Dino Dicember #2: Raptor Ranch / The Dinosaur Experiment (2012)

Because Jurassic Farm was too obvious, or lacked the everpopular combo of assonance and allitteration. Still better than the other alternative title this movie goes under, you don’t get much more generic that “The Dinosaur Experiment”.

Just make it nice and obvious for everyone.

Now i would discuss the plot, but there’s very little in that regard. In Fossile Ridge, a reclusive mad scientist has been secretly experimenting with bird DNA, and managed to make dinosaurs while hiding in a Texan cattle ranch. One of the dinos escapes, starts killing people, which prompts the FBI and the local police to investigate.

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Dino Dicember #1: Age Of Dinosaurs (2013)

♪ It Is The Dawning Of… ♪

Picked up this randomly as the first movie to watch for Dino December, and of course it’s an Asylum production. And i didn’t plan it, that’s just my luck, but it’s also quite fittingly basic, so perfect to start this merry marathon!

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Knack II [PS4] [REVIEW] | Knack Me Twice

Developed By: Japan Studio

Players: 1-2

The very existence of this game is big “?”, not only because it came out 4 years after the first Knack, bamboozling the gaming community at large, given how widely hated and reviled the first game and its titular protagonist were. Again, it’s worth remembering that the fist Knack was both a critical and a financial failure, and didn’t do worse in revenue because it was a launch title, so there wasn’t much else to play at the time on the newborne console.

In a way, i can understand why someone at Sony did ultimately greenlit this, as an underdog story for this pitiable franchise (and main characters) would have been nice, and proof you can turn thing around with a sequel; it has been done before, after all, so why can’t Knack be redeemed of his sins?

There are many reasons for that, but let’s start from the beginning, meaning the story.

(review based on a playthrough on Normal, for review purposes)

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Rise Of The Zombies (2012) [REVIEW] | The Walking Machete

Halloween is technically over, but… one more!

You may think this is another of those movies that trojan horse you into watching them because they have Danny Trejo on the cover…. but not quite. And yes, “Trejobaiting” was (and i guess still is) a thing.

If anything, i’m angry because he’s in it for the first half-hour, then they sloppily kill him off at 35 minutes (and use him in zombie form for 5 more), after letting you believe he might be in the third act. Still, it’s definitely better than stuff like Zombie Hunter, where he there’s for 5, 10 minutes tops, despite being prominent on all promotional material.

Even more surprising, the movie itself isn’t complete shit…. even if it isn’t very good.

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Ghostbusters PS4 [REVIEW] | Bustin’ One Out

Quietly put out as a sequel to the 2016 Ghostbusters movie (the mediocre one people went on harassment campaigns for), this is a budget release through and through, but it’s Activision publishing it, so of course they sold for 60 bucks as its MRSP. Must squeeze all the money out of this licensed cash grab shit-turnip as we can before people notice or stop caring about Ghostbusters.

Or until we release a remaster of the WAAY better (flawed, but still WAY better) Ghostbusters game on PS3/X360/PC. Which just happens to be free on the Epic Store, i didn’t even plan this, but at the time of posting, it’s still given away for free on that platform/store, so i’d recommend nabbing it.

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Zoombies 2 (2019) [REVIEW] | Aardvark Undead Attack

Apparently the first one did alright from a financial standpoint, so 3 years later, we got a sequel, also directed by Glenn Miller.

And by sequel The Asylum means adding a number to the title, because despite the first one doing sequel bait at the very last second, this doesn’t follow up on the adventures of Kifo, undead silverback gorilla with a broken heart and rotting flesh, no. Guess trying to give the zombie gorilla a Frankenstein’s monster style “vengeance arc” was too much effort, so they didn’t do that.

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Zoombies (2016) [REVIEW] | A Friend That’s Good With The Dead

Even with a title like this, you wouldn’t expect the movie to basically shit itself in the first scene, which happens to be a fictitious commercial for an endangered species zoo called “Eden Wildlife Zoo”, an advertisment that looks it was made in Windows Movie Maker… in the early 2000’s, by people that barely knew what a computer was.

I can’t stress how childish and amauterish this is, even for The Asylum, who in this case must have allocated 100 bucks for editing and production, combined, given how much animal footage seems just ripped from free libraries or used what one of the employee recorded when it took a family trip to the zoo. It looks like they’re playing a joke, but they’re not, and in the first 2 minutes they already shit down their own pants. But fear not, the CG monkeys you seen in the first 5 minutes are somehow worse, i – almost – can’t believe it. I’ve seen snippets from Primal Park, so i can’t really call it “the worst”, but still, it’s really shitty regardless, almost impressively so.

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Bunnyman 2 AKA The Bunnyman Resurrection (2014) [REVIEW] | He Never Died

First off, let’s clarify, because this is yet another series with confusing alternative titles.

The first movie’s original title was just “Bunnyman”, and was kept in the film itself even in the UK DVD release, sold under the title “The Bunnyman Massacre”.

This one is a “direct” sequel, with its original title being “The Bunnyman Massacre” (with a more appropriate working title of “The Bunnyman 2”), and with an UK DVD release as “The Bunnyman Resurrection”. Because we are somewhat affectionate, almost nostalgic of this awful old trend of titles for movie sequels, laughable but oddly comforting in its own crap way.

Even if they don’t fit the movie itself, Bunnyman didn’t die at the end of the first one.

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Bunnyman AKA The Bunnyman Massacre (2011) [REVIEW] | The Ice Scream Bunny

Sometimes you get surprised by these low budget slasher flicks you can find on amazon for pennies. Sometimes.

But most of the times you get shit like The Bunnyman Massacre, which works quite hard to be really boring, given nobody expects too much out of a movie called “The Bunnyman Massacre” (technically just “The Bunnyman”, but the UK DVD title is better, and more appropriate, even if would become accidentally confusing), just some shlock for a movie night with friends, but at least entertaining shlock.

In case the title (or the title with a person in bunny costume holding a chainsaw on the cover) isn’t indicative enough, this is yet another Texas Chainsaw Massacre rip-off, one so damn cheap it skimps on showing gore. I could end the review here, but this one deserves a full “spanking”, and not just because i – somehow – expect to see Dead Alive/Braindead/Splatters levels and quality of gore.

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[EXPRESSO] The Vigil (2019) | Ghost Orthodox

Directed and written by Keith Thomas (in his feature directorial debut here), this Blumhouse production tells of Yakov, a down on his luck fellow, who is contacted by a rabbi of his former Orthodox Jewish community, offering him 400 dollars to execute the rite of “shoimer”, consisting in keeping vigil to a recently deceased man, comforting his soul with prayers for a whole night.

The person who was supposed to keep vigil run away, but Yakov isn’t worried, as he has performed the rite a lot in the past, so he accepts, and enters the house of the departed, the recluse and odd Ruben Litvak, where the old widow is also resting. But as the night proceeds, strange events start happening,Yakov starts learning more of Ruben, his past, and demons from his own past start haunting him…

It’s an interesting premise that delivers an intriguing angle to this type of possession/exorcism movies, has a likeable main lead, great atmosphere and suspense, with an interesting choice for the entity (taken from Jewish folklore and demonology, i assume), and some ok scares, even though they’re definitely not the selling point. A simple premise that makes full use of the small house scenario, executed with elegance, sadly a bit lacking in the story department, or in the backstories to the characters (the Holocaust is involved), which are not bad, but are definitely the less inspired parts of the movie, the more typical.

Overall, though, The Vigil it’s more than sum of its parts, and definitely a good, really solid supernatural horror, a chiller, to be more specific, with some good visuals that mines religious elements from a different religion, instead of some brand of Christianity, and from a fairly ignorant prospective, they make for something you don’t see represented often in horror.

Recommended.