Samurai Warriors 5 [ANNOUNCEMENT TRAILER RAMBLE]

After being presented in the last Nintendo Direct (which i saw but didn’t write a post about because i couldn’t be arsed), yesterday we got a slightly longer announcement trailer from Tecmo Koei, some more info and footage, alongside pre-order bonuses, a confirmation on what platforms it would launch and a more precise release date.

Speaking of which, i’m kinda surprised the game (at the moment) doesn’t have a planned PS5 version, odd considering they announced Dynasty Warriors 9 Empires (which is a month away, more or less) would have a PS5 and Switch release back in 2020. Considering how they just releases in the west Persona 5 Strikers on PS4 with no plans of next-gen version, maybe it’s because they are waiting for when more people have made the “gen jump”, i mean, it’s gonna be slower than usual anyway given the circumstances. Hardly even feels like we just entered a new console gen.

The game itself.. looks good, at least i can say that for the art direction (the after-musou attack sumi-e screen are gorgeous), more otome-like, why not, and i’m liking the new designs, the decision to focus on the Nobunaga-Akechi relantionship is fine as well. One could say they are attempting a “soft reboot” with this one, but still, this is not an excuse to say that the game will have just 27 playable characters (most returning and someone new, of course), HALF of what Samurai Warriors 4 had.

Continua a leggere

Dino Dicember #26: Aztec Rex / Tyrannosaurus Azteca (2007)

Thunder, thunder, thunder rex!

Actually, not quite, but i wonder why not also give the “rexes” magical elemental powers (since the Aztecs call them “Thunder lizards” in the movie itself), if we can stretch the imagination to have a movie like this, set in the 16^th centhury about a group of conquistadores going to Mexico in order to search for treasure and colonialize the “savages” while they’re at it, but end up captured by the tribes, whom plan to sacrifice them to their sacred gods, T-Rexes.

I mean, i do trust in Godzilla, but ….

Continua a leggere

True State Of Musou (As of 2020)

I teased this with my comment on the Dynasty Warriors 20th Anniversary celebration video, and – as i said in the article – that was just the tipping point, the final push to make me write down an editorial on the musou genre/subgenre, one i had been ruminating about for a couple of years.

And to do that, i will have to start not from the beginning (i will eventually do a full retrospective, in time), but from the last numbered title in the main Warriors series, Dynasty Warriors, yes, Dynasty Warriors 9.

This is a long article, ready your beverage of choice. Continua a leggere “True State Of Musou (As of 2020)”

Dynasty Warriors 20th Anniversary video and the state of musou

Dynasty Warriors 20th Anniversary video.png

Today Koei released a compilation video to commemorate the series’ 20th anniversary, and while kinda nice, it’s also unadvertly very Koei, as they managed to cut content and recycle too much even in this occasion. XD

The trailer gives a brief compilation of cinematics and gameplay videos from all mainline Dynasty Warriors titles (and some brief logos appearances from the many spin-offs), and even the Empires and Xtreme Legends spin-off/expansions attached to those. All.. except the very first title in the series.

The real reason is because the first Dynasty Warriors wasn’t a musou, but a 1 on 1 fighter, and they clearly don’t consider it because Dynasty Warriors properly started in 2000 with what has been localized as “Dynasty Warriors 2”, but in Japan the first one was called simply “Sangoku Musou”, and to make more clear the change in direction, they called the second one “Shin Sangoku Musou”, so Dynasty Warriors 3 is “Shin Sangoku Musou 2” and so on.

Which highlight how they didn’t even bother to make another version of the video, sure, it would have been a bit odd to show a game that really doesn’t play like all the others in the series, but they also show Dynasty Warriors 9/Shin Sangoku Musou 8 (without apologizing), and it would have been correct. It also would have required more work, so of course Koei didn’t bother and uploaded it as is even on their official european Youtube channel.

Dynasty Warriors 20th Anniversary everyone is here

It may sound petty to make such a big deal out of this, but it’s so typical of Koei’s treatment of the series that they somehow managed to make some of it’s flaws and rightfully critiqued trends (like cutting corners by not dubbing the western releases of most musou titles in english) bleed into the celebratory 20th anniversary trip down memory lane. It’s so typical it’s downright depressing and make the otherwise well meaning “thank you” message at end feel completely hollow.

And i worry, because this is indicative of the state of the series as a whole… but i’m gonna dedicate an entire editorial to that later, there’s way too much to say, and i was planning to anyway, but this video gave me the final push.

Sorry for the teasing in the title, but don’t worry, that editorial won’t be locked behind a DLC or Season Pass paywall, or squirrelled away into an Xtreme Legends expansion at full retail price.

Dynasty Warriors 20th Anniversary thank you card.png

Azur Lane The Animation 2019-20 [REVIEW] | The Bone Of My Boat

Azur Lane The Animation 2019-20.png

Ah yes, one more for the evergrowing subgenre of “shipgirls military slice of life”, less Arpeggio of Blue Steel, and more Kancolle/Kantai Collection, which is obvious as hell as Azur Lane (by chinese companies Manju and Yongshi) came out to fight Kadokawa’s browser game, but actually bothered to give it more actual gameplay, implement less taxing gacha elements (which is akin to say “less rusty gambling hooks piercing my flesh”), and actually made it easier to access worlwide without any need to know japanese, use google translate constantly or set a VPN, just released an app for smarthphones.

And given it performed quite well (even in Japan), it was just a matter of time to see an anime adaptation of sorts, which came out in late 2019…not fully, as two last episodes were postponed to march 2020 after concerns on animation quality. I thought it was due to fans expressing criticisms on social media, but it seems it was mostly the staff itself’s decision in order to deliver a better and satisfying ending to the series instead of rushing it, which is commendable, and gave me time to catch up. Continua a leggere “Azur Lane The Animation 2019-20 [REVIEW] | The Bone Of My Boat”

[EXPRESSO] 1917 (2019) | Trench-A-Live

1917 2019 poster.jpg

The director of American Beauty and Revolutionary Road (also behind the last two Bond films, which i simply didn’t see) is back to the war epic 25 years after it’s own Jarhead, so yeah, it’s quite understandable all the buzz and expectations surrounding it, but i gotta be honest, i wasn’t exactly hyped, since the self-explanatory title tells you right away it’s set in WWI, but still, a more interesting proposal than going back to WWII (or Vietnam) again.

Set at the zenith of WWI, the film centers on two british soldiers stationed in northern France, Schofield and Blake, tasked to deliver an order from HQ, which tells of an upcoming surprise attack planned by the retreating German army. With thousands of lives on the line, the two must race through the hostile Western Front to call off the attack, and for Blake is personal, as his brother is in the squadron they’re trying to save.

Like you’ve probably heard by now, the movie is shot in a faux one-take, as to create a seamless single and constant feed over the lonesome journey through the Western Front, to emphasizes the urgency and stakes for everyone involved, capture the atmosphere of the desolated wastelands of the trenches as the character themselves wade through the dismal sceneries and confront the realities of the conflict, despite their task being oblique and minor in the grand scheme of things.

And yes, it works beautifully, making for an intense and captivating experience that doesn’t just rely on a “trick”, as the events and characters are intriguing themselves, making for good drama that is enhanced by the amazing camerawork and directorion, as is the terrific cinematography, the movie is worth seeing on the big screen just for that. Not for Cumberbatch, as he’s barely in the movie.

java-icona

[EXPRESSO] Jojo Rabbit (2019) | Achtung! The Desert Night of The Lepus

Jojo_Rabbit_(2019)_poster.jpg

Yeah, we didn’t get this in theathers until last week.

Johannes “Jojo” Betzler (anime joke) is a shy 10 year old boy who has trouble making friends, he’s always clumsy and reluctant, so he ends up earning the mocking nickname of being a cowardly “rabbit” (hence the title) by his peers and superiors, because just being in the Hitler Youth wasn’t enough. But fear not, for Jojo has an imaginary friend to rely on, Adolf Hitler (played by Waititi himself, and with gusto), always ready to give him advice when the need arises.

But despite aspiring to belong, he discovers that there’s a jewish girl taking refuge in their house, and experiences many events that make him question the rigid nazi indoctrination received, the arian myth, and all that bullshit, and he digests this……. like a 10 year old boy would.

Despite the edgy-looking premise, Taika Waititi’s “springtime in Germany opus” (loosely based on the novel “Caging Skies” by Christine Leunens) is actually very heartwarming, colorful and playful, but definitely doesn’t pull punches, balancing out drama and comedy like good black comedies do, and i’m kinda surprised by the style of comedy. Sure, Waititi/Imaginary Hitler is goofy and quite fun to watch, there are more flamboyant outbursts, but many jokes are done with an almost deadpan delivery.

Which mostly works, but some scenes would have benefitted by a more outlandish visuals, while others do work better because the characters shrugh off absurd stuff happening, which ultimately makes some of them lacking the impact they’re searching for, not flop totally, but also not making you burst out laughing.

Despite this gripe, it’s a surprisingly uplifting movie, with a very good cast, good characters, but i completely understand why it could fall kinda flat for others, not necessarily because of its subject.

expresso-icona

Sekko Boys (2016) [REVIEW] |Idol Arts

Sekko Boys 2016.PNG

Idols anime are a dime and a dozen, be it improvised local idols, zombie idols, virtual idols, magical girls that are also idols, male counterparts of an other idol show, etcetera etcetera.

So often in anime you’ve find parodies of idols and the showbiz surrounded within many shows not about idols. And in 2016 Kadokawa thought of making an original short anime series (later made into a manga) about a male idol group… composed by half-busts renassaince style statues of historic and mitological figures, with Medici, Mars, Hermes and Saint George, nickname collectively “The Rockies”. A new graduate from art school, Miki Hishimoto, find herself being recruited as their manager, and the titular Sekko Boys (lit. “Sculture Boys”) are definitely a handful to deal with.

You are probably thinking this series is built on one-note gag, but you’d mistaken. Continua a leggere “Sekko Boys (2016) [REVIEW] |Idol Arts”