Kraa! The Sea Monster (1998) [REVIEW] | Pizza Sentai Aliens To The Rescue!!!

Last year we ended Giant Monster March with Zarkorr!! The Invader, so it’s only right to end this year’s run with the other direct-to-video giant monster movie produced by Full Moon Entertaiment (under their Monster Island Entertaiment label) and directed by Aaron Osborne, Kraa! The Sea Monster.

Always gotta scream your title, to be sure.

The plot sees the intergalactic overlord Lord Doom, master of the Dark Planet, Proyas (likely still salty over Gods of Egypt’s reception), send the giant monster known as Kraa on Earth in order to destroy and conquer it. A squad of the intergalactic teen guardians known as Planet Patrol tries to intervene, but it’s attacked by Lord Doom and so they enlist the only available agent, Mogyar, to reach Earth and destroy Kraa at all cost, even with the help of the planet’s inhabitants if need be.

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Shikari (1963) [REVIEW] | Circus Cyclops Bollywood

Meant to get around this one last year, but this time i did manage to find a way to watch it with subtitle, as i don’t speak hindi, and what could be called “the Indian King Kong” – to no one’s surprise – was never dubbed or re-released westward. Still easier to find than the dreaded Bacalhau.

Yep, among the many King Kong knock-off, there’s an old Bollywood (kinda) version from 1963.

Gotta love the shit-not giving use of stock footage “ice skating ballet girls, chimps & clown” that a crowd in India it’s supposedly watching, sure it has a dissonant color that makes it more even obvious, but who cares. And it’s not just 1 minute or two of stock footage from a non-indian ice skating show, when the head of the circus and the sponsor set down to see it in order to understand why it’s supposedly taking away business from them… you’re gonna see a good chunk of the show.

Well, at least we start the movie with some ape action, but not of that kind.

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Agon The Atomic Dragon AKA Giant Phantom Monster Agon (1968-1990s) [REVIEW] Uranium Chorogon

Digging deeper into the kaiju crevices, we find a lot of minor monster flicks from the “monster factory of Nippon”, Toho, in this case being a mini-series made of 4 episodes and with a confusing release history, as it was completed in 1964, but wasn’t broadcasted on Fuji TV until 1968, after Toho realized the project involved two of their own talents, with Fuminori Ohashi (Tsuburaya’s special effects apprentice) and writer Shinichi Sekizawa, already proven for penning other kaiju classics such as Mothra, Mothra Vs Godzilla and Godzilla VS Mechagodzilla (the 1974 one), and the company was convinced that Agon didn’t directly step on the nuclear toes of their monster star.

I said a confusing release history because in mid 90s the episodes were recompiled into a feature lenght film and distributed internationally onn VHS as Agon: Atomic Dragon… and i can’t find any source that actually pinpoints when exactly it was released in the 90s, Letterboxd instead says it was in the 80s, and there’s also a japanese DVD release in 2005 by King Records.

Thankfully is not hard to find in any form, as the english subbed episodes can be found on Youtube, and you might stumble upon fansubbed releases of the feature lenght compilation version.

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The Giant Claw (1957) [REVIEW] | Battleship Buzzard

You know we had to do this one eventually, as The Giant Claw’s titular monster is the stuff of b-movie legends, for hilarious reasons etching the movie in the history of monster movies with one of the most laughable creatures ever conceived and built.

And if you never saw it before, it was eventually released in the Cold War Creatures boxset by Arrow Video, alongside three other Sam Katzman produced films, The Werewolf, Creature With The Atom Brain, and Zombies Of Mora Tau.

A pretty good boxset that in the case of The Giant Claw contains extras such as a video essay by Mike White on Sam Katzman’s output and the theme of Cold War paranoia in his produced movies, alongside a theatherical trailer, the usual photo gallery and a condensed 8mm version of the movie.

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War Of The Colossal Beast (1958) [REVIEW] | Recasting The Giant

Last year we tackled The Amazing Colossal Man, so it just common courtesy to cover the sequel, War Of The Colossal Beast, released just 1 year after and again directed, written and produced by the master of rear-projection cinema, Bert I. Gordon.

And yes, this isn’t just a loose remake/redo that might or might not take place after the original, this is actually a sequel, which isn’t always a given for this kind of movie, even more since it wasn’t marketed as a sequel to The Amazing Colossal Man (hence the title that doesn’t include “colossal man” in it) and the cast is different. But like the first movie, it was originally released as a double-feature, this time with another Bert I. Gordon flick, Attack Of The Puppet People, which i already mentioned in the review for The Amazing Colossal Man (and has an amazing Rifftrax version out).

After an alarming number of food delivery trucks robberies in Mexico, Joyce Manning, the sister of lieutenant Glenn Manning, starts to investigate and believes his brother, mutated into the giant, actually survived being shot by a tank and falling off the Boulder Dam, as she suspect he might be behind the delivery trucks being robbed of food.

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Avalanche AKA Nature Unleashed: Avalanche (2004) [REVIEW] | Rippin’!

Time to finish off this January by reviewing a random ass snow-themed movie on DVD i literally picked up for 3 bucks at a flea market a couple of days ago.

I knew nothing about it, the title is generic as hell, probably it’s a cheap TV movie, so it still fits the bill, it’s good enough to be reviewed here, i guess.

And no, it does NOT have sharks in it.

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12 Days Of Dino Dicember #7: Valley Of The Dragons (1961)

Stock footage. The quintessence of cheap filmaking since its very beginning, the saviour of many low budget productions for decades, constantly growing over time and often very fuckin free, etc.

It’s and always will be a constant for visual media, but there are case when you can take it too far, like the infamous Gamera Super Monster, the final Showa era Gamera film, composed almost entirely of stock footage from previous movies in the series. Sometimes you can indeed go even cheaper, but shouldn’t, unless you wanna risk destroying any goodwill, fanbase or prospects.

Though this isn’t the case, with Valley Of The Dragons we have instead the story of trying to adapt the Jules Verne novel Off Of A Comet/Career Of A Comet, which was actually not published in US territories at the time, due to it being very anti-semitic.

A very loose adaptation mostly made to chase the success of previous film adaptations of Verne’ stories…. and because producer Donald Zimbalist wanted to have it heavily based around the stock footage from One Billion BC, as he owned the rights to that.

In its own way, this is also pure cinema at heart.

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12 Days Of Dino Dicember #4: Attack Of The Super Monsters (1982)

It really IS Christmas time, because today we’re doing a movie that’s both dinosaurs and vintage tokusatsu cheesiness from the 80s. How can you go wrong? You simply can’t.

Add drill spaceship to the mix and you really can’t go wrong.

Though it’s worth pointing out this is actually an edited down TV series (i suppose it’s just the first 4 episodes of the series mashed together, as it was a common practice at the time), Dinosaur War Aizenborg, itself quite the interesting piece of media, as it’s an hybrid anime and live action show, with sentai style rubber suit and stop motion puppets action for the dinosaurs and giant monsters, but animation for the humans and most regular animals, played over live-action miniature sets.

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12 Days Of Dino Dicember #2: King Dinosaur (1955)

Ah yes, time to slip back into the comfy territory of “featured on MST3K” old 50 movies about dinosaurs, and of course when talking about MST3K featured flicks, Bert I. Gordon (or Mister BIG, as he was nicknamed by good ol’ Forrest J. Ackerman) is bound to be involved somewhat.

This is actually his first directed movie, followed 2 years later by Beginning Of The End, aka the one about giant locusts and “mantises in pantises”.

Sorry, getting back on track. Yeah, King Dinosaur marks Mister BIG’ first feature length work, after some television commercials, and let’s just say that its first step it’s already a good indication of him being incredibly cheap and fast in making a movie. And i mean both, as the movie was shot in a week, and was indeed cheap, since it has only 4 actors and it uses stock footage, not only for the scene of the mammoth’s attack it’s lifted from 1940’s One Million BC, but the army and the atom bomb explosions are just military stock footage, and there’s no cheaper than free.

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