The Reef: Stalked (2022) [REVIEW] | #thesharksix

I don’t think it’s controversial to say that The Reef is one of the best shark movies ever made, intense, straight to the point, yet captivating and suspenseful.

So when i heard that there was a “sequel”, i wasn’t surprised and contrary to the publisher’s intended response, i was even more wary because i felt like i was being trojan horsed another middling or subpar shark movie by using the respected reputation of The Reef.

On the other hand, the original director (also known for the Black Water movies and his contribution to the first ABCs Of Death) is back, so it’s not like this an apocryphal follow-up farmed to a random first-time director by the production.

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47 Meters Down: Uncaged (2019) [REVIEW] | Mayan Ruins Of The Deep

While not exactly loved, 47 Meters Down did get a decent reception and turned out a profit, which means the studio hired back Johannes Roberts to write and direct another one of these “sequel but not really”, often called by the more elegant definition of “stand-alone sequels”.

You know the drill: no continuity, same basic premise, completely different cast, you don’t really need to have seen the previous movie, etc.

Well, actually the premise it’s a bit different this time around, even if – of course – it involves sharks, like you expect and want. Like the subtitle implies, this time around isn’t about a cage dive gone awry, but a group of girls that go scuba diving in a sunken Mayan city, only to be hunted by a group of sharks that happen to be swimming in it.

I mean, why the fuck not? Especially if you can get away with titling your movie after “cage diving” despite it barely have relevance to the story, this 47 Meters Down non-sequel can do whatever he likes, even sound like if someone accidentally made a possible Everblue horror adaptation.

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Fist Of The North Star: Ken’s Rage 2 X360 [REVIEW] | You Should Have Left The Bronx

The first Ken’s Rage sold relatively well, and it’s Koei, so we got a sequel 3 years later.

Which would be fine, until you realize what it actually implies in this case, and i don’t mean it simply being released to coincide with the series 30th anniversary.

That is something else entirely that ultimately condemns Ken’s Rage 2, but the main issue is that you just can’t do what Dynasty Warriors does with Romance Of The Three Kingdoms, as the source material for that leaves it open to the real historical characters being reinvented or changed, on what of the many events (historical or pure fiction like the many uses of magic) focus more the narrative, while keeping focus on the essential battles and significant achievements of the warring factions, and their part in the path to the unification of China after the fall of the Han dynasty.

You can’t just re-imagine Kenshiro, his friends and foes, as they have all distinct personalities, distinct character designs, signature moves and Fist Of The North Star’s popularity never really waned in 30 and plus years, so people still are quite well aware of it. On the other hand, you could hardly justify making a sequel when the first game stopped at the end of the Raoh’s story arc.

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Komodo VS Cobra (2005) [REVIEW] | Reptiliarium Rejects

A nice, grating red for the retinas.

I wasn’t really go do a review for this one so soon, i had saved in my Amazon Prime Video list for when i would have been bored enough, or needed to do it for a special, but i noticed the “this title won’t be available after the 5th of December 2020”, so once again i felt coerced to watch and review before its gone or back as a paid rental or tied to another paid subscription within the subscription i’m already paying for.

Heck, i didn’t even knew it was a sequel to The Curse Of The Komodo (which i happen to own, having picked up an ultra cheap DVD copy for it in a flea market some time ago), released just one year prior by the same director… “Jay Andrews”, at least according to the credits.

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