[EXPRESSO] Dos (2021) | Flesh Sewn Shut

Browsing Netflix new releases and this caught my eyes, i mean, the simple title made me curious and i’m always in when it’s a spanish horror thriller about two complete strangers waking up to found themselves literally sewn together and placed into a room.

It’s not human-to-walrus surgery, but i will indulge regardless, it’s also fairly short, clocking just above 60 minutes (plus credits), quite surprising some other bloated films Netflix has as exclusives.

It has definitely an arthouse feel (the finale with the title reveal it’s really indicative of director Mar Taragona’s ambition), but the bold decision to compact it all in a shorter runtime pays off in spades, both for impact and in cutting out the fat from the narrative.

The main mystery keeping the story going is the identity of the culprit, and of course the purpose of joining together two people by literally sewning their flesh together, which is ultimately not the Saw-esque random ass gruesome torturer with a deviant penchant for justice and retribution you might think it’s gonna be revealed. It’s not that… exactly, and it’s a shame because the script never properly explore the themes it tackles, nor manages to fully utilize the isolated setting and premise, going for an arthouse ending, with some impact but ultimately not that satisfactory.

A shame since the movie is already intriguing before that, with plenty of questions and the grisly circumstances, while the two are trying to make sense of the really uncomfortable – even more since they’re butt naked – situation they’re in, leading to some good drama and time spent with this likeable and relatable “surprise duo”.

Shame it hasn’t much depth to it as it clearly wanted, (i’d guess it was originally meant to be a lot longer), but it’s a decent watch.

[EXPRESSO] Netflix’s Cowboy Bebop (Season One) (2021) | It’s time we blow

I was gonna make a full review, but then realized it wasn’t deserving of it.

Often you see people wondering who the hell is the target for live action adaptations of anime series that etched theirselves as classics, even more when it’s a series that become a hit even outside the anime circles, so you can’t really pull the snarky excuse “no normal people have seen the thing”.

In this case, i feel no one, because it’s incredible how they managed to create something that not only the fans will despise but newcomers will just find bad, and wonder why the hell people liked Cowboy Bebop to begin with.

An adaptation of an anime that should actually work better than most in live action, but manages to be a genuine complete wreck.

It’s also a live action adaptation made by and for people that scoff at anime, because that sentiment it’s made pretty much manifest by the many changes made to excuse, justify or alter many elements and expand on stuff regardless if it makes sense or if it’s good.

This was always gonna be different from the original, but this is such a witless, soulless, boring, badly paced and barely recognizable adaptation that fundamentally misunderstands the material and it’s willing do any random garbage with it, hypocritically treating the original as gospel but without really respecting it, or even understanding it, not really caring too much to anyway.

The fairly cheap CG it sparely uses to remember you it’s technically set in space doesn’t help. I seriously hope the budget for the One Piece live action they’re also working is higher than this.

The cast it’s quite good and does an unbelievable job, but they can’t save this pitiable, hackneyed, utterly ill-conceived trash from itself. Don’t even bother hatewatching it.

Ninja Operation 4: Thunderbolt Angels AKA Ninja Power Force (1988) [REVIEW] | Gangsta Code Of Ninja Honour

Ok, one more, and yes, this is a brand new review, we’re just “going backwards” in the non-existent Ninja Operation series, as we previously talked about Godfather The Master, a ninja flick that was released as “Ninja Operation 5: Godfather The Master”, and now we tackle “part 4”, aka another Ho ninja potpourri that was originally titled Ninja Power Force (or Powerforce, whatever floats your boat), and eventually got the alternate title of “Thunderbolt Angels”.

Despite not featuring any of those, as we all could guess by now, pretty easy to do.

One thing that i did not fully expect it’s the absolute scarcity of informations on what film had Ho “hijacked” for his ninjas means this time, IMDB has no info on the matter, thankfully the Hong Kong Movie Database came to the rescue and i was able to determine it’s a 1986 taiwanese action drama called “The Return/Return Home”, not to be confused with another taiwanese movie from 2016, also called “The Return”.

Don’t say you never learn anything from these reviews.

Continua a leggere

[EXPRESSO] The French Dispatch (2021) | Tales From Ennui-sur-Blasè

Yes, i was quite excited when this was announced, i love me some Wes Anderson, especially when he’s doing stopmotion animation, but the live action casts for his movies have everyone in them, so i’m willing to “overlook” the issue time, though i’m not entirely sure about William Dafoe not being made out of clay to some degree.

After his japanese themed envorimental tale of samurai dogs, this time we’re dealing with a story about the world of journalism, as an anthology of stories adapted from the fictional “The French Dispatch Magazine”, here presented as a “real” side column to the Kansas-based paper “The Evening Sun”, originally conceived for travel logs and such but eventually got big and based itself in the little french town of “ Ennui-sur-blasè”, attracting the best journalists from all over the globe.

All framed as the newspaper founder dies and by his will the French Dispatch itself will close, with the writers and staff selecting the best stories for the last issue of the magazine itself, ranging to a student protest to a romance between a psychotic prisoned artist and his warden.

As you can guess, expect and tell, this sound indeed like an ensemble cast for a huge “vignette variety hour” on the subject of journalism, promising all the zany quirks of Wes Anderson’s eccentric directing and writing style… and sure as hell you’re not gonna change opinion on his works with The French Dispatch, which plays to all the strenghts and flaws of Wes Anderson with even more vigor than before, for best or worst.

Personally i loved it, but i think it’s fair to say it could have been better.

Especially since we have reasons to expect a lot.

Even so, at the very worst it’s good, so i do recommend it.

[EXPRESSO] Last Night In Soho (2021) | Perfect Bleach

Eloise, grown up with her grandmother due to her mother’s suicide, arrives in London with the dream of becoming a stylist, with the myth of the Swinging London and 60s music she listens to on her old portable jukeboxs. After an unhappy experience while training at the school she was admitted to, she moves to an apartment in Soho rented to her by an old lady.

There, Elosie dreams of traveling to the past, to the romanticized London she worships, and there she meets Sandie, an aspiring singer living the glamour and the excitement of a colorful hip city.

Slowly Elosie keeps confusing her own personality with Sandie, learning about the squallor and misery of her real life, continously slipping between nightmare and reality, leading Elosie to “witness” a murder that happened in the past.

If this sounds like it could be described Edgar Wright’s Perfect Blue via Hitchcock and a not insignificant amount of supernatural horror elements… it’s not quite that, but it’s hard not to draw some comparisons and notice some of the inspirations (and i wanna avoid spoilers), even if at the end the result definitely feels like something Wright would direct, as -aside his use of music for stylish fair and editing’ sake- it pulls off something noteworthy and incredibly easy to fuck up, especially the horror elements would have been so easy to mishandle with disastrous effects.

But as one would expect of the director, nothing feels out of place in Last Night In Soho, the cast it’s great as expected, the atmosphere is consistently unsettling and the script plays some good tricks and delivers a pretty good twist, remaining enthralling all the way through his 2 hour runtime.

It’s pretty great, so good see it while it’s still in theathers.

Definitely a must watch.

[EXPRESSO] Yaya E Lennie – The Walking Liberty (2021) | Jungle Rebel Yell

Time for some ambitious animation cinema from Italy, from director Alessandro Rak, the brand new Yaya E Lennie – The Walking Liberty, that premiered at the prestigious Locarno Film Festival this year, and had a limited theathrical run as an event screening here in Italy.

Produced by neapolitan studio Mad Entertaiment and animated in 3D CG via Blender, the movie follows the titular duo, a crafty girl and a gentle giant with the mind of a child (a direct reference to Lennie of Mice And Men) that travel this post apocalyptic jungle world with a free spirit, living day by day in a world where aside from the dangerous but free jungle also roam soldiers of the Institution, a military regime clinging to a fascist sense of order in a world newly remade primeval, and bent on bringing civilization at any cost to everyone everywhere.

It’s a children enviromental fable about the importance of freedom in spite of poisonous “progress”, and all that it entails, and it’s a pretty good one, it concedes to some of the animated children movies staples with a proud neapolitan angle, but also doesn’t really pull punches on the matters, uses a good amount of cursing, and also the Chaplin monologue at the end of The Great Dictator. So it’s definitely not pandering itself to toddlers, and manages to earn what it wants to represent, instead of just assuming it can without the actual work.

The characters are quite likeable, the art direction it’s great, there’s even a few lines that will get a chuckle out even the older kids, the story it’s solid enough, the only gripe it how the animation still has that issue with most 3D CG, as in it feels very robotic and “laggy” at times. Even so, it’s good work.

[EXPRESSO] Eternals (2021) | Creators – The Past USA

I’m tired. The fatigue is back, and we have barely started with “Phase 4”.

Maybe it was inevitable, but we’re without a doubt at the point where the benefits of having this MCU thing in place don’t properly outweight the drawbacks, more a creative cage than anything.

And i will say this: at least Shang-Chi had a story with a conclusion, this one leans too much into being more of a set up to a sequel than its own thing.

This time we have the titular Eternals, basically immortal alien gods that came to Earth 7000 years ago but conveniently were told not to interfere with any conflicts that didn’t involve the “Deviants”, the Eternals’ evil – and of course – monstrous looking ancenstral counterparts.

And through social media we learned of a certain spoiler, one that sounded like a fake pre-emptive shitpost to create buzz for a Marvel license most people didn’t really knew well. It wasn’t.

Chloe Zhao of Nomadland fame directs and writes, the cast its great, the usual Marvel tiny concessions to appear diverse and inclusive more than they actually are… there as usual, same for the various issues stemming from the assembly line formula that this one tries a bit to shake off.

The big problem is the characters, as they don’t have any chemistry, despite being built as a “family” ensemble that have known each other for literally thousands of years… they seem to have just met on the set, with some top billed actors sleepwalking it big time, not helped by the unfocused narration, huge exposition loads, and the script just kinda assuming i know and already care about these characters that are kinda obscure for most viewers. Me included.

Overall, Eternals it’s alright, at least better and more interesting than Shang Chi.

The Spooktacular Eight #8: Spookies (1986)

Another classic staple of horror retrospective, the “frankensteined” project that started as something specific, never got made and was later edited, injected with new footage, and eventually released as the obvious hodge potche it became. One that for years was quite elusive, not that well known, and was available on VHS only…. but this changed as it finally got a DVD release in the US and some european contries (surprisingly i didn’t even had to import it, since there’s an italian DVD release).

And of course the title is that kind of cheesy that bode wells for retronauts in search of cult sensations from the bowels of horror history.

Continua a leggere

The Spooktacular Eight #6: Dominator: The Movie (2003)

Are you ready to rock and roll with the most unknown Spawn-rip off you never heard?

Are you ever heard of “brit-manga”? Me neither, but apparently Dominator was the “new wave of brit manga animation”, according to what the front cover of the UK DVD release claims.

Yeah, this is some rare shit indeed, an animated movie that involves familiar names in the horror sphere like Doug Bradley, Ingrid Pitt, and metal bands like Cradle Of Filth providing not only the music but the voice acting, based on a series of british comics by Tony Luke, one that was still ongoing in 2006, but has since then been in hiatus.

Continua a leggere

The Spooktacular Eight #3: Evil Of Dracula (1974)

We gotta have a vampire film in here, but i’m not feeling like talking of Vampyros Lesbos, the old Hammer Dracula films have been done to death, and Yakuza Apocalypse is pretty well known, so let’s compromise and by that i mean feature something not quite from left field, but close enough.

So let’s take a look at a 70s japanese vampire movies clearly going after the western depiction and aesthetic, with Evil Of Dracula, which is actually the last piece of the so called “Bloodthirsty Trilogy” (later rereleased worlwide by Arrow Video) of vampire movies, beginning with Bloodsucking Doll/Vampire Doll, continuing with Lake Of Dracula, then Evil Of Dracula.

I should have done the entire trilogy, i guess that’s what happens when you pick a movie for a random Halloween selection without doing any proper research on it beforehand.

That’ll learn me.

Continua a leggere