Reptilicus (1961) [REVIEW] | Danish Dragons

Denmark gave the world many things, despite what Shakespear told us, many influential painters and artists, many metal bands like King Diamond, Manticora, etc.

But you don’t exactly think Denmark when you think giant monster movies, and the only that still comes to mind is the old Reptilicus, a danish-american coproduction, with two existing versions, one completely shot in danish and the international release that was cut and changed by the screenwriters to make it more marketable (and american) by good ol’ American International Pictures.

While the movie it’s available in DVD fairly easy (and i do own it), i’ll mostly refer to a fansubbed copy of the original danish version. The international release, aside from a complete redub due to the cast very thick danish accent (kinda dumb how AIP didn’t expect that since the cast IS danish), cuts the scenes where Reptilicus flies… because the effects aren’t that great, but added the special effect of green poisonous saliva shooting out when the monster opens its jaw.

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APE (1976) [REVIEW] | Flipping Kongs

Sure, Konga wasn’t great, and earlier this year we also spotlighted another King Kong rip-off, the italo-canadian Yeti: The Giant Of The 20^th Centhury, which indeed is worthy of being called “craptacular”, as in it’s really bad but also frigging hilarious and with some odd innocence for italian exploitation cinema. Even if there’s a crime thriller subplot that almost kills off Lassie.

But we can go lower down the cinema alphabet, and for theatrically released feature lenght movies about giant apes, you can hardly go lower than the american-south korean A*P*E*, quickly put out to cash-in this wave of Kongsploitation, as it released the same year of the Dino DeLaurentis backed remake, with 3D effects because if we’re gonna do this, might as well make it gimmicky.

Yeah, i’m doing this one because i feel more people are at least aware of The Mighty Peaking Man, also made to cash-in the popularity of the 1976 DeLaurentis’ King Kong remake, but far better than most Kong rip-offs, definitely far better than A*P*E*.

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Notzilla (2020) [REVIEW] | The Cringe Is Approaching The Generators!

While parodies of giant monster movies aren’t that uncommon, rarely they are made as full lenght features, even more in the last decades, it’s easier to see movies about the making-of monster movies in the past, sometimes even going as far as narrating the circumstances (often a bit fictionalized) of movies that were never made, like Nezura from Daiei, which was canned and eventually led to the company creating Gamera, the fanged turtle friend of all children.

This is one of the more recent attempts, in this case lampooning the Showa era Godzilla films, and i’m surprised i had to discover this while surfing certain catalogues, you’d think more people would be covering a Godzilla parody made in the year the King Of Monster was supposed to fight King Kong again, but apparently no. Sure, it was an indie project made on a low budget, but still…

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Colossal (2016) [REVIEW] | Attack Of The Giant Anne Hathaway

While this is one of the more recent movies as far as giant monster movie goes, it also already slipped into semi-obscurity. Quite odd for a giant monster movie with Anne Hathaway, you’d think that would have turned more heads and be talked about, if nothing else as a curiosity, how many Korean-American monster movies are pitched as “Godzilla meets Lost In Translation”?

The plot follows an unemployed writer (Anna Hathaway), struggling with alcolism and an abusive colleague that want to control her, and how one day she unwittingly manifests a giant monster in Seoul. As it turns out, the monster directly replicates her movements and gestures, and when she realizes it, things get more complicated as her abusive colleague also becomes able to conjure a giant entity out of thin air…

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Konga (1961) [REVIEW] | British Jungle Beat

1961 was indeed the year of british giant monster rip-off movies, heck, this was released just 3 days in the UK before Gorgo debutted in US theathers, and both got a comic book tie-in (which eventually pitted them against each other), even if the production companies were different. But again, exploitation cinema is an universal language.

Where Gorgo obviously ripped off Godzilla, Konga went for the giant primate, even going so far as marketing it with this phrase written on the theathrical poster “Not since King Kong has the screen exploded with such mighty fury and spectacle”. But in this case there were no troublesome legal litigations on the name (the ownership to the name “King Kong” is an incredibly messy subject deserving its own detailed editorial or video), as producer Herman Cohen just paid RKO 25.000 $ for using the name “Kong” in the posters and marketing material.

Ironically, Gorgo’s plot was more akin to King Kong’s (or to be precise, Murders In The Rue Morge) than the one found in Konga, because there are no natives worshipping the giant ape, no company kidnapping him and all that jazz.

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King Kong VS Godzilla (1962) [REVIEW] | Kaiju Klassics

Finally, after years of rumors, delays, a new Godzilla VS Kong movie will hit theathers, and hopefully VOD because i can’t recommend getting the Coronavirus for the sake of seeing this one on the biggest screen possible. At the time of writing, i don’t know if i will able to see this is theathers or not, personally i would love to, but it appears this time we won’t have to wait much more for Godzilla to fight King Kong, as part of Legendary’s Monsterverse.

Like most monster movie fans known, this isn’t the first time the two titans clashed on the big screen, but it has been a while (almost 60 years), so it’s the perfect occasion for the youngins to hear if for the first time and for the old fans to have a refresher on the original King Kong VS Godzilla.

First, let’s go over the plot, before getting sidetracked with the plethora of production history facts you most likely have heard every time this movie is brought up.

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Giant Monster March IS A GO!

As the long awaited Godzilla VS King Kong finally is set to it theathers pretty much everywhere (where theathers are open, not a given due to the pandemic), it’s time to celebrate, with a selection of giant monster movies reviews to showcase mostly lesser known titles or movies that nowadays are not as well known as they once were, despite still being remembered by genre fans.

Sorry it’s not a month of non-stop reviews this time. Enjoy!

The Curse Of The Komodo (2004) [REVIEW] | Now Without Curses

Yeah, we’re reviewing the original after the…. follow-up (sequel isn’t really the right word by any stretch of the imagination) that was Komodo VS Cobra, where a mutated Chris Latta is pitted against a radioactive Komodo dragon for reptile supremacy.

Why? Because i was bored and fired that movie up on Amazon Prime Video without doing much research, i mean, it’s not like Piranhaconda (also by Jim Wynorski, incidentally) it’s a crossover between the Piranha series and the Anaconda franchise. And i like i explained in that review, it’s not like it really mattes, since that movie recycled pretty much everything from its *cough * “predecessor”, so inevitably describing the plot of this one also works for most of the sequel, that basically added another giant monster and changed some characters just because it kinda had to.

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Komodo VS Cobra (2005) [REVIEW] | Reptiliarium Rejects

**A nice, grating red for the retinas.**

I wasn’t really go do a review for this one so soon, i had saved in my Amazon Prime Video list for when i would have been bored enough, or needed to do it for a special, but i noticed the “this title won’t be available after the 5^th of December 2020”, so once again i felt coerced to watch and review before its gone or back as a paid rental or tied to another paid subscription within the subscription i’m already paying for.

Heck, i didn’t even knew it was a sequel to The Curse Of The Komodo (which i happen to own, having picked up an ultra cheap DVD copy for it in a flea market some time ago), released just one year prior by the same director… “Jay Andrews”, at least according to the credits.

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Yeti: The Giant Of The 20th Centhury (1977) [REVIEW] | Italo Disco King Of The Kong

It’s still january, it’s still cold as hell (proper Dante Alighieri hell), so it’s time to shovel up and unearth a yeti movie from the motherland, with the forgotten Yeti: Il Gigante Del 20° Secolo from director Gianfranco Parolini (credited as Frank Kramer), often called just “Yeti”, “Big Foot” (yeah, that helps a lot, thanks) or with a direct – and accurate – translation of the title in english, as Yeti: The Giant Of The 20^th Centhury,

Italian-canadian kaiju yeti-xploitation, can’t go wrong with that!

Yeah, digging this gem out to also celebrate the new trailer for Godzilla VS King Kong !

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