautiously optimistic about this one, since we have Taika Waltiti back in the director chair, and two Thors, why not?

The plot sees Thor cruising the galaxy on a quest for his own inner peace, after basically handing to others his expected status and obligations of a god. But his hippish voyage for love and identity is cut short by an intergalactic killer known as “Gorr The God Butcher”, forcing the son of Odin to request the aid of Valkyrie and even his ex, Jane Foster, who now can wield the mighty Mjolnir as “Mighty Thor”, on an adventure to find out Gorr’s motives and stop him before he can bring his godslaying crusade to the next level.

More than previous installment, this one leans into the comedic aspect that ran through the Thor series to make it more distinct from Ragnarok, especially by “leaning” heavily into romantic comedy territory, and aside from a similar-esque scene, the movie feel like a continuation of the previous one but not a redo, and it manages to fully give Thor a proper character arc.

Problem is that tonal unconsistency rears its ugly head here, as the “eros and thanatos” combo never fully finds a proper balance, so while the film works, it does feel kinda disjointed and in turn it’s hard to fully engage with what’s going on, even if funny, entertaining or emotional. Some tired comedy beats and some (arguably inevitable) franchise fatigue only exacerbate things further.

A shame, because the villain it’s pretty decent, Waltiti flair is still in full force here, but i also can’t deny that Thor: Love And Thunder feels messy, at times unfocused and ultimately it’s decent fun but kinda disappointing and oddly forgettable.