Nezura 1964 (2020) [REVIEW] | #giantmonstermarch

Would it really be a Giant Monster March if i didn’t reserve a spot for a japanese monster movie?

This time though we’re going for a triplette, as this one does not only – indirectly – involve the Friend Of All Children himself, but also it’s a dramatized biopic of a now defunct movie studio regarding the failed production of the Giant Horde Beast Nezura, which was slated for a 1964 release in theathers, but was never finished or completed.

Which led the company, Daiei, to try again in entering the kaiju market, this time with a more shameless but also safer choice of a reptilian creature, a giant turtle with fangs, the ability to travel through space by rotating firejets when retracted into its shell, Gamera, and squarely aim its movies at a far younger audience than what the Godzilla series targeted at the time.

But before he could fly into the deep abyss of space to defend all the younglings of the universe, Daiei was indeed planning something else, something else that wasn’t original at all either, as the producers were inspired by Alfred Hitchcock’s The Birds, with the idea to replace the swarm of avians with one of rats.

Continua a leggere

Konga TNT (2020) [REVIEW] | #giantmonstermarch

Since the sequel to the Asylum’s “Godzilla VS Kong” mockbuster from 2020, Ape VS Mecha Ape, is not gonna officially be released here in time for the rubric (or at all, who can sah for certain), let’s dig through some other “based on comic book series you never knewn existed” garbage, we did the Fred Olen Ray produced Reptisaurus film, so here another Konga film, called Konga TNT.

Not based on the 1971 film with Michael Goeff, but on the Charlton Comics produced comic book series that spawned because of the movie, and how you’d like if Konga was basically remade from the director/producer behind Oujia Shark, Brett Kelly?

Because that’s what we’re getting, a homegrown no-budget knock off of a King Kong knock off.

Continua a leggere

Reptisaurus (2009) [REVIEW] | #giantmonstermarch

Cheap, direct to video shitfest from Fred Olen Ray, the final frontier for the franchise you’ve never heard about until this very moment…. or did you really?

If you’ve been lurking and watching all things monster movies from a good decade or more, you probably already know of Reptilicus from 1961, the only Danish movie monster that had the privilege of being remembered by film historians, and like some of the others “Godzilla inspired” films, managed to get a shlocky comic book series, one that eventually crossed with the one based on Gorgo, of all fucking things.

But since this is that kind of story, Reptilicus’ comic book only lasted two issues. TWO.

Then the publisher, Charlton Comics, waited for the copyright on the name to expire, redesigning the creature a bit and retitling it as “Reptisaurus”, which at least gave the series more issues and a special one-shot, and – as said before – got a cameo in an issue of the Gorgo comic book series, also published by Charlton Comics.

Continua a leggere

Devil Monster AKA The Sea Fiend (1936) [REVIEW] #giantmonstermarch

Really feeling the old with this one, but i don’t really care since it’s one of the few – as far as i know, the only – monster movies about a killer manta ray. And thankfully it’s so old that it is in the public domain (in the United States at least) and can be found at the Internet Archive… at least in his edited version released in 1946, which was apparently more focused on South Seas drama and also supplemented the 20 minutes of material cut from the original with stock footage of native girls, half dressed ones, which was oddly a loophole for the Hays Code prohibition on nudity by considering them “etnographic scenes” of “native” life (the parenthesis doing a lot of lifting here).

The old art of technically correct nudity, the best kind of nudity.

Also, in a similar fashion to Universal’s treatment of their monster movies back in the 30s, there was a different Spanish language version shot back-to-back, called El Diablo De Mar, which also used some of the same actors and footage from the 1936 english speaking version, upon which we’re basing this review, and which can be found on Youtube at the time of writing.

Continua a leggere

Pokemon Scarlet/Violet is broken again, so its’ DLC review might arrive quite late

(the scheduled review for Giant Monster March will arrive tomorrow due to complications)

Wanted to post this earlier, but whatever, we’re doing it now, because i was planning to review the DLC of the latest Pokemon mainline games, i did so for the latest ialian blog, but… Pokemon Sword/Shield wasn’t held together with shit and sticks, say what you will but it wasn’t.

But sadly Pokemon Scarlet/Violet really IS “Pokèpunk 2077”, as after they announced the 2-part expansion for the game… it turned out the more recent patch actually made thing worse, including a bug that potentially could wipe or corrupt saves, low chances but not THAT low given the install base, so bad it had Game Freak say it would be better to just “import” your squad and whatnot to Pokemon Home before the worse happens.

Which means i haven’t touched the game after i played and reviewed it at launch, and i plan to keep it that way, hoping that the next patch will be proven to have fixed any chance of that shit happening, i’m not risking it.

And sure as shit i’m NOT pre-ordering the Expansion Pass, NOT when they should have delayed it as a project to work AFTER they at least addressed some of the many bugs, glitches and MANY technical issues (some of which were improved upon…. by reducing the already laughable amount of NPCs on screen at once).

But because this is Pokemon and Scarlet/Violet sold like gangbusters, fuck you, we’re going ahead with the DLC plans (takes me back to the same shit happening with the buggy ass Batman Arkham Origins situation), as in one expansion split in two parts and with a matsuri/japanese festival theme… one they’re also charging 10 bucks more than the Expansion Pass for the previous games, all made worse when the teased new Pokemon feel like “rejigged Yokai Watch designs”, and a one legged Suicine.

So don’t expect a timely review of the first part of the DLC, maybe one of the expansion on the whole when it has been released all, depends all on how much it takes for Game Freak to unfuck this specific bug and hopefully NOT reintroduce in a later patch, who can really say what will happen?

Maybe they will fix the issue by the time the first DLC rolls out, and in that case i will review it

Big Octopus (2020) [REVIEW] | #giantmonstermarch

Ah yes, the forgotten Splatoon lore of kids now, squids now, and chinese movie makers bootlegging the Squid’s sworn enemies for feature length b-movies.

Or something about Octaman’s mom.

For one i can’t deny mainland China’s output of these monster movies it’s quite abundant, so i really could have chosen from the many of these “killer animals/mutated animals” that can be found online, but i picked this one, going by the international title of Big Octopus, because the name it’s so to the point, it’s good to see some takodachi representation and octopi are now a lot less represented, unless it’s a Lovecraft (or Lovecraft inspired) adaptation of sorts.

Or Splatoon, once again.

Continua a leggere

Galgameth (1996) [REVIEW] | #giantmonstermarch

We already discussed the best known film from legendary South Korean director Shin Sang-ok (whom sadly passed away in 2004), and i feel one really deserves the epiteth of legend given the history behind the 1985 Bulgasari/Pulgasari, especially as it feels like a last middle finger to the then current North Korean dictator, as him and his wife (kidnapped to make movies for Kim Jong-il, again, not joking, at all) managed to escape while at a Vienna’s film festival.

We went through the whole ordeal for that movie’s review, so i’m not gonna repeat myself too much on this regard, but i do think we’re long overdue for a movie about the whole ordeal, since it’s a perfect case where reality is crazier than fiction.

After his escape in Vienna the director and his wife became US citizens for a while, and during the 90s he made some movies under the pseudonym Simon Sheen, including some “3 Ninjas” sequels, and today’s feature, the ever-so-obscure Galgameth, also known/released as The Legend Of Galgameth or The Adventures Of Galgameth, of course it has alternative titles.

And Galgameth is of interest for us because director Sean McNamara basically recycled the script from Shin Sang-ok’s Pulgasari/Bulgasari remake (the original 1962 Pulgasari is sadly a lost film) but made it into a sword and sorcery film for children. As you do.

Continua a leggere

Village Of The Giants (1965) [REVIEW] | #giantmonstermarch

Starting this Giant Monster March with one of the lesser discussed Bert I. Gordon flicks, Village Of The Giants, which also marks the first time our notorius B.I.G would harass poor H.G. Wells, specifically his novel The Food Of The Gods, which would later adapt again in a slightly “less loose” manner with 1976’s Food Of The Gods, spawning a fittingly loose sequel 13 years later, Food Of The Gods Part 2, which didn’t see Bert I. Gordon involved at all, and has somehow even less to do with H.G.Wells’ book.

Good old Bert this time basically used the book reference only so he could crib the idea of people turning into giants… this time via a generic “goo” chemical substance that falls in the hands of a group of teens, making themselves gigantic and decide to rule over the town and its grown ups using this newfound size, because they’re teens, and this movie has a lot more to do with Horror At Party Beach than Food Of The Gods, since it has a lot of elements from the “beach party film” which was indeed quite en vogue at the time, and also about to fizz out before the 70s came to be.

I haven’t strong feelings about the genre, it gave us Beach Blanket Bingo but also Arch Hall Jr. strumming his fuckin guitar while his face looks like they embalmed a Elvis impersonator in wax, and also the classic MST3K episode riffing his ass and teaching the evergreen lesson of watching out for snakes, even when the dub is off sync and the movie might not even have snakes at all.

Continua a leggere

Giant Monster March Lives Again

It’s March, so you know what that means, some select picks from the monster movie genre, as we try to not do the obvious ones but search deeper within the evergrowing sands of time, pulling out some familiar names as well as some of the more obscure entries, without completely forgoing more recent releases.

It’s not gonna be the more extensive year of the rubric, but i think the picks for this year’s Monster March are some of the better ones so far.

We’ll be starting on the 6th with some vintage rear projected cheese, after some EXPRESSO reviews of some recent releases i couldn’t get to before, see ya!

Babylon’s Fall PS4 [REVIEW-FUNERAL] | Enuma Eloss

After previously touching upon the demo, and especially when the inevitable news of the sunset period before the servers would be shot down, i knew i had get Babylon’s fall, for cheap (which wasn’t an issue), actually play and finish before lights were out.

Other times i’ve put out these “funerary reviews” slightly before a game kicked the bucket, just in case, as both a courtesy and a way to let people that might be interested in the game itself, for whatever reason, so they could – potentially – try it or play it, i mean, Jump Force can still be played as second hand copies are still around.

But Babylon’s Fall didn’t even deserve that, so we’re talking about it the very same days its servers will close forever, 28^th of February 2023, not even 1 year after the game launched on the 3^rd of March 2022, couldn’t even held out for 3 days more, in such a hurry to kill to it Square Enix were.

Then again, that in itself it’s nothing special, the company does this to countless mobile free to play spinoffs of it’s own series, it’s like clockwork for many people to learn through these “end of service announcement” that many mobile games based on franchises owned by Squeenix…. even existed.

But it’s Babylon’s Fall we’re talking about, a game that indeed will live on infamy as a golden grease stain on Platinum Games’ record, when they had the bright idea to work alongside the company that once every 2 year lamented every non-japanese big franchise they owned and handled sold “below expectations”, the company of FF VII NFTs, that also later sold all its western-centric studios and properties for a pittance, all to drown more cash into the latest internet money scam.

Continua a leggere