[EXPRESSO] Stockholm (2018) | Chillin With The Captives

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So, this finally arrived in ol’ Italy a week ago, let’s review it!

Very loosely based on the events of the infamous Stockholm bank robbery of 1973 (and hence on the concept of “Stockhold Syndrome” which spun from it), Robert Budreau’s movie tells the story of the bizzarre bank robbery operated by Lars Nystrom, an eccentric and quirky criminal that occupies the bank, takes some hostages, and negotiates the release of his friend Gunnar, that joins Lars as a mediator.

But as the standoff between the criminals and the police proceeds, the hostages form a bonding relationship with their captors, willing to take their sides over the police’s.

As you may expect, it’s a very romanticized take on the story, with many liberties taken (like the use of Bob Dylan songs instead of Elvis and Roberta Flack’ tracks by the strange criminal), and the oddity of the whole situation lend itself quite nicely to a crime comedy, with some decent drama and interesting execution, and likable characters.

While it’s done fairly well, well casted and acted, the idea of a movie about the Stockolm bank robbery is quite nice, it has some issues, mostly because it never fully commits to it’s stance on the matter of police abuse, despite the script being pretty clear who you’re supposed to symphatize with, but ultimately painting the picture of a complex situation, an absurd but more realistic one, which is fine, but it’s also playing a bit too safe.

For me, at least.

That and the characterization is ultimately uneven, because we get a romance between Lars and Clara, but even Gunnar is just……… kinda there for the most part, like the other hostages. Which is kinda disappointing.

Still, a more than decent movie, could have been better, but not bad at all!

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So, about that Sonic The Hedgehog movie trailer…

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Don’t worry, i’m not gonna go into a tirade about the recently revealed trailer about the Sonic The Hedgehog live-action film.

But let me say, i’m honestly kinda intrigued, this looks like a more than fitting candidate for the “so bad it’s good” category, it looks like a mess, one made in the 90s alongside the Super Mario Bros live-action movie (back when they really didn’t had any precedent or clue of how to make a videogame-to-movie adaptation), almost intentionally so, “a cult movie in the making”, which seems like the case, it doesn’t look like it’s done on purpose to be a cult hit (it doesn’t work that way).

I don’t particulary care about Sonic as a franchise or a character, and i’m honestly ready to close this apparently unending “nostalgia for the 90s” trend and move on (good lord, we let Busby resurrect with not one, but TWO games, yeah, there’s another coming), but Jim Carrey as Eggman/Robotnik is a fun choice, and i’m eagerly awaiting it, this has all the elements of a potential disaster on all fronts, a supreme bad movie that becomes legendary, a gift, in a way.

Not that we needed/wanted it, at all, but since it’s coming out anyway…

Also, kudos to the director Jeff Fowler (at it’s first feature length film) for at least taking the criticism (well deserved, i mean, just look at it and try to tell me it’s a good design) on the chin and promising to fix Sonic’s design. Which is already been fixed in edits by random people on twitter (and i doubt it will be actually done, i don’t want crunch to happen because of this), but still, i respect the willingness to address this and not just ignore it.

Which would be quite understandable, given how people on social media react to anything.

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Also, a refresher, this was also a thing.

I’ll be back with a couple of reviews soon enough!

[EXPRESSO] Shazam! (2019) | Say My Name!

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Superhero time again, with the DC offering of Shazam!, a series/characters that (like for most DC properties) i really wasn’t familiar at all, so i didn’t have any expectations of fidelity to the source material for this adaptation.

Billy Batson is a 15 years old boy that keeps escaping from foster homes in search of his mother, and yet again is assigned to a new family, that he tries to get away as well. But he summoned as the Champion by an old wizard, that passes his powers unto him by uttering his name, Shazam, as he’s too old to keep the Seven Deadly Sins sealed away into stone statues.

Billy transforms in a full grown and caped adult superhero (played by Zachary Levi), but as he’s still a teenager, he just fucks about with his newfound abilities, acts like an arrogant idiot, but the appareance of an occult villain (played by Mark Strong), will force him to not play the hero, but become an actual one in order to save his family.

If you are feeling tired of the genre (and of some of Marvel copious offerings), and think you might skip this one, don’t. It’s funny, really funny, the action is good, the humour is incredibly well balanced with the more emotional moments (which don’t shy away from being serious and dramatic), and overall the comedy never feels out of touch or “mandated”. It’s earnest, understanding, like it’s young main character, trying to figure where he belongs more than how to cast lazer beams from his eyes.

All of this with good characters, and a really welcome touch of horror (there’s some decapitation, which i really didn’t expect, but nothing too graphic overall), making it one of the best superhero movies i’ve seen in a while.

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P.S.: Stay not just for a post-credit scene, but for the ending credits themselves, funny and tonally fitting of the overall tone. 🙂

Also, yeah, i know that the horror bits are not so surprising, given the director previous works, like Lights Out.

[EXPRESSO] Blood: The Last Vampire (2009) | Live Action Mehstruction

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Live-action adaptations of animated works are quite the oddity.

Fans are usually against it because “it’s pointless”, but even so it’s hard to fully repress any curiosity, and it’s a way to stir up some interest in an IP.

In this case, it’s adapted from the omonymous 2000 Production IG film, a coproduction between french company Pathè and Hong Kong company Edko, directed by Chris Nahon.

The basic plot is mostly the same: Saya is an half vampire half human that hunts down “proper vampires” for a shadowy organization, that helps her by providing supplies for the killings. It’s still set in an American army base, but there’s also this whole backstory of shape shifting “demons” that in the 16th centhury took human shape to live between us (using the bloodshed of that period to their advantage), and Saya being the daughter of a legendary demon hunter, slain by the vile demon Onigen.

Also, she has to basically babysit Alice, the daughter of an american army general, after she saves her from vampires monsters disguised as school bullies. Yeah, while some scenes from the anime film are replicated, the plot changes and add things just to fill time between the decent action scenes, definitely the best parts of the movie, despite being very clearly made by a Hong Kong company, not very japanese.

It honestly feels like the plot was written for a tv series or a videogame based on Blood The Last Vampire, and then reused here, it has that cheap feeling to it. Apart from that, the movie is watchable, but it’s kinda shit, with laughably bad and clichè as hell dialogue, some stupid scenes, mediocre acting, inconsistent quality of the special effects, and a really anti-climatic final confrontation.

Oh, and the title is a lie. It is.

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