Dino December #18: The Land That Time Forgot (2005)

Of course we’re not reviewing the original novel by Edgar Rice Burroughs, or the more known 1975’s adaptation by Amicus. We’re doing the 2009 one, done by The Asylum, which in a way it’s kinda fitting, and… kinda isn’t; sure, it’s about dinosaurs, but usually the company sticks to ripping off Jurassic Park and whatever it spawned over time (including the Carnosaur series), not so much in adapting Burroughs. Almost as surprising as the lack of many adaptations this story received, very little in comparison to Arthur Conan Doyle’s The Lost World.

The story follows the same premise of the book (which didn’t start off but in the later parts develops into a “lost world” story, as popularized by the aforementioned Conan Doyle’s opus), but it set in modern times, it involves frigging portal/dimensional rifts the group of main characters, which aren’t soldiers but just some random persons that were doing some “extreme vacation-activity” thing. Given this is an Asylum production, i’m not really surprised, i mean, they’re not gonna try to film it as a period piece, you just know they ain’t going to… and they don’t.

Continua a leggere

Dino Dicember #17: The Lost World (1998)

This one was really a given (and yes, we’re reviewing an adaptation of Burroughs’ The Land That Time Forgot next), not featuring Arthur Conan Doyle’s The Lost World in Dino Dicember…. just wouldn’t have been right. I would have kicked myself if i didn’t.

Then again, it didn’t immediately came to me as an obvious choice, since most people nowadays think about the second Jurassic Park movie, Lost World: Jurassic Park, loosely based on Michael Chrichton’s book The Lost World (sequel to Chrichton’s own Jurassic Park book), itself borrowing elements from (and paying direct homage to) the original 1912 novel of the same name by Arthur Conan Doyle, and even the 1925’s film adaptation of the book, which we briefly referenced before.

Continua a leggere

Dino Dicember #14: GON (manga)

Today we’re doing something quite good and that could use more coverage, as the days of having him as a guest star fighter in Tekken 3 are long gone. Pun not intended.

Yeah, while it has a cult following and it’s revered by many manga (and comic book) fans, GON today is mostly forgotten, and the title will more likely make Gon Freeks, the protagonist of Hunter X Hunter come to mind in manga/anime circles.

Continua a leggere

Dino Dicember #13: Jurassic Attack / Rise Of The Dinosaurs (2013)

Quite the functional, generic-ass title, i must say.

This one has TV movie and genre actor Corin Nemec of Stargate SG-1 and Beverly Hills 90210‘s fame, whom also was in Dragonwasps, Sand Sharks, Dracano/Dragon Apocalypse, and many more, including… Robocroc, which it’s exactly what it sounds. And will be quite likely reviewed here in a double feature with Roboshark. Eventually.

Continua a leggere

Dino December #6: The Jurassic Games (2018)

If there are laws in genre cinema, one might be that every kind of movie can be made worse, better, or both by including dinosaurs. Even if it can’t, somewill randomly mix dinosaurs with any other subject, so the “dinosaur singularity” will happen, regardless.

Basketball with dinosaurs. Coming of age stories with or about dinosaurs. The decadence of men and its social constructs, with goofy dinosaurs in office suits and vests. Dinosaurs with other dinosaurs. Dinosaurs with guns, or dinosaurs that are also guns. The sky and the abyss stretch open wide forever, and the dino universe expands.

Continua a leggere

Dino December #5: The Lost Dinosaurs / The Dinosaur Project (2012)

With such a title and a plot synopsis, The Lost Dinosaurs comes across as a Congo knock-off, with dinosaurs instead of simians. So i was – if anything – surprised to learn this is filmed in mockumentary/found footage style, which i think it’s a first for these dinosaurs themed flicks. I wasn’t expecting a jurassic take on Blair Witch Project, of all things. I don’t like this style, i really don’t, but i have to respect the effort into coming up with an absurd idea like this, even if the movie turns out to a complete shitshow.

The plot sees Luke, an adventure enthusiast, secretly embark with his father and uncle on an expedition to find the legendary cryptid Mokele Mbembe (basically the african cousin of good ol’ Nessie) in Congo, and in secluded jungle they actually find animals looking like dinosaurs, thought to have gone extinct 65 millions years ago…

Continua a leggere

Dino December #4: Jurassic Galaxy (2018)

So, either someone really liked Dino Crisis 3, or more likely was “inspired” by the Godzilla animated trilogy, which i feel it’s really underrated and often quite maligned just because the 3D CG looks kinda ass…which it does, but the script by Gen Urobuchi is quite good, so much it makes the trilogy worthy of being seen, i’d say.

While it isn’t the case, i find it hard to not think of it, since the premise still see the main crew of interstellar explorers landing on a planet full of dinosaurs, but it lacks the whole patriotic drive of “conquering back the motherplanet Earth” (this isn’t Earth), or the social tensions forming between the different groups and races on board of the ship. Still, space dinosaurs is still quite the proposition that could do for some good b-movie entertaiment, and isn’t exactly a sub-genre….yet, this isn’t even the only “dinosaur sci-fi in space” flick released in 2018.

Continua a leggere

Kemurikusa (2019) [REVIEW] | Leaves Of Tree

After the Kemono Friends anime made a fairly forgotten (and at the time even freshly axed) free-to-play thing become one of the biggest sensations of that year…. Kadokawa fucked the series director over, basically, and in a way of karmic retribution, many resented the second season when it came around, both out of spite for Kadokawa’s behaviour. And because the Kemono Friends gravy train was gone by then.

Regardless, TATSUKI continued to work on other projects (see Keifuku-san and Hentatsu, which i already reviewed), and in 2019 he decided to adapted an older work of his, an original net animation called Kemurikusa (released between 2010 and 2012), into a TV anime series (which so far only streaming on Amazon Video), once again tasking the same animation studio of Kemono Friends (studio Irodori, which he was part of) and the same production company (Yaoyoruzu), culminating into a project that didn’t seem raise much interest online.

People knew the director of Kemono Friends was behind it, definitely, but i guess it wasn’t enough, so the Kemurikusa TV adaptation came out without causing much clamor (outside of some circles) or attracting much attention even from dedicated outlets or anime enthusiasts who knew it existed. At least i got that impression.

Continua a leggere

[EXPRESSO] Greenland (2020) | Family Fallout

Oh, yes, the indie subgenre of Gerard Butler movies.

For the record, i do like Butler, but for better or for worst you can often easily guess what kind of experience you’re getting in a movie just by seeing him starring in it. This is exactly one such occasion, as Butler stars in another disaster movie, after weathering Geostorm (which i didn’t see) 3 years ago.

This time things are a teensy bit different, as he embarks in a desperate journey to a bunker in Greenland, where maybe him and his family can survive a coming meteor that will fall on Earth and probably cause the extinction of mankind. So yeah, no chance to see him suplex the meteor out of orbit while clad in a mechanical golden god robe, but it’s a more realistic approach, and the focus on surviving the threath more than facing it works better.

Directed by Ric Roman Waugh (Snitch, Angel Has Fallen), Greenland sadly never rises from being … adequate, as it tries to focus more on the drama, but also has no qualms in compromising and forcing conflict so we can have more action scenes, or more twists, doesn’t matter if they’re dumb even in context. Regardless, don’t get locked into a conversation with Butler, he’ll get his way regardless if you do, even at long-range.

The movies tries to be better, but it can’t fully committ to either its more ludicrous or serious elements, decent to good perfomances can’t do much when the main characters are built out of clichès, and the movie wants to hit you over the head with the themes, or cheaply provoke an emotional response. While it’s perfectly watchable, i feel it’s a bit longer than it should, you could have cut 20 minutes out of it.

Serviceable.

[EXPRESSO] #Alive (2020) | SNS Zombies

No cinema for me this week, so guess i’ll dust off Netflix, see and review this new korean zombie movie, which comes with the hashtag already built in the title. The plot sees a streamer in Seoul waking up and logging on to do some online gaming (he’s shown playing PUBG), only to hear people chatting of something weird being broadcast on tv, and soon enough even in the very streets below him, as a zombie virus of sorts spreads.

He’s forced to barricade himself home, trying to use his tech savviness to understand what is exactly going on outside, all made harder by scarce rations and social medias (or the reception for phones) not working most the time.

It’s better than i expected, and being set in “the now” you get to see fun stuff like zombie (of the running and “contorsionist” variety) getting attacked by drones’s eliblades, and there are some cool action scenes, production values are fairly decent-good, same for the special effects. Problem is, there isn’t too much to the plot, there’s enough, but nothing special, and after a fairly fast start, the movie suffers from pacing problems.

I understand it would be more realistic to see characters barricade themselves into their apartments, and while this is to feed into the “surviving days and days into a zombie apocalypse”, this kinda backfires, as the plot doesn’t really moves forward or backwards, and it’s not until the third act where it picks up again. Thankfully the characters are likeable, given how much time you spend watching them try to communicate or concoct a plan, but they’re not good enough to gloss over the fairly typical twists and turns of the narrative. Not even with some cool “hip” music.

Decent, worth a watch, for sure, but nothing special.