Lake Placid VS Anaconda (2015) [REVIEW] #sharksncrocs

Has your series completely run of ideas or it’s just not willing to get out of the genre comfort zones, but you still want to continue the franchise? Cross it over with a similar series, versus style.

Oddly enough, this is both the obvious (as it’s in the title) crossover between the Anaconda and Lake Placid franchises, but also the fifth movie in each respective series.

Elaborating on what i said at the end of the review for Lake Placid: The Final Chapter, the two series are quite the good fit for a cheap TV movie crossover, not only for the obvious reptilian killer animals involved, but as they both had a successful film first that was deemed good enough to be shown in theathers, and hence being more easily remembered by audiences.

Btw, the official DVD tagline for the film it’s quite fun and to the point “Crocks on the docks, snakes on the lakes”. Love these.

Shame they set the bar too high, but of course they do.

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[EXPRESSO] X (2022) | Fornicators!

Kinda “surprise release” of this one in theathers here, didn’t really expect it!

I wasn’t familiar with Ti West’s work before i saw this, FIY, but i’m glad i did.

Set in 1970’s rural america, X tells of a crew that rents a farm house in Houstin, Texas, from an elderly couple, to whom they obviously didn’t told their real purpose: shooting a porno film in order to make it big thanks to the promises of “home video entertaiment” as an upcoming industry.

The problem is the couple happens decrepit and crazy, as they both are driven homicidal by the lethal combination of old age, puritanical christian values (fueled by fearmongering televangelists) that clash with the newfound sexual revolution in the younger generations, and envy.

It’s a tribute to the early 70s gruesome slashers and similar films depicting – at the time – unseen levels of violence, set in the remote depths of Texas, but it’s not just style and homages, as it balances out comedy, fairly violent gore with creepy, unsettling sequences, great acting and good characters, even the villains have a relatable side.

Also, incredibly it juggles the line very well in terms of the exploitation factor, as it’s fairly graphic, the kills are satisfying, there’s plenty of nudity, so it definitely doesn’t pull punches, but also doesn’t feel it’s being too excessive or tacky, showing some class and being able to touch upon some meaningful topics, of having some moments of earnest tenderness amongst the carnage.

And even a bit of Lake Placid action, between the porno shoots and the creepy elders deciding its time yet again to vent the frustration of old age on the youngins.

It’s also very damn satisfying in terms of kills, to boot, so i’d say X it’s pretty good stuff.

Recommended!

Orca: The Killer Whale (1977) [REVIEW] #sharksncrocs

Let’s take a break from the “noughties”, enough of this modern shit, let’s go back to when Jaws rip-offs were still fresh in the eyes of audiences and a new glistening opportunity for some cheap cash grabs to exploit. So of course Dino De Laurentis was involved, may he rest in peace but damn he know when to jump on a bandwagon, even if this time we’re not talking giant apes.

And the story behind Orca The Killer Whale is indeed fairly simple in terms in conception, as Dino De Laurentiis saw the incredible success of Jaws, and wanted to quickly put together a similar film, though it wanted to upstage Jaws by having the title killer animal being even more ferocious and powerful, so he did really got suggested to make it about an orca, since they notoriously hunt sharks. And they are also quite stinky, if some orca-themed vtubers are to be believed.

Then again, how many movies marketed to exploit Jaws’ popularity have the Paramount Logo at the start, are directed by Micheal Anderson (Logan’s Run, The Dam Busters, Around The World In 80 Days), AND feature a score by Ennio Morricone?

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Lake Placid: The Final Chapter (2012) [REVIEW] #sharksncrocs

Some traditions die hard, to the point of never actually properly getting fazed on, and one of the fundamental ones for horror as a whole is titling the next installment of your series as “The Final Chapter”. Heck, even the Saw series did it a couple of years earlier, you can bet Lake Placid was gonna go for that low hanging fruit as well.

Though, one could argue that for many Saw fans that one does still feel more like a final chapter, despite two more films in the series having been released after.

But again, i’m getting off track, we’re talking about the fourth movie in a series of killer crocs, and a sequel to Lake Placid 3, which seems pointless to specify, but considering that these kind of movies will claim “sequelage” regardless of their plots being even vaguely connected, it’s important to specify if they can live to this self-made claim of continuity and crap.

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Lake Placid 2 (2007) [REVIEW] #sharksncroc

While Anaconda did manage to have its first sequel come out in theathers.. that luck wouldn’t spread to other reptilian based killer animal series, since after the 1999 original, we had to wait 8 years for the first of the many direct-to-video/made for TV sequels to appear, with Lake Placid 2.

All roads lead to strings of TV sequels for SciFi, after all.

And by now you should have a good understanding what that entails: the same basic plot with basically all the same characters but a completely different cast, and often a bugdet slashed in half, if the production it’s extremely lucky. IF.

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Dam Sharks (2016) [REVIEW] #sharksncroc

No, it’s not a typo that they eventually went with as the official title.

The sharks in question are “dam sharks” because they act like beavers and construct dams with wood and body parts of the people they tear apart for lunch.

And despite everything that i will say about the movie, i can’t deny that this is a new one, we never saw movie sharks act in this specific manner, so Dam Sharks has already something that puts it above most of the other crappy shark movies.

It has a somewhat original idea, even thought the rest it’s so very typical and it joins the strangely populated ranks of b-movies about freshwater (or non-salt water) sharks rampaging through rivers in the swampy areas of the U.S. Interior Highlands, or bayou based rural America as a whole.

For those wondering, no, there’s no explanation given to any degree as to why the sharks (ignoring how they got there to begin with) are constructing dams with human bodies parts and branches, as if they mindlinked with a pack of beavers and Griphis from Berserk. They just do.

I’m gonna write this off as a positive because it cuts down on an even dumber and likely not fun explanation, with minutes spent in researching the shark species with a 2000’s era PC interface or boring pseudo-scientific explanation to “beaver sharks jump-attacking people on the river”.

On the other side of the plot, we have the “human buffet” to which the sharks feast on, made of a tech company’s staff going on a “wilderness retreat thingie”, and the local sheriff trying to kill off the sharks before they can claim more victims. Well, the local sheriff and the local crazy-ish redneck with a gun that doesn’t like tourists and a shady not disclosed past, gotta have that one.

Did i forget to say that the boss of the tech company it’s a smarmy control-freak douchebag, or that there is a romance subplot where the acting ability and the chemistry on display reminds one of a dead sea urchin? Or that there also scenes of random paintball matches, alongside the redneck and “beauty and the nerd romance” crap?

And yes, not only they rip-off the old classic “Smile, you son of a bitch” (and the gas cylinder as a way to explode the shark into bits, wonder where they go that from), BUT the script goes the extra mile to be even more hackeneyed, as they also steal famous quotes from Aliens, with the complimentary low-effort self-refential element of them naming Sharkenado, or saying that “they saw that done in a movie before”, the latter being said at least twice. SIGH.

Also, one character it’s named Kenny just so they can shout his name when he dies.

This one is from Cinetel, yes, they’re still around, and at least that means that they actually have a budget for this TV movie, it’s just slighly above what i call the “Asylum tier” in terms of special effects and CG, so the sharks look crappy, but WAY better than plenty of other shark movies featured here that decided money for anything wasn’t something they needed to care about.

There is a budget, so at least that means no monsters made of dried up papermaciè, crafted out of old newspapers orwhatever crap the directors had lying around in their fridge, and there are some recognizable faces for the B-movies buffs, with Jason London, Eric Paul Erickson and Matt Mercer that help salvage the overall quality of the acting from being outright crap….but still subpar.

Overall, Dam Sharks is basically a worse version of Ozark Sharks, but the somewhat original idea of a dam created by sharks with trees and human body parts gives the ordeal a grotesque shadow of novelty, helping the movie in being… again, just subpar.

Not one of the worse ones, oddly enough.

The Sharks & The Crocs

As promised, this year we’re gonna let our reptilian friends join what’s usually Shark Month on here, hopefully that’ll will make you wanna stab me with knives a little less, as the bi-daily posting schedule will remain, meaning the roster of reviews has been cut in half to 15.

Not too happy about that myself, to be blunt. It is what it is, sadly.

(also, yeah, baffled that Panty & Stocking is coming back, it actually is)

See you later today!

Anacondas: Trail Of Blood (2009) [REVIEW] | Bone Cancer Snakes #snakesofjune

It took this series 4 movies, but this we’re actually getting an actual sequel… to Anaconda 3, but still, unlike that claimed to be a sequel to Anaconda: The Hunt For The Blood Orchid, Anaconda 4/Anacondas: Trail Of Blood it’s actually a sequel to Anaconda 3: Offspring, and it has the director of that movie, Don E. Fauntleroy, returning, so let the spunk pumps go off in celebration.

As i’ve said before, you gotta treasure the small things in these movies, and a movie claiming to be a sequel actually being a sequel it’s definitely something you can’t trust/take for granted.

I’m gonna spin this into a positive note, for a change. You can’t stop me.

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[EXPRESSO] Black Phone (2021) | The Basement Dead

Time for some fresh meat, as this one will drop in theathers here in a week’s time, but i manage to see this earlier preview screening, and boy i’m glad i did, as i’ve heard of this movie before but kinda forgot when or if it was gonna come out in theathers here.

Based on the short story of the same name by Joe Hill, Black Phone is the new feature from Sinister ‘s (and the 2016’s Doctor Strange, as marketing makes abundantly clear) director Scott Derrickson, telling the story of a serial killer – dubbed “The Grabber” by the community – that in 1978 terrorizes a suburban town in Colorado by kidnapping children, with the sixth being the 13 yo Finny Shaw. While being imprisoned, Finny realizes that the black phone in the basement, despite having the line physically severed, acts a conduit for the Grabber’ previous victims to talk with the boy and hopefully help him escape. At the same time, Finny’s sister begins to have weird dreams, or visions..

You know when the trailer and most of the marking material makes the movie look good and “proper”, you go see it and then it’s actually quite good? Yeah, Black Phone it’s one of those.

Not only the setting it’s good, the presentation excellent at using “low budget tricks” like scenes filmed or edited to feel like era archive footage (which is not surprising given the director), all contributing to avoid the common modern mistake of “overly produced/shiny horror movies”, it’s a pretty creepy slice of that late 70s’ suburban America, with a really good atmosphere, a little bit of well integrated comedy and great characters all around, with the villain being as creepy as he looks.

Pretty good, fairly intense and quite satisfying to boot. Recommended.

Anacondas: The Hunt For The Blood Orchid (2004) [REVIEW] #snakesofjune

Let’s go back to a slightly older time, not implying it was a better time per se, just saying that back in the late 90s – early 2000s you still could make B-movies about snakes with good effects and released widely in theathers, and this is true for Anacondas: The Hunt for the Blood Archid.

Though worry not, even if you didn’t see the original Anaconda (which we covered sometimes ago), this is a stand-alone sequel with a completely different cast and a completely separate plot, with directing duties handled to Dwight Hubbard Little (Marked For Death, Free Willy 2, Halloween 4).

Aside from proving than indeed what it’s old it’s eventually new again, there’s the fact that today this kind of sequel would never reach theathers, heck, not even the first/original movie would.

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