Ah yes, the classic “go-to” choice when you and fellow shlock film makers have done every possible killer animal b-movie… doing another one by straight up mixing animals like Frankenstein if he was that desperate (and bored out of his skull) to bring something from the dead, regardless if it existed or not.
So pretty much like his incarnation in Mary Shelley’s Frankenhole.
Sadly there’s no Moral Orel cameo to be found here, just good old Jym Wynorski doing what he knows best: making cult creature features for SyFy and/or home video releases.
Continua a leggere “Piranhaconda (2012) [REVIEW] | Madsen-baiting #snakesofjune”
From the director of Frankenstein Reborn and Transmorphers comes more sharkxploitation, this time NOT from The Asylum, but Bitter End Media Group, a fairly new name, so i guess they decided to play it extra safe and extra stupid by having piranhas genetically crossbred with great white sharks. Why? For the bored New York rich assholes that weren’t content with banal piranha.
Of course the piranha-sized sharks get into the water supply, and your run-of-the-mill group of random people (in this case 3 exterminators and a nutty scientist that knows what damage these “piranha sharks” will – and do – cause) has to save the city before the army nukes it down.
It also happens to take place on Christmas, which could have helped it qualify for Dino Dicember, but sadly the alternate UK title of “Jurassic Piranhas” is a total lie, these aren’t ancient, extinct or a dinosaur of any sorts, they’re just breed in a lab.
Continua a leggere “Piranha Sharks AKA Jurassic Piranha (2016) [REVIEW] | Piranha Shark Tank”
Most movies about killers animals from the 70s can be “blamed” on Jaws success, this one is a “double whammy” because it can be also linked to one of Jaws’ most notorious rip-off, Piranha from 1978, which – as mentioned before – it’s almost a parody as well, and was directed by Joe Dante. As Piranha did quite well that year, America General Pictures approached him to direct Barracuda (also sold under the title of The Lucifer Project) as well, but clearly it didn’t happen, so directing duties went to Harry Kerwin and Wayne Crayford, both already pulling double duty as actor and co-writer. Gotta pump em out fast, so fast this came out 2/3 months after Piranha.
And while there are plenty of Jaws rip-offs made in that decade, the comparison between the two films in question is fairly obvious, not just because they came out the same year, but because they both have the same theme of secret government experiments that end up mutating marine fauna, in this case more declined into an enviromentalism issue, but also a fairly direct critique of the military, as in they didn’t breed combat-ready mutant cyborg barracuda, but the government basically used a small town as guinea pigs for conditioning experiment to make everyone more aggressive and violent, and more easier to whip up in a frenzy or recruit for war.
Continua a leggere “Barracuda (1978) [REVIEW] | Burn it to the wick”
Another chapter in the accidental saga of Jaws rip-offs and their often interesting tales of genre producers basically kicking a young James Cameron out of the director’s chair, of people making movies about barracudas that actually just used them to trojan horse a completely different thriller plot, of alligators becoming giant in Chicago’s sewer system due to pharmaceutical experiments on dogs, and producers pestering poor Joe Dante into directing rip-offs of his own movies…
Once again we wander in the territory of “we wanna make another one and trick people into thinking it’s a sequel by slapping a number 2 and a subtitle on the title”, but i struggle to even justify this one’s existence. Sure, the first one ended with another baby gator being flushed down the same sewer, but usually you’d want to cash-in into a movie like this right away…. not 11 years later.
Continua a leggere “Alligator II – The Mutation (1991) [REVIEW] | Back To The Sewers”
Ah yes, Wally Gator’s origin story. Or maybe not.
This one actually has sort of faded into obscurity, but it shouldn’t because it’s arguably one of the better “killer animals” film of the 70/80s, and also is a “Jaws rip-off” of sorts, in the same way as the original Piranha, to be precise, since the script is also written by John Sayles, and it’s a good combination of straight killer animal flick and light-hearted, affectionate satire of the B-movie clichès. It definitely has a sense of humour, not just by downright having P.O.V. shots of the gator with the soundtrack playing almost the Jaws theme, by having people selling merchandise of the “monster”, but also by basing an entire movie about that urban legend. 🙂
Continua a leggere “Alligator (1980) [REVIEW] | Don’t flush the reaper”
Piranha 3D was a good b-movie, directed by well respected and trustworthy horror director Alexandre Aja, who basically remade the omonymous old Jaws ripoff (produced by Corman, because why wouldn’t it be?), with 3D because it would have fit perfectly, is that kind of b-movie, the creature feature with killer fish, bikini ladies, and a party or holiday of some sort as the reason to gather people around, because fish is people too, and ripping off Spielberg never went out of fashion.
So a couple years later we got Piranha 3DD, a sequel… that’s actually a sequel, instead of just another movie about killer piranha slapping a “2” on the title, directed not by Aja, but by John Gullager, best known for the Feast Series, Zombie Night, and yes, it’s Glu Gullager’s (of Return of The Living Dead, The Last Picture Show fame) son.
And he took a surprisingly “smart” approach with this one, because why bother trying? Continua a leggere “Piranha 3DD (2012) [REVIEW] | Piranha Ate My Bunghole”