Lake Placid 2 (2007) [REVIEW] #sharksncroc

While Anaconda did manage to have its first sequel come out in theathers.. that luck wouldn’t spread to other reptilian based killer animal series, since after the 1999 original, we had to wait 8 years for the first of the many direct-to-video/made for TV sequels to appear, with Lake Placid 2.

All roads lead to strings of TV sequels for SciFi, after all.

And by now you should have a good understanding what that entails: the same basic plot with basically all the same characters but a completely different cast, and often a bugdet slashed in half, if the production it’s extremely lucky. IF.

Continua a leggere

Dam Sharks (2016) [REVIEW] #sharksncroc

No, it’s not a typo that they eventually went with as the official title.

The sharks in question are “dam sharks” because they act like beavers and construct dams with wood and body parts of the people they tear apart for lunch.

And despite everything that i will say about the movie, i can’t deny that this is a new one, we never saw movie sharks act in this specific manner, so Dam Sharks has already something that puts it above most of the other crappy shark movies.

It has a somewhat original idea, even thought the rest it’s so very typical and it joins the strangely populated ranks of b-movies about freshwater (or non-salt water) sharks rampaging through rivers in the swampy areas of the U.S. Interior Highlands, or bayou based rural America as a whole.

For those wondering, no, there’s no explanation given to any degree as to why the sharks (ignoring how they got there to begin with) are constructing dams with human bodies parts and branches, as if they mindlinked with a pack of beavers and Griphis from Berserk. They just do.

I’m gonna write this off as a positive because it cuts down on an even dumber and likely not fun explanation, with minutes spent in researching the shark species with a 2000’s era PC interface or boring pseudo-scientific explanation to “beaver sharks jump-attacking people on the river”.

On the other side of the plot, we have the “human buffet” to which the sharks feast on, made of a tech company’s staff going on a “wilderness retreat thingie”, and the local sheriff trying to kill off the sharks before they can claim more victims. Well, the local sheriff and the local crazy-ish redneck with a gun that doesn’t like tourists and a shady not disclosed past, gotta have that one.

Did i forget to say that the boss of the tech company it’s a smarmy control-freak douchebag, or that there is a romance subplot where the acting ability and the chemistry on display reminds one of a dead sea urchin? Or that there also scenes of random paintball matches, alongside the redneck and “beauty and the nerd romance” crap?

And yes, not only they rip-off the old classic “Smile, you son of a bitch” (and the gas cylinder as a way to explode the shark into bits, wonder where they go that from), BUT the script goes the extra mile to be even more hackeneyed, as they also steal famous quotes from Aliens, with the complimentary low-effort self-refential element of them naming Sharkenado, or saying that “they saw that done in a movie before”, the latter being said at least twice. SIGH.

Also, one character it’s named Kenny just so they can shout his name when he dies.

This one is from Cinetel, yes, they’re still around, and at least that means that they actually have a budget for this TV movie, it’s just slighly above what i call the “Asylum tier” in terms of special effects and CG, so the sharks look crappy, but WAY better than plenty of other shark movies featured here that decided money for anything wasn’t something they needed to care about.

There is a budget, so at least that means no monsters made of dried up papermaciè, crafted out of old newspapers orwhatever crap the directors had lying around in their fridge, and there are some recognizable faces for the B-movies buffs, with Jason London, Eric Paul Erickson and Matt Mercer that help salvage the overall quality of the acting from being outright crap….but still subpar.

Overall, Dam Sharks is basically a worse version of Ozark Sharks, but the somewhat original idea of a dam created by sharks with trees and human body parts gives the ordeal a grotesque shadow of novelty, helping the movie in being… again, just subpar.

Not one of the worse ones, oddly enough.

The Sharks & The Crocs

As promised, this year we’re gonna let our reptilian friends join what’s usually Shark Month on here, hopefully that’ll will make you wanna stab me with knives a little less, as the bi-daily posting schedule will remain, meaning the roster of reviews has been cut in half to 15.

Not too happy about that myself, to be blunt. It is what it is, sadly.

(also, yeah, baffled that Panty & Stocking is coming back, it actually is)

See you later today!

Anacondas: Trail Of Blood (2009) [REVIEW] | Bone Cancer Snakes #snakesofjune

It took this series 4 movies, but this we’re actually getting an actual sequel… to Anaconda 3, but still, unlike that claimed to be a sequel to Anaconda: The Hunt For The Blood Orchid, Anaconda 4/Anacondas: Trail Of Blood it’s actually a sequel to Anaconda 3: Offspring, and it has the director of that movie, Don E. Fauntleroy, returning, so let the spunk pumps go off in celebration.

As i’ve said before, you gotta treasure the small things in these movies, and a movie claiming to be a sequel actually being a sequel it’s definitely something you can’t trust/take for granted.

I’m gonna spin this into a positive note, for a change. You can’t stop me.

Continua a leggere

[EXPRESSO] Black Phone (2021) | The Basement Dead

Time for some fresh meat, as this one will drop in theathers here in a week’s time, but i manage to see this earlier preview screening, and boy i’m glad i did, as i’ve heard of this movie before but kinda forgot when or if it was gonna come out in theathers here.

Based on the short story of the same name by Joe Hill, Black Phone is the new feature from Sinister ‘s (and the 2016’s Doctor Strange, as marketing makes abundantly clear) director Scott Derrickson, telling the story of a serial killer – dubbed “The Grabber” by the community – that in 1978 terrorizes a suburban town in Colorado by kidnapping children, with the sixth being the 13 yo Finny Shaw. While being imprisoned, Finny realizes that the black phone in the basement, despite having the line physically severed, acts a conduit for the Grabber’ previous victims to talk with the boy and hopefully help him escape. At the same time, Finny’s sister begins to have weird dreams, or visions..

You know when the trailer and most of the marking material makes the movie look good and “proper”, you go see it and then it’s actually quite good? Yeah, Black Phone it’s one of those.

Not only the setting it’s good, the presentation excellent at using “low budget tricks” like scenes filmed or edited to feel like era archive footage (which is not surprising given the director), all contributing to avoid the common modern mistake of “overly produced/shiny horror movies”, it’s a pretty creepy slice of that late 70s’ suburban America, with a really good atmosphere, a little bit of well integrated comedy and great characters all around, with the villain being as creepy as he looks.

Pretty good, fairly intense and quite satisfying to boot. Recommended.

Anacondas: The Hunt For The Blood Orchid (2004) [REVIEW] #snakesofjune

Let’s go back to a slightly older time, not implying it was a better time per se, just saying that back in the late 90s – early 2000s you still could make B-movies about snakes with good effects and released widely in theathers, and this is true for Anacondas: The Hunt for the Blood Archid.

Though worry not, even if you didn’t see the original Anaconda (which we covered sometimes ago), this is a stand-alone sequel with a completely different cast and a completely separate plot, with directing duties handled to Dwight Hubbard Little (Marked For Death, Free Willy 2, Halloween 4).

Aside from proving than indeed what it’s old it’s eventually new again, there’s the fact that today this kind of sequel would never reach theathers, heck, not even the first/original movie would.

Continua a leggere

[EXPRESSO] Jurassic World: Dominion (2022) | Jurassic Mixtape Meatloaf

While i would have a lot to say about this one, i’ll reserve some of it for when we tackle the entire “Jurassic Park/World” series, so i’ll keep it brief.

While long overdue, it’s finally that time again. Time to go see the new “big budget Asylum movie equivalent”, i really go in these later Jurassic movies with this mindset, after Fallen Kingdom i don’t even entertain the idea that i might be too hyperbolical, given that someone greenlit that script.

Speaking of which, yes, the plot sees the fallout of that shit awful ending, leading to dinosaurs escaping free into our modern world, and the inevitable fight for survival that ensues. This also leads to Chris Pratt having to save the offsprings of Blue the velociraptor, the actual true protagonist of this new trilogy.

Like pretty much any other goddamn IP from decades ago that still receives installments, Jurassic World: Dominion treads heavily on nostalgia, even more than before, as it basically recasts all the surviving actors from the original Jurassic Park and “alluding” to that one a LOT.

Talk about a series that peaked so hard and so instantly, to the point nobody really cares anymore about anything that came after the 1993 original.

Even so, i feel this is arguably the best of the Jurassic World movies, thanks to a script that’s not fuckin tosh, despite trying to balance the “nostalgia mixtape best of 1993” of having pretty much all the original cast back, the callbacks (horror-style scenes included), more focus on story and the more chaotic dino bullshit from the other Jurassic World movies.

Honestly i’m surprised the final result isn’t a complete mess despite the movie wanting to compromise/squish together both the old and the new.

At least it’s entertaning big budget b-movie meatloaf funtime.

Berserk and The Band Of The Hawk PS4 [REVIEW] #musoumay

Even if i reviewed (or re-reviewed, since i did already cover this one in 2017 on my older Italian blog) this one before of Miura’s passing, i would have told a tale of sadness, woe and disappointment.

But i won’t deny that with Kentaro Miura spiralling out of this mortail coil just over a year ago… there’s an extra serving of melancholy to the subject, which it’s ironically fitting in its own way.

As you would expect, there was some expectations at the time, even more since Koei Tecmo teased it and made a big deal about one this being one of more bloody and violent Warriors games ever…. and in hindsight it’s very telling, as they also did this lip service for Warriors Of Troy. Oh boy.

That aside, you would expect the Berserk musou to be pretty bloody and gory regardless, and it definitely delivered on that, can’t take it away from the game. I can though laugh at the fuckin localized english title they went with for this game, Berserk’s main character has a name, and a pretty not-generic one, you know?

He’s called Gatsu/Guts, just so you know.

Though that it’s not completely random, as the game starts from the Golden Age arc and covers up to the Hawk of the Millennium Empire Arc, with them boarding the ship after fighting Ganisha serving as the closing chapter.

Continua a leggere

[EXPRESSO] Pacific Rim: The Black (Season Two) (2022) | Kaiju Kult

Well, look’s who back, a series that i honestly even forgot existed, but they did announced this second (and final) season, guess that branding helped.

So yeah, while i didn’t hate the first season, Pacific Rim The Black was kinda the perfect example of “Netflix anime”, as in, it looks like anime, it’s produced by an anime company and japanese directors, but you could tell it’s written by non-japanese staff.

Which isn’t necessarily an issue, but you just can tell right away and it creates this slight disconnect, and due to that once again it’s hard to say for whom exactly this is made for exactly, given it’s still made in okayish but still janky 3D CG (and the specific “3D CG anime jank” of Polygon Pictures output), which is kinda offputting for most of the self-proclaimed “anime enthusiasts”.

But on the flipside, it’s not that bad, it’s honestly alright, it’s entertaining enough and this one picks from the point where the first season started having some interesting worldbuilding and character development, and manages to make the plot have some purpose (though it kinda has to, since this is the final season), introducing a death cult of Kaiju worshippers.

It’s an actual improvement over the first season, the writing it’s still nothing impressive, but it’s better, though despite being just another 7 episodes, i did wonder if it was ever supposed to be longer, as some resolutions and events happen very quickly, almost abruptly so.

Again, it’s alright, but as the idea of anime series based on Pacific Rim makes a lot of sense if you think about it, it kinda let you wish it had better animation and a slightly longer lenght.

Still, for a spin-off “western-ish anime” series that didn’t need to exist in the first place… it’s decent.

The Snufkin Agenda

Speaking of trolls, there’s actually a Moomin game listed on Steam, called Snufkin: Melody On Moominvalley, it’s pretty much a lot of “TBA” in most regards but it’s a point n click adventure game, there are some screenshots, a trailer and a description, and it’s listed for a 2023 release.

Looks very cute, official, so if you have any kind of affection for the Moomins at all, wishlist it on Steam, won’t you? This is the link.

(and no, this isn’t a paid marketing post, just stumbled into the project’s existence 3 days ago while search for Snufkin’s gifs)

Really not feeling like seeing the actual “Troll 3” movie, even for the occasion. And yes, there’s a proper one of these, after years of misleading alternative titles for unrelated kinds of Joe D’Amato crap.