Tag: Action

[EXPRESSO] Monster Hunter (2020) | Isekai Hunt

Yeah, we just got this one in theathers now, once again delayed due to the pandemic.

Preface: i know a bit about Monster Hunter, but not that much, as the franchise it’s one of those i should be really into, but somehow it never clicked with me.

But still, you should know what to expect: it’s another big-budget live action adaptation of a Capcom IP directed by Paul W.S. Anderson, as the Resident Evil movie series did bring a lot of buckaroos, so let’s do it again, and of course cast Milla Jovovich as the lead, i would be surprised if the director didn’t cast his wife for these roles.

And let’s get this out of the way: yes, it could have took place in the fantasy world alone and still deliver on the monsters and action, but nope, so in order to make it more “palatable” to all audiences, let’s have a US military unit get isekai’d into the Monster Hunter world, finding the guns useless on these giant monsters, and having to adapt to dual blades, maces and more “primitive” weapons that actually can damage these things. All while roaming a mostly desert land, searching for a way home.

And sequels.. that WILL probably be made.

To be honest, while the plot is a shining example of Hollywood cowardice and spineless scripts, the movie itself it’s not that bad. It’s dumb as a brick, written as such, but the CG for the monsters looks good, there’s a bit of horror, it adapts fairly ok a lot of elements from the games, preserving the basic gist of the thing, and it’s entertaining.

Not good, not smart, but entertaining enough, like MOST of the director’s Resident Evil movies. Also, it has Ron Perlman with a hilarious “afro Meatloaf” hairdo. XD

[EXPRESSO] Godzilla Destruction iOS | Now BACK to Early Access!

Had to take this from the site because this fucking shit game doesn’t even have a splash screen. I’m NOT kidding.

The third and final mobile Godzilla game promised by Toho for this year, and the only one of the bunch that lets you actually control the Big G itself.

And because of some cosmic monkey paw’s doing, it’s also the worst of the bunch… actually, it’s shockingly bad, even without comparing to other two smarthphone titles in the same batch, it’s an impressive specimen of videogame dookie, so much i would rather play the shit Godzilla PS3/PS4 game Namco dared publishing some years back.

AGAIN.

Gameplay is pretty simple… scratch that, gameplay is just insanely primitive: you use a virtual stick to control Godzilla’s movement, and touch an enemy to either use your beam or a close range melee attack to defeat the enemy waves. Problem is, the virtual stick isn’t fixed, and it gets in the way when you attack, and you can’t do both at the same time, so you’ll inevitably get hit and will have to keep choosing the health recovery when given the option, as the levels are just insanely repetitive waves after waves of the same handful of enemies, able to do any kind of damage because of the shit controls and the lousy range of your beam attacks.

Eventually you’ll fight bosses that are also cheap as well, but i honestly got already bored sick in the first 10 minutes, it doesn’t help this one also sports no story or setting, it looks embarassingly cheap, on top of its abysmal presentation and glaring errors like english text clearly – and badly – overlaid over the japanese one, typos, obvious & bad machine translation, leading to odd word choices.

I almost expected the intro be an actual joke… but nope, it’s just THAT bad.

Waste of data, let alone time, even for free…..just don’t bother.

Garuda (2004) [REVIEW] | Harvey Birdmon

Sometimes it’s hard to forget that neither Japan or the United States have an exclusivity on making giant monster movies, even if often we still end up in the vague “asian sphere of influence” one way or another. This one as well, but it’s from Thailand, not a country you immediately associate with giant monsters, but it doesn’t matter, and director/producer/writer Monthon Arayangkoon tapped from thai folklore for the monster, the titular Garuda, originated from Hindu mithology as a legendary bird-like creature aligned with the element of wind, serving as a steed to the god Vishnu, and depicted as either a giant bird with half-open wings or an humanoid with bird features.

He’s usually depicted as a protector figure, always ready to fight the serpent enemies (which means the naga), but in this case he’s depicted as a bloody rampaging monster, but i guess being trapped into the concrete under Bangkok for thousand of years will make anyone snap into a rampage.

Continua a leggere “Garuda (2004) [REVIEW] | Harvey Birdmon”

[EXPRESSO] Psycho Dream SNES | VR Movie Divers

Played via Nintendo Switch Online’s SNES service.

The other title from the February 2021 poultry batch of titles for the NSO that mildly had my attention. More than Doomsday Warriors (also developed by RIOT), anyway.

Not that i even heard of this one before, i guess because it was released for the Super Famicom only, so it never left Japan in any official manner before now. That means i had to look up the plot on Wikipedia, and thanks to that i know you play as either Ryo or Maria, two special agents called “Debuggers”, as they rescue disaffected young people that lose themselves in virtual worlds known as “D Movies”.

In this case, they have to rescue a 17 yo girl of weak constitution, expected to die in a D Movie in the matter of 24 hours..

Interesting plot, but gameplay wise it’s just your typical action sidescroller from the era: advance from left to right fighting off weird ass enemies, collecting power-ups that change or upgrade your weapon, occasionally doing some platforming, and then fighting a boss at the end of each chapter. Nothing really special by any means, and on the technical side you can tell it’s definitely an early game for the SNES/Super Famicom.

There are no major issues with the controls, no limited continues or unfair bullshit of the time (you have unlimited continues, for once), but while it gets some bonus points for the bizarre enemies and visuals that make the game live up to its title, it loses them due to sketchy performance and level designs that at times makes the stages feel either very stretched out or made a bit more confusing than needed just to pad out the overall longevity. So it ends up just being mediocre, playable but mostly forgettable.

[EXPRESSO] Sly Spy/Secret Agent NSWDDL | Rolling Thunderball

Another Switch eShop sale on old arcade games from Data East (as part of the Johnny Turbo’s Arcade releases), another EXPRESSO review.

This time i picked up Sly Spy… never even heard of it before, but it look like it’s gonna be heavy on spy movie cliches and Bond references…for 2 bucks, sure,

And my intuition was spot on, alongside plenty of posters in the background, bearing titles or characters from other Data East games, like Karnov or Bad Dudes, there are plenty of Bond references in it. I was also right in guessing it being a fairly transparent Rolling Thunder rip-off, from the screenshots and description.

While it’s totally that, the game tries to disguise it a bit byt adding some variety, since it opens on a sky.-diving level, has a driving section on a bike with built-in machinegun and a couple of underwater levels where you harpoon sharks avoiding scuba enemies and mines.

The variety isn’t bad at all, but the main bulk is still on-foot levels and it’s basically Rolling Thunder, with a limited amount of ammo for the gun and the deliberate inability to just shoot upwards. Same sidescroller formula, plus the ability to shoot while jumping, use fists and kicks when you’re out of bullets, minus the ability to enter doors to replenish ammo. You can also fire a powerful golden gun-rifle when you get all pieces from fallen enemies.

And like Rolling Thunder, while there is some challenge involved, it’s way more about memorization of the often unfair level design through multiple quarters inserted into the machine and out of your pockets.

It’s alright, all things considered, but i don’t recommend spending more than 2 bucks on it, since it’s a very short experience from an era of design best left in the past.

[EXPRESSO] Bleed PSN | All The Shakespearoes

You’re not a hero. You’re a girl with magenta hair, Wryn, and you do have pen and paper, so it’s time to write and draw yourself into a story where heroes aren’t relevant anymore, and you twin-stick shoot your way through the random cabal of ex-heroes, from the alien defender, the “Astrogirlie” robot, the dragon, etc. so you can indict yourself to the Hall Of Heroes in the story you insert youself in. And maybe think what would Travis Touchdown would do.

The story is non-sensical meta-narration there just to “excuse” the kitchen sink approach to enemies and bosses, complete with passable 2D retro style graphics and characters that remind one of early 2000’s webcomics. Here it’s cute because it doesn’t hide itself under some “high pretense”, and because it focuses on what it wants, gameplay, and to be honest it delivers, combining side scrolling action in a twin stick shooter style,with emphasis on style, since you’ll have to master the triple jump dash and a bullet time bar to avoid the fairly challenging patterns of enemies and bosses.

Controls fairly well, shooting is satisfying, it’s quite challenging even on the standard setting without feeling impossible and so becoming just pure frustration. It’s good fun, but it’s fairly short lived fun, by design drawing in from the arcade era with just 6 stages. This isn’t necessary an issue, since it is a small indie title sold for relatively cheap, but i can’t say it has as much replayability as it parades, as aside from harder difficulties and trophies/achievements, the extra modes are kinda lousy, and there isn’t much that much to unlock or upgrade.

I’d still recommend pickin it up for fans of the twin stick shooters and sidescrollers, especially when it’s bundled on sale with the sequel, Bleed 2.

Dino December #6: The Jurassic Games (2018)

If there are laws in genre cinema, one might be that every kind of movie can be made worse, better, or both by including dinosaurs. Even if it can’t, somewill randomly mix dinosaurs with any other subject, so the “dinosaur singularity” will happen, regardless.

Basketball with dinosaurs. Coming of age stories with or about dinosaurs. The decadence of men and its social constructs, with goofy dinosaurs in office suits and vests. Dinosaurs with other dinosaurs. Dinosaurs with guns, or dinosaurs that are also guns. The sky and the abyss stretch open wide forever, and the dino universe expands.

Continua a leggere “Dino December #6: The Jurassic Games (2018)”

[EXPRESSO] They Came From The Sky NSWITCHDDL | Beam It Up

They Came From The Skies NSWITCHDDL.jpg

After debutting last year on Steam, FobTi Interactive’s “flying saucer 2D abduction simulator is now also available on Nintendo Switch, where it honestly feels more at home, given it’s designed primarly for quick runs, and oddly it’s NOT a mobile port.

They Came From The Sky (not to be confused with “They Came From The Skies” on PS2) definitely delivers on its title, since it’s a 2D arcade style game, with pixel art to match the premise of playing as an alien saucer, attacking the 50s with a simple goal: to abduct humans (animals as well) and make delicious smoothies with them. So the premise goes anyway, you won’t see any retro, faux 8-bit pixel gore in any detail.

Gameplay is simple, as the ufo scrolls automatically in the sky, and when you use the beam to capture humans and collect power-ups, you also change in which direction the ufo is gonna move, so timing is essential to avoid rockets or bullets from the human opposition (unless you manage to collect enough energy for a warp drive), and at the same time to keep the combo going, because it’s either a high score race in a limited time, o a survival run. Either case, you’ll see and hear Godzilla in the background.

Admittely, there isn’t much in the way of stuff to unlock (with in-game coins ONLY obtained via playing) in any “long term”, outside of 5 extra ufos with different stats, there are 3 background/cities to play in, there’s local multiplayer for max 4 players, but it definitely nails the arcade formula of simple control scheme but far from immediate (and potentially quite addictive) mastery of the combo system.

Perfect for coffee breaks, honestly. And for 3 bucks (full price), this is a no brainer if the premise intrigues your high score brain.

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[EXPRESSO] Sol Levante (2020) | 4K Anime Fireworks

Sol Levante 2020 poster

Ok, apparently this arrived at the beginning of April on Netflix (Netflix Exclusive), and more than wonder how i missed hearing anything about it despite being quarantined at home, this just shows how much i use Netflix overall. I never even saw even a mention of this one on social media, so i’m gonna do what i can to help.

And yes, this is more of an announcement than a review, because Sol Levante (italian for “rising sun”, despite being a japanese production) isn’t or wasn’t meant to create an interesting story or world, but to test what exactly can you do with animation designed for 4K and HDR displays, with detailed hand-drawn animation produced by Netflix in collaboration with Production I.G, directed and conceived by Akira Saitou.

So the plot is vague at best, concerning a young female warrior (with fantasy ninja outfit) on a quest to reach a sacred place that is said to fulfill any wish, but she has to fight off the mystical and magical guardians of the Sanctuary, who vary from magma dragons, magic trees, sea monsters, etc. It’s good the summary tells you that, because there is no dialogue or text to explain anything, because the budget was already astronomical and the workload (2 years of work) insane, so you don’t get any context, even if the narrative is mostly self-explanatory, despite being bland and barely there.

But – again- Sol Levant was made to be a huge technical exercise, and it delivers with great animation, really detailed and incredibly colorful visuals, spectacle at its finest. It is truly impressive, while it lasts, but even so, this 4 minute short does sells you on the idea that this could be a new starting point for the future of animation overall.

Definitely interesting and worth a watch, regardless.

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