With a title that cuts to the chase and it being released 5 years after Carnosaur 3: Primal Species, first question is how and why you would consider it related to the Carnosaur series, at all?
I guess because is produced by Corman yet again under his company New Concorde… and due to the fact it uses stock footage from all the Carnosaur movies. Heck, even the DVD cover it’s also 40 % stock footage of the ones used in the american releases!
Continua a leggere “Dino Dicember #10: Raptor (2001)”
Remember when Carnousaur 2 script couldn’t definitely decide if to consider the first movie or not, so it just gave an explanation for the dinosaurs that could kinda link the two movies together?
Well, the third one doesn’t even try to follow one of the movies or both, so it’s no wonder it was released in the UK simply as “Primal Species”, might as well use the subtitle as the alternate title, since this one wasn’t even conceived as part of the Carnosaur series, originally.
Continua a leggere “Dino Dicember #9: Carnosaur 3: Primal Species (1996)”
2 years later, following the rise of a new dino-human hybrid race… Wait, this is that type of sequel, just slap another number on the name of the previous movie, and do whatever the fuck you want with it, as long its about the same general theme and/or subject. Continuity, thy name is Corman.
This time we have a group of scientist that go a nuclear mining facility in Yucca Mountains (just missing an atomic Tor Johnson followed by gray, dull narration) to investigate a potential meltdown, but instead find dino eggs in one of the caves. Not, not radioactive dinosaurs, that would have been kinda fun, just the boring old cloned type of mutant dinosaurs. You can guess the rest.
Continua a leggere “Dino Dicember #8: Carnosaur 2 (1995)”
Another famous one, the first Carnosaur movie, another example of good ol’ Corman’s craftmanship , as he throw this one together very fast, even by its own standards, just to have it out in theathers before Spielberg’s Jurassic Park. A tradition of knock-offs (and “mockbusters” before the term itself was coined) that can’t even wait for the movie they’re knocking off to be released, with scripts written on a bar napkin and then pushed into production, as they damn well knew they wouldn’t survive direct competition in theaher, a legacy carried on by The Asylum in the last decade.
With somehow worst results, but let’s stay on topic.
Continua a leggere “Dino Dicember #7: Carnosaur (1993)”
With such a title and a plot synopsis, The Lost Dinosaurs comes across as a Congo knock-off, with dinosaurs instead of simians. So i was – if anything – surprised to learn this is filmed in mockumentary/found footage style, which i think it’s a first for these dinosaurs themed flicks. I wasn’t expecting a jurassic take on Blair Witch Project, of all things. I don’t like this style, i really don’t, but i have to respect the effort into coming up with an absurd idea like this, even if the movie turns out to a complete shitshow.
The plot sees Luke, an adventure enthusiast, secretly embark with his father and uncle on an expedition to find the legendary cryptid Mokele Mbembe (basically the african cousin of good ol’ Nessie) in Congo, and in secluded jungle they actually find animals looking like dinosaurs, thought to have gone extinct 65 millions years ago…
Continua a leggere “Dino December #5: The Lost Dinosaurs / The Dinosaur Project (2012)”
Arrow Video keeps being a shining beacon of light in a world where companies are planning to stop making physical media all together, so they can hold properties hostage on another streaming service with no guarantee film and series will always be there, or there in a matter of months, for that matter.
This time they bring us a collection that will make kaiju fans furiously ejaculate, and for good reason, as there wasn’t any complete collection of the beloved Gamera series, there were some boxsets for the North American market, but nothing complete, and here in Europe TM we got it far worse, Italy especially, as they brought only 5 five of the Showa Era, often calling Gamera “The Great King” and retitling the movies to imply it’s Godzilla or King Kong, with craptacular marquee artworks to boot.
But now it’s all good again, as this boxset (which i preordered as soon as i saw it) is shipping worlwide, and it’s all english… but it’s also a limited release, so i’m just gonna say this to interested fans: stop reading, and get it RIGHT NOW, this is pricey and there aren’t gonna be that many copies around, so just go. Definitely worth the price, it’s not cheap, at all, but it’s worth every single cent. Continua a leggere “Gamera The Complete Collection UK BLURAY [REVIEW] | Absolute Pristine Turtle Meat, Really Neat”
I’ve finally found a version with the original english voices (and in hindi, again), so time to review this one as well!
And it’s quite the shark dropping we have, because 1 minute in you’ve already seen the best part, it’s not even from the actual movie, it’s a clip from a fake in-movie shark series called Shark Bite, and this ties into the actual plot of the movie, with sharks attacking river boats in Mississippi and then disrupting a fish rodeo (possibly held by ol’ Jim Slater ) presented by the main lead of the fake Shark Bite movie series.
Continua a leggere “Mississippi River Sharks (2017) [REVIEW] | Senior Rodeo Daredevils”
Today Koei released a compilation video to commemorate the series’ 20th anniversary, and while kinda nice, it’s also unadvertly very Koei, as they managed to cut content and recycle too much even in this occasion. XD
The trailer gives a brief compilation of cinematics and gameplay videos from all mainline Dynasty Warriors titles (and some brief logos appearances from the many spin-offs), and even the Empires and Xtreme Legends spin-off/expansions attached to those. All.. except the very first title in the series.
The real reason is because the first Dynasty Warriors wasn’t a musou, but a 1 on 1 fighter, and they clearly don’t consider it because Dynasty Warriors properly started in 2000 with what has been localized as “Dynasty Warriors 2”, but in Japan the first one was called simply “Sangoku Musou”, and to make more clear the change in direction, they called the second one “Shin Sangoku Musou”, so Dynasty Warriors 3 is “Shin Sangoku Musou 2” and so on.
Which highlight how they didn’t even bother to make another version of the video, sure, it would have been a bit odd to show a game that really doesn’t play like all the others in the series, but they also show Dynasty Warriors 9/Shin Sangoku Musou 8 (without apologizing), and it would have been correct. It also would have required more work, so of course Koei didn’t bother and uploaded it as is even on their official european Youtube channel.
It may sound petty to make such a big deal out of this, but it’s so typical of Koei’s treatment of the series that they somehow managed to make some of it’s flaws and rightfully critiqued trends (like cutting corners by not dubbing the western releases of most musou titles in english) bleed into the celebratory 20th anniversary trip down memory lane. It’s so typical it’s downright depressing and make the otherwise well meaning “thank you” message at end feel completely hollow.
And i worry, because this is indicative of the state of the series as a whole… but i’m gonna dedicate an entire editorial to that later, there’s way too much to say, and i was planning to anyway, but this video gave me the final push.
Sorry for the teasing in the title, but don’t worry, that editorial won’t be locked behind a DLC or Season Pass paywall, or squirrelled away into an Xtreme Legends expansion at full retail price.
It’s 1999. 2 months before Deep Blue Sea hits american theathers, another TV movie about sharks is released, to fairly negative reviews. Not that this will stop Shark Attack 2 and Shark Attack 3: Megaladon to happen the following years.
Continua a leggere “Shark Attack (1999) [REVIEW] | Nu Sharks”
How could i do a shark movie extravaganza without covering one of the most notorious pieces of “sharkxploitation”, especially if it comes from the motherland?
Italian exploitation cinema had always been very quick at tapping into trends (even inventing one, with the cannibal craze), but even without waiting for a resurgence of the shark movie (Jaws was released 20 years before, remember), many genre directors were quite happy to pump out monster movies like this regardless. And of course Bruno Mattei (credited as “William Snyder” here) wasn’t one to back down from anything. Continua a leggere “Cruel Jaws (1995) [REVIEW] | Editing Sharks”
