[EXPRESSO] The French Dispatch (2021) | Tales From Ennui-sur-Blasè

Yes, i was quite excited when this was announced, i love me some Wes Anderson, especially when he’s doing stopmotion animation, but the live action casts for his movies have everyone in them, so i’m willing to “overlook” the issue time, though i’m not entirely sure about William Dafoe not being made out of clay to some degree.

After his japanese themed envorimental tale of samurai dogs, this time we’re dealing with a story about the world of journalism, as an anthology of stories adapted from the fictional “The French Dispatch Magazine”, here presented as a “real” side column to the Kansas-based paper “The Evening Sun”, originally conceived for travel logs and such but eventually got big and based itself in the little french town of “ Ennui-sur-blasè”, attracting the best journalists from all over the globe.

All framed as the newspaper founder dies and by his will the French Dispatch itself will close, with the writers and staff selecting the best stories for the last issue of the magazine itself, ranging to a student protest to a romance between a psychotic prisoned artist and his warden.

As you can guess, expect and tell, this sound indeed like an ensemble cast for a huge “vignette variety hour” on the subject of journalism, promising all the zany quirks of Wes Anderson’s eccentric directing and writing style… and sure as hell you’re not gonna change opinion on his works with The French Dispatch, which plays to all the strenghts and flaws of Wes Anderson with even more vigor than before, for best or worst.

Personally i loved it, but i think it’s fair to say it could have been better.

Especially since we have reasons to expect a lot.

Even so, at the very worst it’s good, so i do recommend it.

[EXPRESSO] Yaya E Lennie – The Walking Liberty (2021) | Jungle Rebel Yell

Time for some ambitious animation cinema from Italy, from director Alessandro Rak, the brand new Yaya E Lennie – The Walking Liberty, that premiered at the prestigious Locarno Film Festival this year, and had a limited theathrical run as an event screening here in Italy.

Produced by neapolitan studio Mad Entertaiment and animated in 3D CG via Blender, the movie follows the titular duo, a crafty girl and a gentle giant with the mind of a child (a direct reference to Lennie of Mice And Men) that travel this post apocalyptic jungle world with a free spirit, living day by day in a world where aside from the dangerous but free jungle also roam soldiers of the Institution, a military regime clinging to a fascist sense of order in a world newly remade primeval, and bent on bringing civilization at any cost to everyone everywhere.

It’s a children enviromental fable about the importance of freedom in spite of poisonous “progress”, and all that it entails, and it’s a pretty good one, it concedes to some of the animated children movies staples with a proud neapolitan angle, but also doesn’t really pull punches on the matters, uses a good amount of cursing, and also the Chaplin monologue at the end of The Great Dictator. So it’s definitely not pandering itself to toddlers, and manages to earn what it wants to represent, instead of just assuming it can without the actual work.

The characters are quite likeable, the art direction it’s great, there’s even a few lines that will get a chuckle out even the older kids, the story it’s solid enough, the only gripe it how the animation still has that issue with most 3D CG, as in it feels very robotic and “laggy” at times. Even so, it’s good work.

The Spooktacular Eight #6: Dominator: The Movie (2003)

Are you ready to rock and roll with the most unknown Spawn-rip off you never heard?

Are you ever heard of “brit-manga”? Me neither, but apparently Dominator was the “new wave of brit manga animation”, according to what the front cover of the UK DVD release claims.

Yeah, this is some rare shit indeed, an animated movie that involves familiar names in the horror sphere like Doug Bradley, Ingrid Pitt, and metal bands like Cradle Of Filth providing not only the music but the voice acting, based on a series of british comics by Tony Luke, one that was still ongoing in 2006, but has since then been in hiatus.

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Alice: Otherlands (2015) [REVIEW] | Uncertain Fate Kickstarted

While Alice Asylum (as said in the review of Madness Returns) is now officially in the pre-production stage of development, the path to this potential third game in the series hasn’t been a walk in the park for anyone involved, and it was bound to be full of bumps and by-products because a third game was never certain, so it makes sense that American Mc Gee tried to bring closure to his series back in 2015, with the project known as “Alice Otherlands”, made of artworks and two short animated films produced by Spicy Horse, funded via Kickstarter, as the owner of the Mc Gee’sAlice IP itself, EA, wasn’t interested in funding a third game, at all, so they had to pivot the project.

Fuck EA, btw. Just in case you needed more incentives to do so. You didn’t.

What came out of it where – mostly – the two aforementioned short films, Leviathan – A Journey Through Jules Verne’s Mind and A Night At The Opera.

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[EXPRESSO] Space Jam: A New Legacy/New Legends (2021) | Look On My Works, Ye Great Mighty Poo

Let’s get this over with, even if it’s pointless to review, as it’s just a WB corporate flex.

I revisited the original Space Jam just before seeing this, it was a corporate vehicle emphasizing cross brand promotion, spectacle, and references over story, with the “hook” of real life celebrities acting a cliched “inspiring sports film” formula alongside animated characters.

But in retrospect it had some laughs and some self awareness NOT weaponized to just suck corporate cocks in a proud cynical fashion, all the time.

And yes, this is just a new one, a “stand-alone sequel”, make sense since it has been in development hell for 15 years.

It has the same basic premise, with a basketball game deciding the fate of a real life person and the cartoon characters he mets in a new world. Obviously this one swaps Michael Jordan for James LeBron, but also tries to up the ante and modernize it, setting it in a virtual WB-verse where an evil algorhythm-IA has trapped LeBron and his younger son Dom.

Problem is it also quadruples down on corporate bullshit, to the point it’s way longer than it needs just to have countless references using WB owned IPs. Not jokes, references. It also takes itself more seriously for no reason, and it’s often more embarassing and awkward than funny or fun.

This is an official feature length shitpost filled with memes and references (not so much jokes), and while the animation isn’t bad, it’s a stylistically spineless affair, even the older Space Jam had a consistent style to the mixing of live action and animation.

The original was a product of his time as much as this new one is, but even the 1996 movie it’s still better than this specimen of pure corporate public narcistic wanking.

Horrendous.

Sky Sharks (2020) [REVIEW] | Gott ist im Himmel

Let’s close this year’s Shark Month with a big bang, shall we?

And frankly i don’t think there’s anything better in that regard as Sky Sharks, a movie you’ve might have heard of but wondered when or if it’s actually coming out.

Borne from a succesful Kickstarter campaign, Sky Sharks was supposed to come out in 2018, but production hit roadblocks, various issues came up, for some time we didn’t hear anything about it at all, but then, in 2020 it resurfaced, complete and was released, even on home video (might have to import it, though).

And it was definitelly worth the wait, since this one of those rare shark movies that sets out to be a big B-movie by design, trying to tick all the usual exploitation-but-awesome points… and actually succeds in living up entirely to its trailer promising flying sharks piloted by undead nazi uber-soldiers, alongside nudity and lots of gore. It’s just missing vampires, a christian-protestant feud, psycho priests with bayonet-blades longer than an arm, but i’m really nitpicking in this case.

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[EXPRESSO] Resident Evil: Infinite Darkness (2021) | Monstrum Abruptum

So, this review wasn’t planned at all, not so soon anyway.

I was aware of the Resident Evil CG films going back from the early 2000s, but i never cared to check them out. This one just came out on Netflix as an exclusive, i decided to watch some episodes… and i have the suspicion this first “season” was originally a short movie, as it’s incredibly short and a bit too much “definitive” in its resolution than expected, let’s say that.

I guess Capcom went for the “Castlevania” approach, with a first season only lasting 4 standard lenght episodes to test the waters, and plans to eventually make more and longer seasons, but this doesn’t change that this thing isn’t exactly mindblowing. Again, at the time of writing (and posting) i haven’t seen the previous CG films, so i can’t compare to that.

But i can say that the dialogue isn’t good, often cringey and redundant. While the 3D CG looks honestly quite good, despite still feeling like a big budget long ensemble of cutscenes from a videogame… this first season barely does anything with the set-up, one oddly located in an early 2000s America where Leon has to stop a conspiracy involving a foreign nation and avoid that the US President (father of Ashley from RE 4) sets on the path of war against China.

It’s just so underwhelming AND short, not really an inspired or surprising script, even the action scenes and the monsters leave a bit to be desired. It’s not completely awful, it’s mildly entertaining, but it’s just so generic, uninspired and forgettable, even as a “foundation”. There IS something to work with, sure, but judging by this, i would expect more stories that barely interconnect and are resolved too quickly to create anything.

We’ll see.

[EXPRESSO] Tom & Jerry (2021) | Featuring Paolo Bonolis from the Paolo Bonolis series

Oddly they decided to release in theathers here as well now, so why not. It’s bound to be more interesting than Cruella or any of the direct-to-video Tom & Jerry movies where they just put the characters in other famous stories, and it could make for a memorable disaster, even more since it’s directed from Tim Story, better remembered for his Fantastic Four movies.

And this is actually the second theathrical movie for the cartoon duo, almost 30 years after the last one, so i was indeed curious.

Plot sees Jerry take refuge into a fancy hotel, which prompts a young employee of the estabilishment to team up with Tom in order to get rid of the mice problem before a big wedding takes place, but eventually they have to put aside their differences to fight the real “villain”, who’s cospiring to ruin the wedding for its own gain.

I wasn’t sure why they eventually went with the hybrid of live action people and computer animated cartoon characters….i guess mostly to enhance the slapstick due to the juxtaposition of cartoon characters (sporting very old school designs too) still adhering to cartoon logic even when interacting with real world people and locations.

Maybe.

This could (and should) easily have been a fully animated feature, but despite the very predictable plot (complete with the “liar’s reveal”) and token human characters, it’s not that bad. At least it has some funny moments (including the by now expected but always welcome Droopy cameo), it keeps Tom and Jerry as a non-talking slapstick duo, the slapstick itself it’s pretty decent, the music is surprinsigly well chosen, and the animation is decent.

To be honest, it’s not good, but it’s arguably a bit better than the 1992’s movie most people from my age have nostalgia for.

So, that EX-ARM anime wasn’t a practical joke

**And yet you still wanted to make an EX-ARM anime.**

I will have a review of this turd when the series finishes, but this first episode it’s so unbelievably bad it doesn’t matter if the story improves or gets worse as it goes along, with this embarassing animation it’s all for naught. I would like to apologize to the Berserk 2016 anime, this is even worse, it’s unbelievable. But also the logical outcome to have a studio that never did nor understands animation… do anime.

And no, that horrendous screenshot seen above it’s not a one-off, in the first episode alone there are like 3 occasions where a horridly made 3D CG anime character is framed alongside a clearly 2D animated character. To say nothing of the horrible, uncanny way they movie (with the jaw unhinging like a creepy ventriloquist doll), making Polygon Pictures produced anime series look like Redline.

How the hell did these people manage to have this signed up as a Crunchyroll Original i can’t even fathom. The manga isn’t that bad to deserve an adaptation so abysmal.

And yes, the manga also had better animation.

Dino Dicember #28: Gyaru And Dinosaur anime (2020)

I’d figured we do at least an anime series on the subject, not really up to review stuff like My Girlfriend Is A Dinosaur (which doesn’t have an anime adaptation anyway… yet), and it’s not like we’re drowning in “dinosaur anime”, so yeah, Gyaru And Dinosaur has been chosen as champion.

Even though this is an exception for me, not so much the subject, but the fact i choose it despite being still incomplete at the time of vetting the candidates for Dino Dicember, the COVID-19 pandemic delayed this one as well, so despite starting in April 2020, the series went in hiatus from May 17, 2020 to then resume November 20, 2020.

So this is by far the more recent piece of media to be featured here, as it just finished airing a week ago. Very, very very fresh, i’d say.

I don’t think i fully understant the term “gyaru”, but for what concerns this anime (based on the manga of the same name), it means there’s a “gal” and a cute dinosaur that look like a stuffed doll or a children mascot, especially a Sesame Street character. They’re roomies, watch TV together, eat, even enjoy being fashionable. That’s really it as far as premise goes, the only explanation for the dinosaur is that the girl, Kaede, drank too much last night and she brought it home with her.

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