Ghost Shark 2: Urban Jaws (2015) [REVIEW] | The Auckland Haunting

As said as the end of the Ghost Shark review, 2 years after that movie we would get… another movie. Called Ghost Shark 2, for sure, but being unrelated to the 2013 Ghost Shark movie produced by SyFy, because numbers are for idiots with their logic and assumptions of sequels.

We encountered many cases of titles implying the movie are sequels when they’re not, many times, but Ghost Shark 2 is a peculiar case, as it started as a fake trailer (well before the first Ghost Shark was even a thing, odd as it sounds) and eventually became a real movie, like Hobo With A Shotgun, after production of a feature version did start in Auckland back in 2010.

Yeah, this is a New Zealand production, and the movie wants you to know it takes place there, in Auckland, specifically, because why not.

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Sharks In Venice (2008) [REVIEW] | Bambino Sharks In The Canal

I’ve actually already reviewed this one on the old italian blog, but it was years ago, and this is a crapfest worth a complete rewrite: I mean, i kinda have to spotlight a movie called Sharks In Venice during shark month, even though i would have felt the same obligation if i was bulgarian, because of course Sharks In Venice isn’t shot in Venice, but the far cheaper Sofia, Bulgaria.

This one in particular it’s produced by Nu Image, and boy were they pumping out shark movies fromn the late 90s to the 2000s, so it comes at no surprise this is directed and written by Danny Lerner, director of Raging Sharks/Shark Invasion (itself a kind of spin-off of the Shark Attack series), and 2003’s Shark Zone. So we are in… middling hands, at the very best.

I guess he really wanted to make a shark movie with the mafia involved, which brings us back to Jaws once again… the original novel, this time, but still, we are bound to eternally have to notice how all sharks movies in some way spawn from that Spielberg’s 1975 classic. In some way or another.

The plot sees a scuba diver, David Franks go to Venice accompanied by his wife, in order to talk with the local police force and locate the whereabouts of his missing father. While investigating the canal where David’s father may have been seen for the last time, he discovers an underwater cave filled with treasure, and manages to survive the attack of a shark. The mafia gets wind of this and then blackmails David into going to the cave and bring them the rest of the treasure.

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Tintorera (1977) [REVIEW] | Sleaze Sharks

When talking about Jaws rip-offs made soon after the success of Spielberg’s movie, one that doesn’t get mentioned that often is Tintorera, also known as Tintorera – Tiger Shark, and i wonder why not, i genuinely do, because while the italian Jaws rip-offs were so brazen to the point of actual lawsuit happening, this is from mexican exploitation shlockmeister Rene Cardona Jr.

You know, the guy better known for incredibly shitty and sleazy exploitation titles like Guyana – Cult Of The Damned, the film about the Jonestown’s Guyana massacre-ritual mass suicide, actually the first film ever to be based on the events, because taste was always out of the question, and he wanted to come first in to profit off a recent tragedy. Personally, i think i will always bring with me Night Of The Thousand Cats as the perfect example of his brand of shlock, non-existent budget and random animal cruelty. And in that one he doesn’t even kill a cat, but he does kill real sharks (yes, plural) in Tintorera, and would later film a dog being killed in Cyclone (1978).

Thankfully in that movie it’s clearly staged… i think, but since it’s Rene Cardona Jr. i just had to triple check, and even if common sense suggests he couldn’t get away with killing a dog, i’m still kinda unsure because they later show something that they clearly skinned and gutted. Just a warning, since i don’t know when or if i’ll ever get around to review that, for various reasons.

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Aquarium Of The Dead (2021) [REVIEW] | Aqua Zoombies

Today i’m gonna ask you a question, answer sincerely.

Who exactly asked for a Zoombies 3?

I’m not even being sarcastic, i’m genuinely curious because i’m pretty sure most people that at least saw the first Zoombies didn’t knew it had a “sequel” to begin with. This is not a series that has anything as a following, as far as i understand.

But yes, this is actually the third movie in the Zoombies trilogy, despite the title.

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Land Shark (2020) [REVIEW] | China Deep Blue Sealab

Not be confused with the Polonia Brothers movie of the same released in 2017.

Or the SNL sketch.

Nope, this time we’re branching out a bit and taking one of the many (more than i expected, anyway) creature features from mainland China that manage to be known westward thanks to dedicated users reviewing them, and the various chinese companies realizing it’s easier to market these outside of China if they just put the movies on their Youtube channel with english subs.

Like this one, originally titled Luxingsha (which translates to “Land Shark”, as you could guess by now) and directed by Cheng Siyu, and at the time of reading available for free on Youtube with optional english, indonesian and vietnamese subs.

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[EXPRESSO] Black Widow (2021) | Velvet Assassins, Inc.

Marvel movies are back into theathers, a fact of life made accidentally more intriguing after the pandemic stopped the torrent of Marvel theatherical releases, and saturation gives way to acceptance and wishing to return to the “pre-Covid 19” habits.

At the very least this particular movie had already plenty of delays and issues behind the scenes before, but the Black Widow “origins” movie is here.

Not exactly my favourite of the Avengers, i will say this upfront, but still, easily more intriguing that anything they could come up with Hawkeye (at least judging what the Marvel movies did with him), i’d say. Like the previous movie hinted at, she had a troubled upbringing, was a KGB, and here we see her momentarily leave the Avengers team (in a timespan between Civil War and Infinity War) to meet up with her old “family”, leading her to take on the villain Taskmaster and confront a figure from her past youth as a selected trainee for the “Black Widow” program.

As Natasha Romanoff is simply human, her origin story uses this to give the movie a more “realistical” feel (though don’t worry, there’s the usual Marvel bombast), and aside from some of the inevitable mentions of the other Avengers, the movie does want to stand on its own and distinguish itself by tackling darker (and a bit more “grounded”) themes than usual, as this action thriller about child soldiers raised -at all cost – to be the most efficient assassins and spies, the new characters are good, there are some fun moments (alongside the usual, obligatory Marvel self-jab).

The cast is pretty dang good too (it has Florence Pugh), and while not sensational, it’s quite entertaining and willing to not really rely on other Marvel movies to tell its own story. Fun one.

Empire Of The Sharks (2017) [REVIEW] | Fury Boat

As you might remember, i frankly hated Planet Of The Sharks, so i post-poned the review of Empire Of Sharks, which i also incorrectly described as a sequel.

Because it isn’t: completely different cast, completely different characters, no continuity, you know the drill by now.

It still kind of a follow up to Planet Of The Sharks, as in this is The Asylum trying again to make work the ill-conceived- and under budgeted – mash up of Mad Max, Waterworld and a shark movie.

I don’t why exactly they felt the need to try again, since i’m not even sure it raked in much profit for the Asylum, but i guess Mark Atkins wanted another go at the concept, so this time he directed but also wrote the script himself, which is not necessarily encouraging piece of info.

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Open Water 3: Cage Dive (2017) [REVIEW] | Wisdom N’ The

11 years after Adrift, Lionsgate felt the time was right to resume the “series”, and might as well drop any pretense, so they just released it as Open Water 3 right away, which surely prompted viewers to ask “was there a second one?”. Again, not that it matters because these are completely standalone stories, so you could waltz in theathers in 2017 without any real need to see the “previous ones”.

Not that many moviegoers are bound by that anyway.

If the subtitle sound somewhat familiar, it’s because this third installment in the Open Water series clearly took wind of what Dimension Films was cooking up with 47 Meters Down, it’s not that there’s a copyright on the concept of “cage dive scuba session goes wrong, with sharks”, but this one was released the same year, just 2 months after 47 Meters Down, so comparisons are bound to be made..

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Jaws In Japan AKA Psycho Shark (2009) [REVIEW] | Sharkmills Of Your Mind…

In retrospect, it’s kinda hard to believe that Japan didn’t really contributed much to the avalanche of “sharkxploitation” movies seen in late 2000s and the 2010s, aside from the movie we’re talking about today, since this is the country that the very same year gifted us stuff like Vampire Girl VS Frankenstein Girl, to say nothing of the amazing exploitation masterpiece of Tokyo Gore Police.

You would think japanese genre directors would have jumped on the trend and gifted us plenty of insane shark movies with people cutting off their limbs to replace them with shark heads or something, but nope, the only exploitation japanese shark movie that pops up in related searches is this one, and it becomes clear why now it has just been kinda forgotten and left to obscurity.

Because it is fully deserving of such treatment.

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Open Water 2: Adrift (2006) [REVIEW] | Sequel Sharks

What happens when you get to do a sequel that’s really not a sequel, but another iteration on the same basic premise? You get slapped for asking obvious and stupid rethorical questions, as you know damn well the industry will conjure series out of unrelated movies anyway, so doesn’t matter that not even the production company is the same as Open Water, we’ll release it with a different name first and then slap “Open Water 2” when it hits home video, passing the original title as a subtitle. Not to be confused with the 1993 movie by Christian Duguay, also called “Adrift”.

This one is directed by Hans Horn, also behind german produced TV movie like Death Water (Tod aus der Tiefe) and with a new movie in pre-production, Going Down, which sound like it’s gonna be an unofficial Open Water or a rip-off. But we’ll see about that.

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