[EXPRESSO] Godzilla Defense Force iOS | ♫ To protect Mother Earth… ♫

The second of the three mobile Godzilla games promised by Toho for 2021, advertised a month ago as Godzilla Battle Line, published by Nexon and co-developed by Neople and Studio 42.

After the odd but cute stats raising-pet simulator of Run Godzilla, now we have a more traditional offering for a mobile licensed spin-off game. It’s not exactly a proper tower defense, but more of a tapper with RTS elements: units despatch and attack automatically the enemy waves from building you can upgrade, but you can also tap on them for extra damage (especially when their weak points show up), or use the various Kaiju Cards left by fallen monsters and/or obtained via card packs, of course available to purchase for real money.

It’s a decent little timewaster, a little more engaging than the usual tapper, but it’s aggressively monetized, even if it’s oddly pushy in making you watch ads to boost stats like production speed or to get resources, instead of just saying “cough up the cash to save time”, and i feel it’s the lesser evil of the options they could have gone with. BUT it still feeds into the same objective: to get you spending real money on the card packs and batches of premium currency, especially since the game remembers you revenge can be had easier by wiewing ads, etc.

Presentation is good, the story is what you’d expect, as an EDF commander you organize a defense line to repel kaijus attacking Earth, often sent and/or resurrected by the evil aliens called Xilliens. By progressing you get new locations to build bases, the ability to summon new allies with passive abilities, new monsters (some obscure references to Toho’s non-Godzilla material), making for a decent and entertaining loop, even if you’d wish for a bit more depth to it.

The Amazing Colossal Man (1957) [REVIEW] | No Titans Allowed

Released by American International Pictures in a double bill with Cat Girl (not what you’re probably thinking), this Bert I. Gordon “cheese classic” also spawned a sequel, War Of The Colossal Beast, and it embodied – alongside The Incredible Shrinking Man – the 50s B-movie fascination for size alteration, leading to another popular and often parodied drive-in feature, Attack Of The 50 Foot Woman. Mr. B.I.G. himself would go back to this motif not only with the The Cyclops (previously released the same year), Attack Of The Puppet People and the aforementioned sequel to the movie , but even well into the 60s with Village Of The Giants, VERY loosely based off H.G. Wells’ Food Of The Gods, before he actually did a more…let’s say “proper” adaptation of the story. And then followed it with a sequel that had even less to do with the H.G. Wells classic book.

Nothing new, since this is actually an uncredited adaptation of the short sci-fi novel The Nth Man by Homer Eon Flint, a fairly unknown sci-fi author of the early 20th centhury.

Like many B-movies from the 50s, it’s the radioactivity (discovered by Madame Curiè) that’s in the air for you and me. This time it’s Lt. Colonnel Glenn Manning (played by Glenn Langan), who gets hit by a plutonium bomb after rescuing a pilot that just crash-landed near the testing site.

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Varan The Giant Monster/ Varan The Unbelievable (1958) [REVIEW] | Kaiju In The Middle

Sorry, i wasn’t able to find a copy that didn’t have the hardsubbed american title.

Godzilla is, has been and probably will be in secula secularum the greatest legacy of Toho and its empire of weird monsters. But of course, if the Big G sits at the top of “kaiju mountain”, and other monsters from their own movies have become inscindible part of the Godzilla series, some of them don’t dine at the court at all, and just get called back as jesters for the big monster mashes.

Varan is sadly one of them, and it’s a bit sad when they decide a frigging giant shrimph like Ebirah was worth doing new effects when Godzilla Final Wars came around, instead of just re-using old footage from Destroy All Monsters, like they did for Varan’s (among others) cameo, just happy to be there and cheer from the sidelines, even when Minilla is frigging more useful. Poor Varan.

But of course he did debut in its own movie, Varan The Giant Monster, and yes i’m talking about the original version, not the americanized one that does go under the title of Varan The Unbelievable, and alters the plot to include the american army… because America, that’s the reason. Sighs

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Frankenstein VS Baragon / Frankenstein Conquers The World (1965) [REVIEW] | Atom Heart Monster

Strange as it may sound, you really can’t talk about King Kong and Godzilla beating each other up without talking about the Frankenstein’s monster, but we already talked about the backstory of the original “Monkey VS Nuclear Dinosaur” kaiju flick in its review, so let’s just say that this movie is actually Toho bringing back the partially scrapped idea of having Kong fight a monster created by Frankenstein for King Kong VS Godzilla, which would itself spawn a follow up a year later, with War Of The Gargantuas. And of course, tasking yet again Ishiro Honda to direct it.

Also, this one introduces a monster that would eventually cross into the Godzilla franchise, Baragon, not be confused with another, completely different but – for pure coincidence – very similar looking (at a glance) monster from the Gamera franchise, Barugon, with a “u”. A minor monster, brought back just for the giant monster brawls installments of the Godzilla series (where pretty much every frigging Toho kaiju was invited for a quick cameo), but here the main antagonist to the “Frankenstein” monster, as the original japanese title makes it abudantly clear.

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Giant Monster March IS A GO!

As the long awaited Godzilla VS King Kong finally is set to it theathers pretty much everywhere (where theathers are open, not a given due to the pandemic), it’s time to celebrate, with a selection of giant monster movies reviews to showcase mostly lesser known titles or movies that nowadays are not as well known as they once were, despite still being remembered by genre fans.

Sorry it’s not a month of non-stop reviews this time. Enjoy!

The Curse Of The Komodo (2004) [REVIEW] | Now Without Curses

Yeah, we’re reviewing the original after the…. follow-up (sequel isn’t really the right word by any stretch of the imagination) that was Komodo VS Cobra, where a mutated Chris Latta is pitted against a radioactive Komodo dragon for reptile supremacy.

Why? Because i was bored and fired that movie up on Amazon Prime Video without doing much research, i mean, it’s not like Piranhaconda (also by Jim Wynorski, incidentally) it’s a crossover between the Piranha series and the Anaconda franchise. And i like i explained in that review, it’s not like it really mattes, since that movie recycled pretty much everything from its *cough * “predecessor”, so inevitably describing the plot of this one also works for most of the sequel, that basically added another giant monster and changed some characters just because it kinda had to.

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Komodo VS Cobra (2005) [REVIEW] | Reptiliarium Rejects

A nice, grating red for the retinas.

I wasn’t really go do a review for this one so soon, i had saved in my Amazon Prime Video list for when i would have been bored enough, or needed to do it for a special, but i noticed the “this title won’t be available after the 5th of December 2020”, so once again i felt coerced to watch and review before its gone or back as a paid rental or tied to another paid subscription within the subscription i’m already paying for.

Heck, i didn’t even knew it was a sequel to The Curse Of The Komodo (which i happen to own, having picked up an ultra cheap DVD copy for it in a flea market some time ago), released just one year prior by the same director… “Jay Andrews”, at least according to the credits.

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Dino Dicember #29: Extinction: Jurassic Predators (2014)

I often joke or belittle the alternative titles these movie get for home video releases, but this time i feel the “Jurassic Predators” subtitle helps, since now people are gonna think more of the 2018 Netflix produced movie, not this 2014 release also titled “Extinction”. Then again, you might find this one under the other alternative title of “Jurassic Island”.

And while looking at the premise, i had to do a double take, like, didn’t i already review a movie with a nearly identical plot? And i kinda did, since it’s basically The Lost Dinosaurs/The Dinosaur Project, with a research team led by a professor or academic figure going into a jungle to protect endangered and vulnerable species, but after some kerfuffle the guides run away, the group eventually stumbles upon dinosaurs, and has to survive the unexpected peril.

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Dino Dicember #24: Poseidon Rex (2013)

Yes, the ever elusive Water-Dragon type of T-Rex, because nowadays you could make fake monster movie poster art with Pokemons as a joke, and realize someone did it for real already, beat you to it years ago. And if someone had to do it, might as well be the director of cult films like Commando, Armed And Dangerous, and Class of 1984, Mark. L. Lester himself, as he eventually went back to doing B-movies for TV or the home video market after the “Hollywood years”.

Because, really, the sharks enjoyed preying on B-movie beaches for decades, it’s time to move out and let dinosaurs do it for a change. At least in some of the cover art, in this specific case it does happen, but often with movies like this the posters promise more than what the movies themselves can actually deliver.

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Dino Dicember #11: The Eden Formula (2006)

Wait, this movie isn’t produced by Roger Corman, how it could it count as the second unofficial sequel/spin-off of the Carnosaur series?

Well, this time the connection is both direct and oblique, as it’s directed (and written) by John Carl Buechler, who worked on the special effects for the 3 Carnosaur movie, and – for whatever reason – he decided to crib stock footage from the first Carnosaur flick. Times.. never change.

Sorry for the screenshots’ abysmal resolutions and quality.

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