Categoria: Supernatural

[EXPRESSO] The Grudge (2020) | The House That Kayako Built

The Grudge 2020 poster

(finally got another chance of seeing this in theathers)

Despite the mostly negative reception in the States and the frankly stupid idea of doing ANOTHER remake of Ju-On/The Grudge…. at least it had to just be better than the 2004 american remake, and that one had the same directors of the original. Then again i haven’t watched any of the sequels yet (american or japanese ones), but i can confirm this one is a “side-sequel” meant to connect with the 2004 american The Grudge.

And this is the main problem, as it wants to not disregard the previous american movies, but also doesn’t want to rework the premise to make sense in a completely different place and culture, or to make you forget that this a western remake of japanese movie. So there a willingly suicidal tendency to this one taking place in America with an american cast (plus John Cho), but still having to originate from Japan, with the curse basically using a character as a vessel to propagate itself in a small town, where a local sheriff investigates strange murders seemingly connected to a single house, all told in a non-linear fashion (as you’d expect) with the characters acting as “chapters-victims”.

It’s kinda tragic, because Nicolas Pesce manages to craft good characters and make you care about them, the drama is decent and the acting good, but when it comes to the horror parts, you’d wish the movie didn’t bother at all, even without throwing into the mix the trite j-horror movies cliches, or stuff that “has” to be here regardless, just because it’s The Grudge. The open ending doesn’t help.

Definitely a step up from the 2004 The Grudge, but please, let this type of “reboot/remakes of japanese movies” stay where it belongs. In the past.

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The PS5 Reveal Obligary “Hot” Take

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So, after an earlier conference focused on specs and details that for many people don’t mean much of substance (one that was actually labeled as such, but people had to be outraged regardless, despite being their fault for not reading what it was about), and a week of delay made to be respectful of recent events in America (and the obscene crimes against humanity perpetrated by the police, because this is basically United States Of Nord Korea), this 11th of June Sony did their “Nintendo Direct” equivalent to unveil the new upcoming main console in the Playstation line, the PS5, share some more juicy details, and most important, show some games for it. Continua a leggere “The PS5 Reveal Obligary “Hot” Take”

Shark Month approacheth

Sweetness And Lightning same song

So yeah, as this month comes to a close and coincidentally i go back to work, i’d like to announce that you will see a lot of shark movie reviews in june, as this quarantine was quite boring, with 15 planned reviews, and maybe some extra ones, if i have the time.

And no, i don’t plan to review JUST shark movies in june, nor i planned to dub it “shark month”, but you get the point!

[EXPRESSO] Mass For The Dead iOS | Bossing Lich Mobile

Mass For The Dead iOS logo.PNG

Anime licensing is often weird as hell when applied to videogames (see the Attack On Titan or My Hero Academia releases for recent examples), but like that Overlord themed Picross game, previously release as “Lords Of Nazarick”… it was kinda necessary, since this popular light novel/anime/manga isekai series has one of the most generic titles ever, and there already was a a videogame series called Overlord (beloved if fairly forgotten nowadays).

Despite this, this new adaptation it’s well presented, with even an original animated opening by MADHOUSE and a track by MYTH & ROID to make it feel like the anime, with redrawn background, some good Live 2D sprites and decent 3D in-game models. The game start off with the general premise of the protagonist, that find itself stuck in the fantasy world of the VRMMORPG he was playing as his lich avatar, but offers an original story with some new characters.

Gameplay wise, it’s a RPG, fittingly so, but more like a proper turn based rpg, with some convenient options (and a mostly useless autobattle function) AND some actual tactical nuance for when enemies become more powerful than a fly…. which will take a while, and even so, you will be a bit too prepared for the boss battles, until they start using way specific “almost instakill” moves. Then you grind or just use premium currency.

To be honest, i arrived at the second part of the story just for the sake of review, it’s kinda boring, and doesn’t have any peculiar “hook” to make you come back to it (outside the usual ones, anyway), the gacha differentiates between paid and free/in-game earned premium currency, there’s VIP/battle pass equivalent, etc.

It’s.. alright, ok, honestly.

It’s something for Overlord fans to do until the 4th season of the anime, at least.

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[EXPRESSO] Bleach: Immortal Soul iOS | Soul Whales

Bleach Immortal Soul iOS

As you may know, Bleach is coming back, with serialized and animated versions of the one-shot Burn The Witch, created by Tite Kubo and taking place in the Bleach universe, and the anime returning with the adaptation of the final arc, The Thousand Year War, expected for early 2021.

So time to milk this renewed interest in the franchise as soon as possible, like with a mobile free-to-play gacha game live service. Another one, Bleach Brave Souls (which is still going) was a hack n slash, this is one of those extremely basic kind of anime rpg for smarthphones, turn based, with most of the challenge and “strategy” being on timing attack to create combos… until the game itself points out the auto-battle function.

Then it becomes just a matter of upgrading stats and letting the way too efficient auto-battle do its thing, since the usual“rock-paper-scissors” system of types weaknesses and strenghts works only on paper, and the repetitive battles lack any depth, so they just become a formality, like how you can technically decide where to proceed in story stages… despite being no reason to do so.

All made worse by overly busy menus bursting full of things to “engage” with, in the hope of making you spend actual money on this cheaply cobbled together cash grab, that on top of recycling frames from the anime series and – somehow – managing to have typos on dialogue cribbed word for word, has laughably cheap and amauterish scene transitions.

At least it serves as a decent cliffnotes refresher for Bleach’s story from the beginning, but even so, a lot of the manga it’s available for free on the Shonen Jump app.
Complete waste of time and data.

I do hope we get a new proper Bleach videogame later, a musou, maybe?

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[EXPRESSO] World Beast War iOS | Kaiju Klicker

World Beast War iOS

Sometimes i kinda miss the early days of mobile games on smarthphones, when the free-to-play plague hadn’t become the standard, the banal evil, and the market wasn’t infested with endless clones of what’s popular, insanely overpriced ports, a satured mess with extremely rare gems like Onion Hotel.

But still, once i a while i search or stumble upon some title on the App Store, and i give them a whirl. This one is about big ass monsters going on a non-trademarked rampage, all done in the cheap and frankly cliched “faux 8-bit” aesthetic, but whatever, the idea of combining monsters together to make new ones is always nice, and the main attractive.

The problem is even the “monster merging” is too basic to hold any interest even in the “short run”, because you can’t spawn the more advanced ones in the “lab area”, even if unlocked: you must spawn the very basic one and keep merging them manually. There is an auto-merge function, but it’s inefficient, and even seeing what monster you’ll get next gets boring and moot, because you just put them to automatically thrudge through dozens of identical levels.

Because this is actually a clicker game, the store page describes it clearly as an “idle rpg”, so it’s not fraudolent advertising, it’s just that even with more to it than just clicking on stats to upgrade so you can earn more money to upgrade stats some more, it’s boring and lacking any “hook”. Ironically, the fact that there is more to it IS an issue, as there isn’t enough depth added to make you overlook its nature, but enough to inadvertently expose the pointless “gameplay” loop at the core.

Even as a timewaster on the toilet it gets old too quickly, and bootleg Rocket Raccoon just isn’t enough.

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One Piece: Pirate Warriors 3 PS4 [REVIEW]

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After the “Dream Log” scenario of Pirate Warriors 2, Koei did what it usually does, as it basically starts from scratch in order to have a more faithful and complete recreation of Eiichiro Oda’s pirate world, in the name of canon… and so you wouldn’t need to have played the two previous Pirate Warriors titles, because this was released on all Playstation platforms at the time, and Steam as well.

There’s also a Deluxe Edition for Switch that came later with all DLC already on the cart, and it’s not bad performance wise, worth considering. Continua a leggere “One Piece: Pirate Warriors 3 PS4 [REVIEW]”

[EXPRESSO] Arknights iOS | Medicated Nation

Arknights ios splash screen.PNG

So yeah, Yostar’s new gacha game, looks a lot more like Girls Frontline (or an anime take on The Division) than Azur Lane but isn’t any of that, it’s a tower defense thingie with people befitted of the ever popular animal ears, because. The vague plot sees you as the amnesiac leader of pharmaceutical-commando company Rhodes Island, in a world afflicted by Catastrophes, bringing destruction and the precious mineral known as Originium, which infects people with the mysterious disease of “Oripathy” ( awakening powers but also being lethal in the long run), and you fight the other factions at play, the cultish Reunion and the military force of the city of Chernobog.

Plot is decent, character design good for this type of game, and gameplay wise – as i said -, it’s a tower defense affair: you put units on the available grid spaces to stop the enemy units from entering through the gate/s at the end. If anything, the surprisingly long tutorial-prologue will get you up to speed to the basics and Arknight’s minor but nice additions to the formula. The usual free-to-play bullshit isn’t that bad either, as the game gives you useful items to start with (not just crap), but of course wants you to roll the gacha for characters with an alluring design by using real money.

Aside from some inusual design choices, like characters who don’t receive exp directly from fights (instead you gotta use xp item received as rewards to level them up), Studio Montagne’s game is fairly good in itself, with a good introduction of new enemy types and objects to keep things interesting, using actual gameplay to keep you coming back, instead of just using the typical psychological hooks to make you log in something way repetitive  that basically plays itself (hi, Azur Lane).

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Azur Lane Crosswave PS4 [REVIEW] | You Are A Boat

Azur Lane Crosswave PS4.jpg

Yeah, an actual videogame devoid of the gacha free-to-play trappings, based after the “Kancolle Killer” smartphone title that basically positioned itself as a Kantai Collection clone (not quite, but it’s obviously aimed at the same demographic), one easily available pretty much worlwide instead of a japan only browser game requiring VPN and troublesome hoops to jump through and compatibility errors if you want to play it.

It’s an odd concept to have a proper videogame that you pay to own as a spin-off of a free-to-play estabilished/borne series, almost emblematic of the state of the market and this “era” of gaming, but it’s interesting from a conceptual standpoint, and now you don’t have to import it from Playasia, as it came out, even in physical retail form, in Europe and the States. Still kinda surprised by that.

I preordered the “super duper hyper” edition with all the tat and OST and artbook, but maybe i’ll eventually review the Limited Edition contents by themselves, they don’t factor into the actual PS4 videogame at all. Continua a leggere “Azur Lane Crosswave PS4 [REVIEW] | You Are A Boat”