[EXPRESSO] Oxygene (2021) | Desperate Struggle

Just dropped on Netflix, Oxygen (or Oxygene, as it’s a french-american production) it’s the kind of movie with a fairly direct title and premise, as a woman awakens in a cryogenic capsule, completely unaware how she got there and who she even is to begin with, but soon learns the oxygen in the capsule is running low and struggles desperately to survive the mysterious situation, remember who she is and how she ended up there before it’s too late.

My first thought was “this does sound like a sci-fi variation on Buried”… but then i remembered i never actually got around to watch Buried, so goodbye to that comparison. Still, you can get around the general premise of struggling for survival while trapped or confined to a cage/box, it’s not original or trademarked, so let’s look at this movie on its own, even more since from renowed horror director Alexandre Aja (The Hills Have Eyes 2006, Piranha 3D, Horns, Crawl).

And while you can kinda tell this is from a director not ashamed to show graphic imagery, it’s not exactly a horror movie or an horror sci-fi, more a straight up sci-fi thriller, one that will take its time to “get into gear” from its not too interesting set-up, but it’s worth because it’ll gradually grab you more and more, as you – alongside the “amnesiac” protagonist – will learn what is actually going-on, and let’s just say it delivers quite a powerful twist, but also manages an amazing balancing act between being extremely bleak and sporting some positivity in spite of it all.

Melanie Laurent is also excellent in the role of “Liz”, which is good and vital since it’s mostly a one-woman show, but one incredibly well executed.

Very pleasantly surprised by this one, pretty good.

Recommended, indeed.

[EXPRESSO] Alice In Borderland (Season 1) (2020) | Through The Killing Glass

A live-action Netflix series based on the manga of the same name by Haro Aso (Hyde & Closer; Zombie 100: Bucket List Of The Dead), Alice In Borderland is about a young guy called Arisu, as he and his best friends find themselves mysteriously lost in an alternative version of Tokyo, and forced to play dangerous games of various nature in order to survive and hopefully discover a way out. All with a fairly gratitous & superficial Alice In Wonderland theme: a character called Mad Hatter, Arisu being the japanese pronunciation of “Alice”, the importance of game cards, etc.

It’s entertaining and you can tell it’s made for modern audiences, as it mostly throws the viewer into the action and events without explaining much, but i really can’t fault it for that because direction by Shinsuke Sato (Princess Blade, Death Note: Light Up The New World), it’s fairly tight, and the public…. is most likely already QUITE familiar with this type of stories: death games, the alternative Tokyo, elaborate trap scenarios with time limits, etc. The series does a decent job with these elements, even if it may feel a touch too derivative and overly familiare at times.

It doesn’t help the lead character, Arisu is presented as this cautious genius with a gamer past, but he inconsistently goes from being smarter than Light Yagami… to not noticing downright obvious traps, depending on that episode’s script. And don’t expect too much from the other characters.

Even so, it’s still quite fun to see these grisly scenarios unfold, the production values are good, and while the middle part kinda drags itself along, it picks up a lot after that, so overall it makes for a fun watch, leading to a cliffhanger ending… and thankfully a confirmed renewal for a second season.

[EXPRESSO] Prehistorik Man SNES | Accept Humanity

Played via Nintendo Switch Online’s SNES service.

So, i guess i was one of the few people mildly interested in some of the February 2012 NSO updates. Which is somehow managing to make me miss the original Virtual Console, somehow.

But i have a thing for caveman platformers, i do, so here we are.

To be fair, i didn’t expect much, especially since it comes from Titus (and if you know something about retrogaming, their name wasn’t exactly one welcomed with cheers), i wasn’t familiar with it and just figured it was gonna be a Joe & Mac clone, but this isn’t really the case. And while it’s easy to understand its existence being relegated to niche retrogaming obscurity, as the 90’s were obsessed with cavemen and dinosaurs and this one didn’t do much to stand out in the avalanche of cavemen themed movies or videogames… you might want to give this one a chance.

It’s not an unsung SNES classic by any means, no, it’s kinda generic and unremarkable, but it’s surprisingly nifty, pretty entertaining, and the while the plot see a caveman named Sam on a quest to feed his starving village, while searching for a bone graveyard so to make his tribe rich… it’s very cartoonish and fond of the usual caveman anachronism. It’s also not short, with a good variety to the levels, often putting you in control of a vehicle like a glider; and while the level design starts off fairly straighforward, more often than not it requires you to explore the levels and collect the required items, as it is still an “euro platformer”, and a pretty challenging one too.

I just wish your character’s standard attack was less crap, and the controls were a bit less slippery, but it’s a good retro platformer.

Ice Sharks (2016) [REVIEW] | Ammonia Sharks

This is actually a re-review, i covered Ice Sharks during 2019’s “shark month/week/whatever” but it was on the original, italian version of Wise Cafe, so it’s technically new and i want to give you a lil’ something while i try to juggle and write about 4 different anime series, none ending in late january.

And if anything, might as well do this now than in summer, there will be other shark movies to talk about when the time comes. Also because there are not many “Ice type” shark movies, thankfully this sub-trend never took much hold, so much i can’t think of many others like this, aside from Avalanche Sharks and 2012’s Snow Shark.

Then again, Ice Sharks is one of the more recent one, and alone should have tanked this niche-within-a-niche for good, and not necessarily because it’s the “worst one”.

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Dino Dicember #30: Jurassic Predator (2018)

Yes, “Predator”, singular, this has nothing to do with Extinction: Jurassic Predators (plural), which was done because The Dinosaur Project/The Lost Dinosaurs did ok in review and made some money, so we’re gonna make another found footage dinosaur movie, with good practical effects and worse in every other aspect.

But i already reviewed that. Just yesterday.

I have to preface i was gonna review Jurassic Thunder (the one head mounted machine guns on a T-Rex) for this Dino Dicember slot, but i relented, because i felt nothing i could say will matter to a movie built on the foundation of the Dr. Evil meme, and doubles downs on its putrid shit factor, amplified and self-excusing itself due to the narrative frame of 80’s comic book and action flicks.

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Dino Dicember #29: Extinction: Jurassic Predators (2014)

I often joke or belittle the alternative titles these movie get for home video releases, but this time i feel the “Jurassic Predators” subtitle helps, since now people are gonna think more of the 2018 Netflix produced movie, not this 2014 release also titled “Extinction”. Then again, you might find this one under the other alternative title of “Jurassic Island”.

And while looking at the premise, i had to do a double take, like, didn’t i already review a movie with a nearly identical plot? And i kinda did, since it’s basically The Lost Dinosaurs/The Dinosaur Project, with a research team led by a professor or academic figure going into a jungle to protect endangered and vulnerable species, but after some kerfuffle the guides run away, the group eventually stumbles upon dinosaurs, and has to survive the unexpected peril.

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Dino Dicember #26: Aztec Rex / Tyrannosaurus Azteca (2007)

Thunder, thunder, thunder rex!

Actually, not quite, but i wonder why not also give the “rexes” magical elemental powers (since the Aztecs call them “Thunder lizards” in the movie itself), if we can stretch the imagination to have a movie like this, set in the 16^th centhury about a group of conquistadores going to Mexico in order to search for treasure and colonialize the “savages” while they’re at it, but end up captured by the tribes, whom plan to sacrifice them to their sacred gods, T-Rexes.

I mean, i do trust in Godzilla, but ….

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Dino Dicember #25: Turok: Son Of Stone (2008)

Taking some time to spotlight this 12 years old, fairly forgotten direct-to-video animated movie about the most popular Native American dinosaur-slaying character in videogame, Turok (yes you are he).

Which is fitting, since the games themselves were based on the Turok comics, the first one titled “Turok Son Of Stone”, but before going any further, i have to say i’m not exactly that familiar with Turok in general, and what little i know comes from the first Turok videogame, and some cultural osmosis. I didn’t grow up playing Turok games on the N64, when i got my very first console the series was already quite slumming as Akklaim itself was inching ever closer to bankruptcy.

This was released alongside the 2008’s reboot simply called “Turok”… which didn’t help in breathing some life back in the series, so the planned sequel to that was scrapped and the series layed dormant until Turok: Escape From Lost Valley released in 2019.

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Dino December #18: The Land That Time Forgot (2005)

Of course we’re not reviewing the original novel by Edgar Rice Burroughs, or the more known 1975’s adaptation by Amicus. We’re doing the 2009 one, done by The Asylum, which in a way it’s kinda fitting, and… kinda isn’t; sure, it’s about dinosaurs, but usually the company sticks to ripping off Jurassic Park and whatever it spawned over time (including the Carnosaur series), not so much in adapting Burroughs. Almost as surprising as the lack of many adaptations this story received, very little in comparison to Arthur Conan Doyle’s The Lost World.

The story follows the same premise of the book (which didn’t start off but in the later parts develops into a “lost world” story, as popularized by the aforementioned Conan Doyle’s opus), but it set in modern times, it involves frigging portal/dimensional rifts the group of main characters, which aren’t soldiers but just some random persons that were doing some “extreme vacation-activity” thing. Given this is an Asylum production, i’m not really surprised, i mean, they’re not gonna try to film it as a period piece, you just know they ain’t going to… and they don’t.

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Dino Dicember #17: The Lost World (1998)

This one was really a given (and yes, we’re reviewing an adaptation of Burroughs’ The Land That Time Forgot next), not featuring Arthur Conan Doyle’s The Lost World in Dino Dicember…. just wouldn’t have been right. I would have kicked myself if i didn’t.

Then again, it didn’t immediately came to me as an obvious choice, since most people nowadays think about the second Jurassic Park movie, Lost World: Jurassic Park, loosely based on Michael Chrichton’s book The Lost World (sequel to Chrichton’s own Jurassic Park book), itself borrowing elements from (and paying direct homage to) the original 1912 novel of the same name by Arthur Conan Doyle, and even the 1925’s film adaptation of the book, which we briefly referenced before.

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