[EXPRESSO] Homunculus (2021) | A Man In Your Head

Did you know they made a live-action adaptation of Hideo Yamamoto’s beloved cult manga … no, not Ichi The Killer, Homunculus, directed by Ju-On/The Grudge creator Takashi Shimizu, and it just released internationally at the end of april as a Netflix esclusive?

I didn’t, had to find out via good ol’ FreddyInSpace via twitter, and he himself didn’t notice earlier, because this is indeed one of the downsides of the “content machine” streaming service model.

Homunculus is about Susumu Nakoshi, an amnesiac and emotionally stunted clochard who decides to be the guinea pig for the rich medical student Manabu Ito, interested in experimenting to see if drilling the skull of a man could awaken otherwise unaccessible or dormant senses, as well as recoving memories or activate esp powers.

The experiment goes well, too well, as Susumu is now able to see – while covering his right eye – the titular homonculi, possibly physical manifestations of the human mind’s most intimate and recondite desires, traumas and symbolic projections of selves (a man split in two halves walking side by side, a sand girl, etc).

While it retains most elements from manga and for the first half it’s fairly faithful adaptation, halfway through it strays further and further, as things take a twist for the mundane, squandering the potential given by the source material on generic drama, making for less interesting characters and events. Even the borrowed odd visuals feel underwhelming or underused.

It’s not a bad movie or a complete failure, but it’s a really disappointing adaptation (especially because this could actually have worked in a live-action context), and worse, even taken on its own it’s just a movie unable to do or properly develop pretty much anything of substance in its 2 hours run, leading to a fittingly unsatisfactory ending.

EX-ARM anime (2021) [REVIEW] | Make the bad guys cry like….

I knew of Ex-Arm before the series was announced, as in i red the first volume of the manga, and thought that was.. alright.

Then in early november 2020 i discovered there was an anime planned for it, and apparently it was supposed to launch earlier, but got delayed a couple of times, post-poned until its January 2021 release on Crunchyroll, as one of their “Crunchyroll Originals” exclusive projects.

I heard about it on Twitter, alongside many baffled comments on why the hell is a live-action director with no experience in anime directing a 3D CG anime and also tasking a production company that also has no experience in anime… and i immediatly knew i would just “have” to review it, to witness the monstrum and write a report about what could be found in its wretched bowels.

Get confortable, as this autopsy-review will examine all the guts and decomposed organs, and there’s a LOT of those to rifle through with this one!

Continua a leggere “EX-ARM anime (2021) [REVIEW] | Make the bad guys cry like….”

Yuru Camp/Laid Back Camp (Season Two) (2021) [REVIEW] | A Comf Supreme

I’ve been waiting for a second season of Yuru Camp for 3 years, like most fans of the series, and i was ready to “jump on it” as soon it was announced, Room Camp was nice and served its purpose, but my lust for more comforting camping and anime girls being cozy in a world where you still can.

Not that i was gonna go camping anyway even without the pandemic thing, at least not in the japanese mountains, probably i would have stayed at home and catched up with the episodes late at night after work, with a blanket and hot cocoa, just to enhance the experience. 🙂

Given the nature of the show and the fact i “recently” reviewed the first season and the short spin-off series, i won’t be going over what the series is about in detail or attempt a plot summary because i would need to describe what happens in every single episodes, and still, it wouldn’t work because it’s a slice of life about camping, with 5 young girls going around and “relax to the max” with said outdoor activity and all that it entails.

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Cells At Work – BLACK (2021) [REVIEW] | Defective Form

I planned to review this TV adaptation of the Cell At Work spin-off series Black Code, as i heard the second season was delayed to summer 2021…. but clearly i was wrong, as both the oddly short second season of the main series AND the spin-off series started airing back to back in early January… so that threw me a curveball, as i was planning to revisit the first season of Cells At Work before the second one hit, but still, i’m reviewing this in detail, i’ll get to the main series eventually.

Regardless, it’s even better, since using anime to guilt-trip people into having a more healthy lifestyle is a proper “thing”, and it’s beautiful.

I loved the first season, it was absurd but also a very fun way to combine the old french edutaiment series “Once Upon A Life…Time” (or Micro Patrol, if you lived in an European country in the 90s you mostly likely have seen or heard of it at some point, it’s quite famous even in Italy) into a shonen manga format, so your body is basically a city-temple where every cell exists for a purpose, be it carrying packages of oxygen to the lungs, keeping track of information, and each episode it faces a new treat, usually viruses that are quite stabbable by the white blood cells, as they lunge with knives at the bacteria like a fuckin Hellsing villain. Gotta love how the violence is basically pardoned by the educational facts about cells, how the body deals with extraneous material, etc.

And how you basically have plenty of antrophormic Amazon delivery people taking drinks from the vending machines that are inside of you. Lucky bastards?

Continua a leggere “Cells At Work – BLACK (2021) [REVIEW] | Defective Form”

Azur Lane: Slow Ahead (2021) [REVIEW] | Slice O’ Boat

Might as well, since that second season or second adaptation of the Kancolle anime is still nowhere to be seen, so once again Azur Lane will outright “eat its lunch”.

And i did already review the previous Azur Lane anime adaptation, so i feel kinda obliged to cover this one as well. Not that it shares a direct connection, as it adapts an on-going Azur Lane 4-koma slice of life manga, Slow Ahead, which omits the whole “kriegsmarine” (and annexed wave ruling) aspect of the franchise and just focuses on the daily lives of the shipgirls living in the Azur Lane base, taking as main characters the girls’ quartet of Laffey, Z23, Ayanami and Javelin.

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[EXPRESSO] Alice In Borderland (Season 1) (2020) | Through The Killing Glass

A live-action Netflix series based on the manga of the same name by Haro Aso (Hyde & Closer; Zombie 100: Bucket List Of The Dead), Alice In Borderland is about a young guy called Arisu, as he and his best friends find themselves mysteriously lost in an alternative version of Tokyo, and forced to play dangerous games of various nature in order to survive and hopefully discover a way out. All with a fairly gratitous & superficial Alice In Wonderland theme: a character called Mad Hatter, Arisu being the japanese pronunciation of “Alice”, the importance of game cards, etc.

It’s entertaining and you can tell it’s made for modern audiences, as it mostly throws the viewer into the action and events without explaining much, but i really can’t fault it for that because direction by Shinsuke Sato (Princess Blade, Death Note: Light Up The New World), it’s fairly tight, and the public…. is most likely already QUITE familiar with this type of stories: death games, the alternative Tokyo, elaborate trap scenarios with time limits, etc. The series does a decent job with these elements, even if it may feel a touch too derivative and overly familiare at times.

It doesn’t help the lead character, Arisu is presented as this cautious genius with a gamer past, but he inconsistently goes from being smarter than Light Yagami… to not noticing downright obvious traps, depending on that episode’s script. And don’t expect too much from the other characters.

Even so, it’s still quite fun to see these grisly scenarios unfold, the production values are good, and while the middle part kinda drags itself along, it picks up a lot after that, so overall it makes for a fun watch, leading to a cliffhanger ending… and thankfully a confirmed renewal for a second season.

This week, on Cells At Works: BLACK…

Yeah, the latter episode of Cells At Work darker, edgier spin-off series, Code BLACK, shows what happens when you have trombosis.

Which means big ass katamari of red blood cells cadavers, of course. Which almost kills the body of this poor unhealthy, overworked bastard. You know, the same that got gonorrhea from 10 seconds of coitus some episodes earlier.

So, this week’s lesson is don’t get trombosis, or the King Of The Cosmos will make huge rolling spheres with your literal “dead blood” and stuff your inner holes with it. I guess.

EX-ARM, the oddly shaped Manos of fate, and the invisible off-screen truck of doom

I didn’t expect to write another one of these posts, because the novelty of the EX-Arm anime being unbelievable crap wore off and i just got accostumed to its foul, robotic and uncanny fare. Oh well, it will avoid me having to note down another batch of odd fuck up, animation errors, bad camera angles and stuff.

Or so i thought.

(Gif taken from Twitter, from a fellow stunned viewer)

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Princess Connect RE: Dive iOS [EXPRESSO] | Idle Moe Mediocrity

Now that “Priconne” has gone global, let’s give it a look.

Ok, story. You start in the usual “media res battle you lose”, then wake up as your generic male fantasy anime protagonist, now amnesiac but apparently a prince-knight known by everyone else in the world, so alongside your girl retainer and various battle princesses you go on a quest to scale Sol Tower and get a wish granted.

At least it’s not an isekai (?).

Combat is automated with interaction restricted to activate special skills when charged up… that’s it. There’s no complicated system to power up characters, so it’s not confusing but it’s also lacking any real depth, it just a matter of upgrading enough the characters and choosing the party composition, especially the latter i can see being important when you’re in deep with the harder levels.

Not that i will be reaching that point, but still, i don’t consider “the game really playing itself” a plus, even in a game like this where gameplay is vestigial to the “idle waifu collecting” activities.

One filled with lots of just….incredibly generic fantasy anime moe designs. There are some exceptions like the Alpaca Princess, but not many interesting or good designs. This is to make the rarer characters more desirable and con you into buying premium currency for the gacha.

While the F2P elements aren’t abrasive, the game is relatively generous in giving out gems/crystals and doesn’t gate features with insane grinding… it’s manipulative generousity, there’s always a catch.

The games uses clips from the anime series (which look good), production values are high, it’s harmless, inoffensive, but i just find Priconne to be very disposable and uninteresting, if i didn’t force myself to do some decent progress before writing this review i would have dropped it on day 2.