One Piece: Glorious Island OVA (2012) [REVIEW]

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Director: unknown
Writer: Eiichiro Oda

Going really into obscure territory here, since this is the prologue to One Piece Film Z, but it wasn’t released as a limited edition disc in a specific chain of theathers or shops, that would be too easy: instead it was originally released in 2 parts (6 minutes each) on smartphones as part of collaboration with Docomo’s then new mobile TV format-service, NOTTV, and later compiled in the japanese Blu-Ray release of One Piece Film Z.

Yeah, it’s basically an “Episode 0” of sorts, but instead of setting up more clearly the events of the movie and giving more info on the villain (like the following OVA prequel/episodes 0 for Strong World and Film Gold would do), this is a direct prologue that leads into the actual beginning of Film Z. Not that it matters because this is so detatched from the movie (you don’t see any of the movie villains in any shape, for example) it might as well be a random featurette, it would make more sense that way.

Sure, with the release format and the very nature of this OVA, you would reasonably guess whatever happens in it can’t be that important to the plot of the actual movie…..and you’d be correct, let’s not dance around it. Continua a leggere “One Piece: Glorious Island OVA (2012) [REVIEW]”

One Piece: Infiltration! Thousand Sunny! OVA (2011) [REVIEW]

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Director: unknown
Writer: unknown

Yet again we have a collaboration short, Infiltration! Thousand Sunny, born out of a deal with Nissan (yeah, the car company), and sold as a limited edition DVD exclusively in their japanese stores to obliquely promote the Nissan Serena model.

The DVD also included a making of the short film One Piece 3D Straw Hat Chase, not only because it’s animated in the same style of 3D CG, but because it’s main point it’s to advertise Straw Hat Chase, Luffy outright says that at the end, and it serves as a 8/9 minutes preamble to that movie. Continua a leggere “One Piece: Infiltration! Thousand Sunny! OVA (2011) [REVIEW]”

One Piece: Strong World (Episode 0) OVA (2010) [REVIEW]

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Director: Naoyuki Itō
Writer: Hitoshi Tanaka

Strong World is arguably one of the better One Piece movies, in no small part thanks to the not small involvement of Eiichiro Oda himself, who wrote the script for it, and definitely a huge step up after two previous theathrical releases that were just adbridged recaps/retelling of canon story arcs (especially in the case of the movie Episode Of Chopper, with some weird bastardization of canon and changes).

This of course didn’t stop Toei to further milk the golden pirate udders of the series (never did), so to advertize Strong World, they released a prequel to the movie in form of this OVA, Strong World: Episode 0, an adaptation of the special chapter “Strong World” released alongside chapter 565 of the manga (and gave away for free if you went to see the film in some japanese theathers, apparently). Of course they didn’t just released it anywhere, but in a limited retail DVD release of 3000 copies, given out as prizes for a contest held in House Foods (a major japanese food manufacturer) stores. Continua a leggere “One Piece: Strong World (Episode 0) OVA (2010) [REVIEW]”

One Piece: Romance Dawn Story OVA (2008) [REVIEW]

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Director: Katsumi Tokoro
Writer: Tsuyoshi Sakurai

Here’s another quite nostalgic OVA, as in 2008, for its 40th Anniversary Shonen Jump held the Super Anime Tour, and Toei was commissioned a recreation not of One Piece, but of Romance Dawn, the one-shot story (the first version, in this specific case) Eiichiro Oda created and that eventually served as a base for One Piece, not only in premise but also character designs, and became a naming convention, so much that the first One Piece chapter is titled “Romance Dawn” as well. Continua a leggere “One Piece: Romance Dawn Story OVA (2008) [REVIEW]”

One Piece: Defeat The Pirate Ganzack OVA (1998) [REVIEW]

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Director: Goro Taniguchi
Writer: Hiroaki Kitajima

YES, finally time to talk about this one!

While a lot of One Piece fans know about this OVA, i fear it’s not as well known as it should, and regardless, it’s an interesting piece of One Piece media, a look into what could have been if Toei didn’t eventually took upon adapting Eiichiro Oda’s manga into an anime series in 2001. Continua a leggere “One Piece: Defeat The Pirate Ganzack OVA (1998) [REVIEW]”

One Piece OVAs and featurettes Retrospective coming soon

Last year i did a full retrospective of the One Piece movies leading up to the release of One Piece Stampede in theathers… all in italian, and while i plan to eventually do a reworking/redo of the retrospective in english (including Stampede, of course), and to cover all the TV specials, for this summer i’ll just cover the featurettes and OVAs.

NOT the live-action stage shows. Yes, even before the announced One Piece live-action Netflix series will actually show what’s its gonna look like, One Piece had more live-action adaptations, mostly as theather plays, hell, they even did One Piece Kabuki…

That’s about it, see you soon!

Dynasty Warriors 20th Anniversary video and the state of musou

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Today Koei released a compilation video to commemorate the series’ 20th anniversary, and while kinda nice, it’s also unadvertly very Koei, as they managed to cut content and recycle too much even in this occasion. XD

The trailer gives a brief compilation of cinematics and gameplay videos from all mainline Dynasty Warriors titles (and some brief logos appearances from the many spin-offs), and even the Empires and Xtreme Legends spin-off/expansions attached to those. All.. except the very first title in the series.

The real reason is because the first Dynasty Warriors wasn’t a musou, but a 1 on 1 fighter, and they clearly don’t consider it because Dynasty Warriors properly started in 2000 with what has been localized as “Dynasty Warriors 2”, but in Japan the first one was called simply “Sangoku Musou”, and to make more clear the change in direction, they called the second one “Shin Sangoku Musou”, so Dynasty Warriors 3 is “Shin Sangoku Musou 2” and so on.

Which highlight how they didn’t even bother to make another version of the video, sure, it would have been a bit odd to show a game that really doesn’t play like all the others in the series, but they also show Dynasty Warriors 9/Shin Sangoku Musou 8 (without apologizing), and it would have been correct. It also would have required more work, so of course Koei didn’t bother and uploaded it as is even on their official european Youtube channel.

Dynasty Warriors 20th Anniversary everyone is here

It may sound petty to make such a big deal out of this, but it’s so typical of Koei’s treatment of the series that they somehow managed to make some of it’s flaws and rightfully critiqued trends (like cutting corners by not dubbing the western releases of most musou titles in english) bleed into the celebratory 20th anniversary trip down memory lane. It’s so typical it’s downright depressing and make the otherwise well meaning “thank you” message at end feel completely hollow.

And i worry, because this is indicative of the state of the series as a whole… but i’m gonna dedicate an entire editorial to that later, there’s way too much to say, and i was planning to anyway, but this video gave me the final push.

Sorry for the teasing in the title, but don’t worry, that editorial won’t be locked behind a DLC or Season Pass paywall, or squirrelled away into an Xtreme Legends expansion at full retail price.

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Japan Sinks 2020 (2020) [REVIEW] | ooh the eastern sea’s so blue

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I knew this series was coming, but the surprising lack of hype, coverage and buzz on social media sites made me think either people forgot about this, or didn’t bother since most of the feedback from the dedicated sites was, with most of the comments expressing disappointement, criticizing excessive nationalism for the sake of it or just baffling stating stuff that – somehow – happens, like a grandpa “360° sniping” with a bow and arrows, etc.

This made me a bit sad, as i loved Keep Your Hands Off Eizouken (which i highly recommend, just go watch if you haven’t), and i don’t dislike Masaaki Yuasa’s work in general, quite the opposite, for example i love Kick-Heart, good stuff, Ping Pong The Animation is incredible, and his screenplay for the extra-surreal Cat Soup (another one i highly recommend) is quite good.

After pondering on it, i wrote a small blog post about the same apprehensions, and decided to watch the series since it’s a Netflix exclusive, and i do have Netflix, despite barely using most of the time. Continua a leggere “Japan Sinks 2020 (2020) [REVIEW] | ooh the eastern sea’s so blue”