12 Days Of Dino Dicember #14: Triassic Attack (2010)

To give us a breather from an apparently endless strain of incredibly stupid scientists who would resurrect Hitler and put his brain in a T-Rex for the lulz… this time no one is cloning anything, or tampering in god’s domain without a rubber octopus on strings.

None of that shit.

Sorry for the screenshots “salvage fest”, but despite IMDB listing it having an italian release date (which is true since it was aired on tv here… i guess once), i couldn’t even find images of the apparent UK release, let alone a UK DVD, it’s not even one of those dino flicks gated off to non-UK Amazon Prime Video users. And apparently none of the major streaming services has it.

I’m not paying extra to import it from the US or get a Japanese copy, sorry, not for Triassic Attack.

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[EXPRESSO] Troll (2022) | AWAKEN, AWAKEN, AWAKEN, AWAKEN

No, they didn’t reboot that specific series, this is simply a new monster movie from Norway about a very Norvegian type of monster: a troll. As in, the ones from the folklore, not the type of kid-friendly version proposed by beloved children book series and cartoon Moomins.

It released at the start of Dicember on Netflix, and it follow the release of the titular monster during construction work to open a new railroad through the Dovrefjell Mountain. The miners light up some explosive to clear the way, but something makes the earth tremble and causes destruction.

Unclear on what exactly happened, the prime minister summons various experts, like geologists, biologist and even paleontologist Nora Tildemann is interrupted during a successful search to look at the footage.

She manages to notices that the video reveals a human-like figure, and further investigation brings her – and the people tasked to help her – to the realization that this is indeed a troll, like the one in the fairytale her father told her, and that they need to find a way to stop it before it reaches Oslo.

At heart, Troll follows pretty much the standard monster movie formula and structure, down to the army being useless, pretty typical but at the same time it’s fairly well executed, the characters are quite likable, there is a lot more humour than one might expect (without ever going full spoof), and while it’s never fully explored, the troll folklore/mythology shown here help freshen up the familiar nature of the story and its execution, while also making you feel sympathy for the giant creature.

It’s nothing original but the effects are good, the pace is faster than anticipated, and overall it’s a very solid, quite entertainng monster movie, i wouldn’t mind to see those planned sequels.

Giant Crocodile (2020) [REVIEW] #sharksncrocs

One more recent chinese monster movie, why not? As i’ve said before, there’s plenty of these to be found online, and there’s a good number of killer crocodiles one too, i choose this because it’s the first i stumbled through on Youtube, and it’s web movie, dunno what it means exactly, aside from being another declination of “direct to video” in this age of streaming content.

Regardless, we all speak giant crocodile movie, especially if it’s a giant mutant crocodile.

After a rich guy’s daughter disappears while on a island that’s become an internet sensation for its “Purple Lake”, he assembles a group of mercs (lead by his other daughter) to search for her, only to find that there’s a lot of people around what’s supposedly an inhabited island, all conventiently there for their own reasons, from an enviromental scientist losing contact with her squad, a war reporter searching for his missing father, etc.

Sadly for the rich guy, he finds out that her daughter was eaten by a crocodile, so he wovs revenge against the beast, which turns out it’s a mutant crocodile that can turns invisible on the fly, and can also sling his tongue like a chameleon. At least this will give the leader of the mercs/second daughter of the rich man something to do aside pulling people by the hair in order to do anything.

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Parasite (2004) [REVIEW] | Not that one either

Not Bong Joon-ho’s. Not the Charles Band’s kind of Parasite either.

Not even the manga by Hitoshi Iwaaki, sadly.

With this one we’re reaching deep into the ass of forgotten crappy b-movies from the early 2000s, dumped among many of its brethren on streaming sites, i discovered it while browsing Amazon Prime Video, and i would wager it’s pretty much available on the service anywhere in the world.

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Mega Snake (2007) [REVIEW] | Snake Of The Father

Things lead to things, and so i accidentally started out a Tibor Takacs mini-retrospective of sorts. It just kinda happened, i guess.

And sadly, no, he never made a TV movie about killer frogs or slugs to complete the “asian rock-paper-scissors” trifecta or the “Aesop fables’ bingo”, but he did direct this for SyFy the same year as Ice Spiders, and that would the last creature feature from him until Spiders 3D, as he preferred to do more disaster movies about tornadoes (regular ones) and christmas-family movies, which is – in a way – quite usual for older genre directors to end up doing in the later years.

But today is snakes, or at least one singular Mega Snake, and it’s a bit more interesting than Ice Spiders, more ridiculous but also less by the numbers, even if it’s another Nu Image joint shot in the Bulgarian capital for the same reasons already discussed in previous reviews, as it’s quite cheap.

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Arachnicide (2014) [REVIEW] | Going Digital On Yo Ass

This one is a bit special to me as an italian, as it fills a niche of monster movies that basically went extinct over time: the italian b-movie made for the international market.

Yeah, as you could ascertain from the poster (and the cast list) having almost exclusively italian actors on it, this is an italian movie, and if the look of the actors didn’t give it away (i’d argue it does, at the very least it’s obvious that these are not American), the english dub ABSOLUTELY will make that clear as day, and sadly you can’t watch it in italian with english subs, not only on the UK DVD release i imported, but apparently in all english languages releases on streaming as well.

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Python (2000) [REVIEW] | ….and all i got was this lousy t-shirt

There was a time before we got for granted monster movies about giant hybrid animals, but still after the 70s and 80s brought along any kind of killer animal, even slugs.

It was the new millenium, the 90s just ended and what that meant for b-movies is that now it’s fairly cheaper thanks to computer graphics, not that it’s necessarily that easier, but for the cheapo companies that banked on pumping out crappy monster movies for the TV or home video markets, it meant not having to bother anymore with animatronics or puppets or that much more in the way of practical effects for the monster or animal you wanna make the movie about.

Not that you couldn’t use both practical AND digital effects for the creature, but it was never much of a concern anyway for movies like these and the companies that made them, which – let’s be honest about this – gladly welcomed the new, cheaper tools now available, as they meant larger profits to be made.

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[EXPRESSO] Godzilla VS Kong (2021) | MONSTERS, FIGHT!

This review is out only now because we didn’t fuckin get the movie (officially, anyway) here in Italy until now. Streaming only, due to cinemas just now preparing to re-open in some capacity.

So, after some delays and a wait that consumed me, the monster RE-match of the millennium has finally happened, as part of Legendary’s Monsterverse.

And it delivers, it does, even though there are caveats, ones that most people already know and are willing to ignore, especially because Godzilla II: King of The Monsters already had these issues.

Plot sees Godzilla rampage in New York for unknown reasons, and the Monarch company is basically engaged to use Kong as a guide to reach his ancestral home located inside the “Hollow Earth”, supposedly common origin to all the giant monsters. This because they sensed a huge energy source there and plan to use it in order to power up a weapon capable of stopping Godzilla.

The effects are top notch, the monster fights incredibly satisfying, there’s actually a bit of personality to the monsters (even if Godzilla – by Toho’s strict decree – doesn’t talk in any way) the Hollow Earth scenario is actually quite a spectacle and interesting, even if the plot is a bit there to justify the monster fighting and not the other way around, combined with the human characters really being… just kinda there to be there, mostly coming off as annoying, stupid or a bit douchy.

And i’m “sorry”, but we spend a lot of time with them as well, they’re played by good actors, we can have better scripts and better human characters for monster movies, even by just looking at MonsterVerse’s own Kong: Skull Island.

Could have been better, but overall it’s still a blast to see, especially on the big screen.

Garuda (2004) [REVIEW] | Harvey Birdmon

Sometimes it’s hard to forget that neither Japan or the United States have an exclusivity on making giant monster movies, even if often we still end up in the vague “asian sphere of influence” one way or another. This one as well, but it’s from Thailand, not a country you immediately associate with giant monsters, but it doesn’t matter, and director/producer/writer Monthon Arayangkoon tapped from thai folklore for the monster, the titular Garuda, originated from Hindu mithology as a legendary bird-like creature aligned with the element of wind, serving as a steed to the god Vishnu, and depicted as either a giant bird with half-open wings or an humanoid with bird features.

He’s usually depicted as a protector figure, always ready to fight the serpent enemies (which means the naga), but in this case he’s depicted as a bloody rampaging monster, but i guess being trapped into the concrete under Bangkok for thousand of years will make anyone snap into a rampage.

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Reptilicus (1961) [REVIEW] | Danish Dragons

Denmark gave the world many things, despite what Shakespear told us, many influential painters and artists, many metal bands like King Diamond, Manticora, etc.

But you don’t exactly think Denmark when you think giant monster movies, and the only that still comes to mind is the old Reptilicus, a danish-american coproduction, with two existing versions, one completely shot in danish and the international release that was cut and changed by the screenwriters to make it more marketable (and american) by good ol’ American International Pictures.

While the movie it’s available in DVD fairly easy (and i do own it), i’ll mostly refer to a fansubbed copy of the original danish version. The international release, aside from a complete redub due to the cast very thick danish accent (kinda dumb how AIP didn’t expect that since the cast IS danish), cuts the scenes where Reptilicus flies… because the effects aren’t that great, but added the special effect of green poisonous saliva shooting out when the monster opens its jaw.

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